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London Faerie: Playing with Consciousness Part 2

It’s my pleasure to welcome London Faerie back to A Hopeful Romantic for the second instalment of his fascinating post on playing with consciousness. If you missed Faerie’s first post, check out Part One here.

Often in BDSM we talk about ‘sub space’, and this is shorthand for an altered state of consciousness experienced by submissives when things go well. Often when a submissive is experienced, the simple act of putting a collar on them takes them straight into this altered state: London Faerie-23thoughts of anything but what’s happening right now melt away and they focus their attention on the Dominant in front of them. For those who find entering sub space harder, strong impact (spanking, caning etc) often help take the person into an altered state: when the pain gets too much to bear, it feels much better to focus on the sensation than to think yourself away from it. A skilled Dominant uses their voice, their presence, impact and fear to guide the person deeper and deeper into sub space.

Anticipation is a key here. In a recent workshop one participant talked about how not knowing what was coming next was the thing that helped them drop into sub space, and this makes a lot of sense to me. I know it doesn’t work for everyone – for some, the anxiety of not knowing makes them more thinky and less present. But for many waiting for the next touch, stroke or instruction brings them into this focused flow state and out of their everyday relationship with reality.

What is talked about less often is ‘top space’, the altered state of consciousness experienced by the Dominant. I experience this as similar and different to sub space. A sub surrenders to the situation fully, letting go of any thoughts and fully embracing their desire to serve and please the Dominant. Meanwhile the Dominant focuses all their attention on the submissive, letting go of any thoughts and fully embracing the open, vulnerable person in front of them. Feeling the submissive’s desire to please and serve, many Dominants find themselves growing into the present moment, expanding so they feel bigger (often literally) and enveloping the submissive in their expanded attention.

This sounds abstract because it’s hard to describe, but both ways of accessing altered states are reported again and again by both Dominants and submissives around the world. Kinky people instinctively find a way to the flow state described by Mihály Csíkszentmihályi, irrespective of what this state means for them.

At the recent Eroticon, KD Grace and Victoria Blisse led a fantastic seminar about Sex & Spirituality, looking at how we enter this different head state through both experiencing sex and writing about it. It was amazing to discover that almost everyone in the room knew exactly what they were talking about. Writers talked about ‘the writing coming through me’, ‘the characters telling me what they do next’, ‘the book writing itself’ and ‘feeling guided’. For some this indicated the presence of an external force or power, but I don’t see that as important. For me I see it as connecting to a ‘grid’ of consciousness which contains everything and everyone. From this hyper-connected place I can feel and access much more than I do when I’m feeling separate. It’s like my mind connects with a kind of global Mind and I’m fed information beyond what I myself know or understand. It isn’t necessary for me to believe this as anything other than plugging into a collective consciousness, like a circuit board that gives me power and creative juice. And this is equally true if I’m making love, doing BDSM or writing.

London Faerie-14Sex, BDSM and creativity are particularly effective ways to shift consciousness, and this is why I lead workshops in these areas. What’s often interesting is the journey people take into deeper and deeper presence over the course of a day- or weekend-long workshop. A key element is how safe we as facilitators make it for people to go there. I see this ‘dropping in’ as a process of removing our masks and our armour so we can be more ‘naked’ (emotionally rather than physically). Along the way, we often meet the pain and difficulties that caused us to protect ourselves in the first place: fear, overwhelm, rage, frustration, feeling unseen, feeling not good enough and so on.

As people feel safer to let go of their protective layer, they drop in right before our eyes. Often we begin the workshops with simple intimacy exercises: for example, standing in front of a stranger and looking softly into their eyes, seeing them while allowing them to see you. This sounds strange because we don’t do it in everyday life, but it’s surprisingly effective and powerful for helping people to drop in to more presence. Seeing someone else as simply human, without any needs or expectations beyond this, recalls our inter-connectedness: ‘we are all in this together’.

The first few times people experience this flow state in workshops, it can really surprise and sometimes alarm them. One participant, asked how they felt on the Sunday morning of a weekend workshop, said “I’m somewhere above Heathrow Airport right now.” They had never felt so fully present and this in turn made them feel incredibly high.

Over time, people get more supple at moving in and out of altered states of consciousness. The masks and armour their wear in everyday life become less welded to them and they learn how to take them off in a few minutes when the conditions are right. I see this with experienced BDSMers who quickly create a safe space for each other to play, let go of anything they don’t need right now and move into this hyper-connected state. Then when they’re done they gently come back to a more everyday state of consciousness, taking time and care not to rush or jolt themselves.

I wrote about this ‘suppleness’ on my own blog here. http://londonfaerie.co.uk/2013/08/magical-space/

For me being able to shift between altered states of consciousness and more everyday ways of being in the world is a great gift. For many people, attending workshops like our forthcoming Through The Portals is a great way to cultivate this suppleness. It means that when we need to attend a difficult meeting and talk about financial projections or project plans, we can move easily into horizontal reality; and when we want to make love with someone and open ourselves to that connection, we can move easily into vertical reality. This suppleness is valuable for just about anything we might do in a day.

And many roads lead to Rome: whatever takes you into altered states of consciousness, whether it’s writing poetry, tending your garden or getting a jolly good whipping, the more often you make those shifts, the more supple you become and the easier they get. The first few times it can be painful to go back into thinking in time after being so lost in the moment; but after a while you recognise that it’s easy enough to shift between the two states, and this makes it safe to go deeper into altered states because you know your way back the everyday ones.

If your interest has been piqued by what I’ve written, I’m running two workshops in April where you can experience these altered states for yourself. On Sat 5th & Sun 6th April I co-lead Through The Portals, an experiential weekend introduction that includes BDSM, Tantra and breathwork. And on Sat 26th & Sun 27th April I lead The Purple Door, exploring ecstatic and altered states through BDSM. Find out more at http://sacredpleasures.co.uk

Through the Portals Workshop:

5th & 6th April

The Purple Door Workshop:

26th & 27th April


About London Faerie:

London Faerie-15London Faerie is a purveyor of authentic desire. He believes that you should ‘Follow Your Bliss‘, and offers a range of workshops, talks, salons and sessions to support people in doing so.

Faerie’s practice is wide-ranging, drawing from BDSM, shamanic healing, coaching, psychodrama and Tantra. He’s been practising and learning for over 12 years, and brings a wealth of experience and expertise to his groups and sessions. Faerie is the founder of Sacred Pleasures, the place where everything meets: a sex-positive community space where you can welcome more of yourself and make friends with everything you are.

Find London Faerie Here:



blog.londonfaerie.co.uk (personal stuff)

Twitter: @londonfaerie



London Faerie: Playing with Consciousness Part 1

Though I’d met London Faerie before and seen his amazing sacred BDSM demonstrations,  Eroticon 2014 was the first chance we’d had for a real conversation. And when the topic was something as multifaceted as sex and spirituality, I knew I wanted to have Faerie guest on A Hopeful Romantic. The resulting guest post on the topic of ‘head space,’ ended up way too amazing to cram into one post. So, please welcome London Faerie, for Part 1 of Playing with Consciousness! (see Part 2 on 31st March)


In my work I teach people how to play with consciousness. This sounds a bit grand and, to many people, rather spiritual. However KD’s asked me to write about ‘head spaces’, and this is a great opportunity for me to talk about how you don’t need to believe in God, the Universe or anything else to experience these altered states.

Firstly it’s good to define what we’re talking about here. In everyday life our minds are busy and active with many thoughts, and our attention goes to the past and the future as well as the present moment. I see this as a horizontal reality, where we experience life in a linear way, with the present moment part of a narrative that extends backwards into the past and forward into the future.

Most of us have at times experienced a different space: a peak state, sometimes called ‘flow’, in which we lose ourselves completely in what we’re doing. When we’re in this flow state we lose track of time and everything but the present moment fades away Often this flow state happens London Faerie-23spontaneously and without us doing anything to move into it: for example, when we’re engaged with an interesting and difficult task, like repairing a bike or painting a picture. Instead of finding ourselves on a horizontal line, the present moment expands and we experience a more ‘vertical’ reality, in which we feel deeply connected with the world around us.

For those who are spiritually inclined, this state is often seen as connecting with a higher power: God/dess, the Universe, the Background Presence, All That Is or whatever you individually choose to name it. I don’t however feel that you need to believe in any of those things to experience altered states of consciousness. It’s enough to feel more presence, and in this increased presence to discover that you feel quite different.

These different head-states are special for a few reasons. First of all, they feel great. In his book Flow, Mihály Csíkszentmihályi talks about the flow state as optimal for human beings, a complete immersion that increases our mental capacity and makes us feel much better. He argues that happiness and flow are closely connected: the more time we spend in this peak state, the better we feel. Even though his book actively dismisses spirituality, I recongise that his discovery of the close link between presence and happiness is an important one.

As well as being good for us, going into altered states of consciousness is often very surprising. People report becoming much more attuned to each other, sometimes almost psychic in their ability to feel what is happening to each other. It’s common for people to think similar thoughts at the same moment, to ‘just know’ what to do in difficult situations and so on.

Whatever their beliefs, most people recognise this hyper-connected state as something they’ve experienced from time to time. It’s as if the veil of separateness drops and we experience our inter-connectedness as reality. We still know that we are individual, but we also remember that we’re part of the web of all life and that our thoughts and feelings connect us with everything and everyone else.

London Faerie-14Most of us know these altered head-spaces because we’ve been there, but often this happens haphazardly, by accident and without us being able to easily replicate it. So how do we learn to move in and out of this flow state at will?

Through the course of my explorations with BDSM and Tantra I’ve discovered that there are certain things we can do to enter these altered states again and again. One amazing tool is breath. It still staggers me that changing the way we breathe fundamentally changes the way we feel: it’s so simple and obvious yet it works every time.

When we think about it in reverse, it makes perfect sense. When we feel differently we automatically breathe differently. When anxious we breathe fast and shallow, and this way of breathing increases the anxious feelings; when aroused we breathe fast and deep, resulting in us feeling more ‘charged up’ and more aroused. How we feel and how we breathe are in a dynamic relationship with each other, each affecting the other, taking us into a virtuous or vicious cycle.

Playing with breath deliberately is a simple way to play with consciousness. In Tantra we learn how to become more relaxed through one type of breath, how to turn ourselves on through another and how to become more present and alert through yet another. Similarly we play with breath in BDSM: holding someone’s breath when they have a lungful to induce panic, holding it when their lungs are empty so they feel relaxed and spacy.

If your interest has been piqued by what I’ve written, I’m running two workshops in April where you can experience these altered states for yourself. On Sat 5th & Sun 6th April I co-lead Through The Portals, an experiential weekend introduction that includes BDSM, Tantra and breathwork. And on Sat 26th & Sun 27th April I lead The Purple Door, exploring ecstatic and altered states through BDSM. Find out more at http://sacredpleasures.co.uk


Be sure to stop by next Monday, the 31st for the second instalment of London Faerie’s post on Playing with Consciousness. 


Through the Portals Workshop:

5th & 6th April

The Purple Door Workshop:

26th & 27th April


About London Faerie:

London Faerie-15London Faerie is a purveyor of authentic desire. He believes that you should ‘Follow Your Bliss‘, and offers a range of workshops, talks, salons and sessions to support people in doing so.

Faerie’s practice is wide-ranging, drawing from BDSM, shamanic healing, coaching, psychodrama and Tantra. He’s been practising and learning for over 12 years, and brings a wealth of experience and expertise to his groups and sessions. Faerie is the founder of Sacred Pleasures, the place where everything meets: a sex-positive community space where you can welcome more of yourself and make friends with everything you are.

Find London Faerie Here:



blog.londonfaerie.co.uk (personal stuff)

Twitter: @londonfaerie



Kelly Lawrence Talks about Erotica: Fact VS Fiction

Wicked GamesAs a writer of both erotic fiction and erotic memoir, the lines between the two can often become blurred. All memoir, even though it is ‘true’ is tweaked and filtered to fit a coherent narrative and while it may be truth it is a subjective truth. Certainly with erotic experiences we may be feeling something completely different to how other participants remember the encounter.

Fiction, of course is ‘made up’ yet most writers whether consciously or unconsciously write from the ground of their own experiences and knowledge. Certainly when writing sex scenes, which is why it’s often especially difficult to write an erotic scene from the perspective of another gender! In fact in my upcoming writing guide, Passionate Plots, published by Compass Books late 2013, I include a writing exercise that uses memory to craft a sex scene for writer’s new to the genre. If you would like to have a go at this, there’s a shortened version below.

Writing exercise – Write your own sex scene using memory.

I don’t want you to have to do too much thinking about who your characters are, what you’re doing and why for this exercise so to ensure that your erotic scene already has developed characters and a plot, we’re going to use a real memory. Yours. Pick a favourite past erotic encounter; it can be anything you choose as long as it’s a good memory, and turn it into a sex scene. Of course you may find yourself tweaking certain details and you could even tailor it to fit in the plot of a current story you are writing or planning, but in terms of the sexual content, use your memory. If you want to detach from it a little, write in the third-person rather than the first.

Think about where and when you can add sensory detail to create an evocative picture. Let yourself be immersed in the memories as you write.


Read over it a few days later and see how you feel and if there are any parts you would change.

Passionate PlotsOur own experiences are always a good starting point when it comes to writing erotic scenes. The beauty of fiction however is the reader doesn’t know which experiences are or aren’t your own. Of course, if you’re writing good fiction then the reader will be too immersed in the characters to think of the author at all. You can let your imagination go where it pleases. I recently wrote an erotic scene involving oral sex in a stable with a cowboy. Although I used my own sexual experiences as a springboard, creativity took over from there, as – unfortunately – I have yet to have sex in a stable with a cowboy! I love writing paranormal and historical erotic romance in particular as I can take real flights of fancy.

When it comes to writing memoir, it’s a very different process. As the writer you’re constrained to a certain degree by the facts as you see them, and this leads to a spiralling inwards rather than a creative leap – digging down right into your own dreams and memories and feelings. Although I found writing my memoir ‘Wicked Games’ a cathartic process, it was also an unsettling one that left me feeling vulnerable. There’s no hiding behind your characters when you are in fact the character! It’s tempting to gloss over the most revealing parts, but that often takes away from the intensity of the scene.

Erotic memoir is very popular at the moment, although as a genre it’s nothing new; in fact we get our word ‘pornography’ from the Ancient Greek ‘pornographia’ which means the ‘writings of prostitutes’ referring to memoirs that popular courtesans of the period often wrote to entice future clients – and probably, in time honoured girl talk tradition, share with each other too! Anais Nin’s erotic memoirs became literary classics, in stark contrast to today’s somewhat patronising ‘mommy porn’ labels.

Erotica as a genre is so enduring because all of us to some degree like stories and like sex. Put them together and you’re onto a winner. Erotic memoir, as distinct from its fictional counterpart, is I believe so popular because it gives us the forbidden feeling of delving into someone else’s most personal thoughts and deeds. It’s almost an act of voyeurism, and that’s partly what makes it so hot for the reader and sometimes unsettling for the writer; it’s like inviting the world into your bedroom. Of course as the writer you can pick and choose what to include, but leave too much out and it will feel inauthentic to the reader. Include everything, and you feel as though you’re walking around naked.

Often when writing ‘Wicked Games’ I struggled with including particular scenes that left me feeling raw, yet I knew would be brilliant for the book. More often than not I included them, and I think that feeling of being exposed made the writing better. I do wish my friends wouldn’t insist on reading parts of the book aloud when we’re in a public place however!

Of course there’s the option to ‘fictionalise’ a real encounter; I recently published a piece of ‘flash fiction’ that was originally a journal entry, and very real, but with longer pieces this can mean losing out on two counts. The writing lacks the appeal of being a memoir, but is more constrained than fiction. My advice to anyone considering memoir is just do it, but consider leaving the country afterwards.

Having said that, I’ve found that if you tell people you write erotica, no matter how fictional your work, they will still assume you have indeed had all the experiences you write about. So I would just like to take this chance to state; the scene in the sex club with a pack of shape shifters? Most definitely fiction. Mostly….

Wicked Games Blurb:

A red-hot account of how an everyday woman is seduced into a thrilling sub/dom relationship. This is true-life erotic romance at its best.

From the Back Cover

‘I unwrapped his gift with shaky fingers. A pink and black silk blindfold. It was deceptively pretty and harmless looking. A bit like Alex.’

When Kelly meets Alex, she has little idea of the sexual revolution about to take place in her ordinary world. For Alex isn’t like other men. He likes to play games – wicked games – and he wants Kelly as his playmate…

Dare she submit to him – and to her own deepest, darkest desires?

In Wicked Games, every word is true. You’ve read the fiction – now find out how it really feels to surrender to the one you love…

Published by Black Lace Books, Random House RRP £7.99 Also available in ebook.


Extract from Wicked Games

Then he reached for the butterfly clamps that I only now realised were on his desk. Of course, before he had ordered me in here all but naked he would have known how he wanted to play it. I licked my suddenly dry lips as I saw the clamps in his hands. I had wondered when they were going to make an appearance. Lately his nipple play had been getting rougher and more prolonged, as if in readiness for more brutal treatment. He would twist and pinch until my breasts ached. I had such sensitive nipples they practically had a direct line to my clit, so I guessed he had been building me up to the clamps.

‘This won’t hurt, but they will pinch a little. It’s when you take them off that they will really throb, but,’ he paused to suck a thumb and forefinger and then teased one nipple with them until it stood to stiff attention, ‘by that point, you’ll love it.’

I hoped he was right, wincing as he fastened the clamp over me. After the initial pinch it wasn’t too bad, and my arousal increased as he carefully applied the second.

‘Gorgeous.’ He admired his handiwork. ‘And now, you may suck my cock.’

I bent my head to take him into my mouth, swirling my tongue around his glans to lubricate it before sucking it vigorously, then slowly sliding down the length of his shaft. As I did so he tugged and twisted on the clamps, pulling my breasts up and sending shocks of pleasure through my nipples and down to my now-throbbing clit. As I sucked him harder he pulled harder, so that I moaned around his cock.

Abruptly he stood up, taking me by surprise.

‘Stand up and turn around. Bend over the desk with your palms flat on it. Yes, like that.’

He kicked my legs wider apart with his foot as I bent over just enough to support my weight on my outstretched hands, the stiletto boots putting me at just the right height. He reached around to my breasts with one hand, pulling at each of the clamps in turn as he eased his cock into me, his girth making me gasp. He began to move inside me, slow and rhythmic, teasing at my nipples. It was an exquisite torture that made me desperate for more, but every time I tried to push my ass into him, hungry for him, he only slowed down, making me grip the desk with my fingers in frustration. I was desperate to touch myself, but knew I would only be reprimanded and that he might even stop altogether, so I tried to hold myself still, the sensations building in me as he played my body expertly. I was so wet around him I could feel my juices soaking my thighs, and a high whimpering sound came unbidden from my mouth.

‘You like that, baby? Hmm, I think I’m being too soft on you.’

He pounded into me then with a stroke that all but had me sprawling over the desk, stopped only by his hand in front giving a now-truly-vicious twist to my aching breasts. He fucked me hard and fast for a while, his hands at my breasts mimicking his rhythm, and I drowned in the pain then pleasure then pain then pleasure that warred for supremacy within me until they merged into one and I was no longer aware of the difference between them.

He stopped, pulling me up and round and on top of him so that I was straddling him on his chair, and paused for a moment to remove the clamps, tossing them to one side. As promised my nipples began to throb immediately and with an intensity that made me gasp. He took my breasts in his hands, pushing them together and sucking hard on my already tortured nipples. I rode him frantically, my orgasm taking me over completely, his mouth sending shockwave after shockwave through me, drawing my orgasm out as if he were wringing every last drop out of me. Only when I collapsed on top of him, panting, did he release my breasts, guiding me back on to my knees in front of him to finish as we had begun.

I can, without hesitation, thoroughly recommend nip­ple clamps.


Buy Wicked Games Here:








Kelly LawrenceAbout Kelly Lawrence

Kelly has been writing since she was able to pick up a pen and wrote her first novel, an historical romance about Anne Boleyn, at the tender age of twelve; it consists of 200 notebook pages tied together with string and still takes pride of place in her grandmothers’ display cabinet. She was married at eighteen and divorced at twenty-one, and graduated with first class honours from Warwick University in the meantime. After seven years as a literacy teacher she now writes full time. ‘Wicked Games’ is her first book, a true-life erotic memoir that she hopes will scandalise the locals in the beautiful village she now lives in, in the heart of the Derbyshire Dales. She lives with her wonderful and long-suffering partner and has recently become a practicing Buddhist.

Find Kelly Lawrence Here



The Perfect Dom by Lucy Felthouse

The Perfect DomFour kinky and erotic BDSM tales from the smutty pen of Lucy Felthouse.

Balancing the Books
Philip’s a well off man, and doesn’t need a job. But when he sees the gorgeous owner of his local bookshop, he applies for the role that’s being advertised there immediately. He’s totally stricken by the stunning Giovanna, and when it turns out she wants to boss him around in a sexual sense as well as an employment sense, he has no intention of refusing.

Feeling the Heat
Taylor and Maisie’s car has broken down. Luckily, Taylor’s handy with engines and is working hard to get them back on the road. Unfortunately, Maisie is getting annoyed at the amount of time he’s spending in the garage and confronts him. Instead of arguing back, though, Taylor comes up with an ingenious plan to keep Maisie quiet.

The Perfect Dom
Part of Mia’s nightwear is a pair of hotpants with SPANK ME emblazoned across the arse. Normally, that wouldn’t be a problem, but when she forgets that she has a houseguest and heads to the kitchen for a drink, she’s shocked to find Alex in her living room. Immediately spotting what he sees as an invitation written across Mia’s bottom, Alex makes an offer and Mia soon discovers that he is, in fact, the perfect dom.

Meet Me at the Spanish Steps
Darby is working at a holiday camp on the outskirts of Rome and is getting along just fine, with the exception of her sex life. For various reasons, she’s not getting what she wants in the bedroom, and her tastes are very particular. She turns to the Internet to get what she needs, and when she discovers William, it seems that he’s more than willing—and capable—of scratching that particular itch.

Available from:
All Romance eBooks
Amazon UK
Amazon US

Coming soon to all other good eBook retailers.


Spank me. Is that an invitation?”

Shit. Mia had completely forgotten about him. Her flatmate, Katy, had asked if it was okay if her brother could stay on their sofa for a couple of nights. His own place was being fitted with a new bathroom and conditions over there weren’t exactly tantamount to hygiene. Mia had been rushing around in order to get to work and hadn’t really been paying attention, so she’d just agreed and then promptly forgotten.

Now, however, she was being treated to a huge and incredibly embarrassing reminder. Katy was on a nightshift at the hospital so when Mia had woken up at 9p.m.—her own body clock being on that of working in the club, though tonight was her night off—she’d deemed it safe to wander to the kitchen to get a drink in what she was wearing.

Big mistake. Alex was sitting on the sofa, an eyebrow quirked and a leering grin on his face. He held his iPad, and earphones hung around his neck. He’d obviously been watching a film or playing some ridiculous game before Mia had flipped the light on and sauntered through the living room in nothing but a skimpy vest and hotpants. The hotpants were, of course, what he was referring to. The fuchsia garment had SPANK ME emblazoned across the ass in large black lettering.

Mia gave Alex a look that would have turned a lesser man to stone. He, however, simply grinned even more widely, then said, “Well? Do you need a firm hand to that luscious butt of yours? Like a spanking, do you?”

Mia sighed. “Shut up, Alex. It’s none of your business. I’m just getting a drink. Get back to your damn gadget and leave me alone.”

“Oooh, someone’s defensive. I’m just saying, you must have them for a reason. A statement like that printed on your backside would definitely be construed as an invitation in my book.”

“Well, maybe it is an invitation, Alex. But it’s certainly not directed at you. Now if you’d kindly stop passing judgement on my non-existent sex life I’ll get my drink and get out of your way.”


Lucy Felthouse is a very busy woman! She writes erotica and erotic romance in a variety of subgenres and pairings, and has over seventy publications to her name, with many more in the pipeline. These include Best Bondage Erotica 2012 and 2013, and Best Women’s Erotica 2013. Another string to her bow is editing, and she has edited and co-edited a number of anthologies. She owns Erotica For All, and is book editor for Cliterati. Find out more at http://www.lucyfelthouse.co.uk. Join her on Facebook and Twitter, and subscribe to her newsletter at: http://eepurl.com/gMQb9


The Story Behind In His House of Submission by Justine Elyot

The Story Behind The Story


It’s a pleasure to have back as my guest on The Story Behind the Story one of my very favourite writers and an all-around fab person, Justine Elyot. Welcome back, Justine!


Consuming Passions?

Here I am, taking shameless advantage of K D’s hospitality again, with a Mischief Petite Novel to tell you about.

It’s October now and the leaves are on the ground, but for this story we have to revisit the summer. I hope yours was a good one. Sarah’s certainly was.

In His House of Submission, history graduate Sarah Wells has taken a summer job archiving the antique treasures at the substantial home of famous film director, Jasper Jay. From the start, they have a shared passion – they both love things that have a past.

That’s not the only interest they have in common either, as Sarah soon finds out when she stumbles across his vast collection of BDSM paraphernalia.

Are the passions that bind them together strong enough to withstand other forces in their lives that conspire to keep them apart, though? Here’s an excerpt:

I presented myself for breakfast in the kitchen in my usual long skirt and top-and-scarf combo. He stopped me before I sat down and asked me to show him my underwear.

I almost asked why, but checked myself in time. Instead, I silently pulled up my top and then lifted my skirt, my pulse racing. Despite the soreness below, I felt ready to take more of him, tingling with the shameful joy of submission.

‘Too much,’ he said. ‘Go upstairs and take it off. You aren’t going to need underwear for the next six weeks. Unless I ask you to wear it. Go on, then.’ He waved the spatula at me. I could imagine that being quite a useful spanking implement.

When I came back down, he beckoned me over to the counter, where he was buttering toast. With his other hand, he felt my breasts through the thin cotton top, rubbing at my nipples until they stood out through the fabric, bullet-hard and unmistakable. When that was done to his satisfaction, he lifted my skirt and checked for the presence of knickers. Finding none, he rewarded me with a luscious, filthy, grope-filled snog.

‘Sit down,’ he said, sliding eggs on to the toast before sorting out more coffee. ‘But you have to raise your skirt. I want your bare bottom touching the seat. And you can lift up your top too. And keep your legs wide apart.’

Sitting like that, with my top bunched over the top of my breasts and my thighs split while the varnished wooden seat chilled my bare bum, I couldn’t escape the reality of my submission. It was profound and absolute, and it was going to touch every aspect of my daily life.

Jasper watched me, smiling slyly, as he dug into his breakfast. I could barely touch mine, my appetite killed by the overwhelming presence of sex in the air around me, touching my skin, feeding itself into me.

‘Eat up,’ he said, pointing at my plate with his knife. ‘You need it, girl. I’ve plans for you.’

It was an order. I had to obey.

I made a decent attempt at eating my eggs, but the toast stuck in my throat. The coffee didn’t help, so strong it gave me jitters. I spilled a drop and it landed on my nipple, making me gasp and almost make a sound. But I managed not to.

Jasper tutted and dabbed my nipple with some kitchen roll, for much longer than was strictly necessary. Then he kissed it better.

Dropping down between my knees, he had a good long look at my widespread pussy, prodding at it until I winced.

‘That’s a well-fucked pussy,’ he diagnosed. ‘Swollen and red, it is. I think we’ll have to take it a bit easy today. But there are lots of things we can do that don’t involve the old in-out. Aren’t there?’

He raised flashing eyes to me.

I bit my lip and made a gesture intended to convey the phrase, ‘You tell me.’

He smiled. ‘So much to learn.’


If you want to know what Sarah learns from – and teaches – Jasper, here’s some more information.

Justine Elyot His House of SubmissionHe’s a collector with some kinky interests on the side. She’s here to catalogue his possessions. But will she end up being one of them?

Sarah turns up at Jasper Jay’s country house thinking she has been hired to make an inventory of his large collection of historical artefacts. But when she and her lover, Will, are caught by the boss sneaking a peek at some of his more private pieces, she starts to suspect an ulterior motive. Alone with Jasper Jay in his secluded manor, Sarah finds herself enthralled by the enigmatic collector, especially given the intimate interest she shares with him. Pretty soon, they’re entangled in an intense relationship of domination and submission that excludes the rest of the world. Until it intrudes, in the form of a vengeful Will, bent on exposing everything his erstwhile boss has worked so hard to keep secret.

It’s available right now in all the best e-formats from Mischief Books: http://www.mischiefbooks.com/books/his-house-submission/

Thanks to KD for having me again! And thanks to everyone for reading.

© 2018 K D Grace
The Romance Reviews

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