A Scary Encounter on the Flight Home

As you know, I’ve been in the States visiting family the last three weeks. It’s been a happy time spent playing with the nieces and then later huckleberry picking and road-tripping with my sister. It’s been a restful, healing time away from the Guardian and the interview that, I’ll admit, had me pretty frazzled. The last thing I expected when I boarded the plane to Heathrow for the return flight was an encounter with Magda Gardener. Here’s what happened. 

 

“I know what you’re doing.” I’m instantly wide-awake. For a second I don’t remember where I’m at, but then the flight attendant brushes past me in the aisle and I can just make out the sonorous buzz of a snore coming from the man in the seat behind me. The too warm cabin suddenly feels like the arctic, and my arms prickle in a wave of goose bumps. I feel like my insides have turned to ice and the urge to run is cut off at the pass. I can’t run. I can’t even breathe. And just as panic sets in, the feeling passes and I’m breathing again, gasping like I’ve just run a marathon.

 

 

A warm finger nudges the hair away from my cheek. “Did you think I wouldn’t figure it out?” A breath of a whisper brushes my ear. I recognize the voice and I’m covered in goose bumps all over again.

 

Slowly I turn in my seat to find the empty space next to me filled with Magda Gardner, who’s smiling down at me as though we are just two girlfriends having a chat. “I know what you’re doing,” she repeats in a low even voice. “Though I doubt that you have any idea.”

 

“I figured you’d find out soon enough.” I try to sound like I don’t care, like it doesn’t matter to me one way or another that the woman knows I’m interviewing the demon who lives inside her vampire Scribe. Seriously, you can’t sound anything but bat shit crazy if you say something like that out loud in casual conversation.

 

“And you didn’t think it might be wise to at least give me the heads-up?” Her voice is still ridiculously conversational, bestie casual.

 

“I had no way of giving you the heads-up when I don’t even know how to get in touch with you.” Not that I really wanted that information. I’d prefer the woman forget all about me entirely, but Magda Gardener/AKA Medusa, never forgets anything … or anyone if she has a good use for them.

 

Without being asked, the flight attendant delivers her a whisky in a cut crystal glass. I assume Magda is back here with me because she’s slumming from first class. The attendant delivers me a flute of champagne. Magda Gardener is a lot of things, but she’s not cheap.

 

She thanks the woman, then dismisses her. Once she’s gone back to the first class cabin, Magda lifts her glass. “To lies and the nasty truths they uncover,” then she sips daintily.

 

I go through the motions of joining her in a drink. Enjoying what I’m sure is very expensive champagne is impossible under Magda Gardeners scrutiny. “I didn’t lie,” I say.

 

“Was it Susan who contacted you?” she asks, running a well-manicured nail around the rim of the glass.

 

“It’s not like he could contact me on his own.” I reply.

 

“You should have told her you wouldn’t do it unless I knew.”

 

“He didn’t want you to know. Any good journalist wouldn’t reveal her source.”

 

“You’re not a journalist,” she says, “and he’s not a source. He’s a demon, a monster, and you’re way out of your depth of experience no matter how good you are at what you do.”

 

“I didn’t say I was good.” I was neither smug nor arrogant about a situation that scared the crap out of me from the beginning. I would have gladly turned down the offer if I hadn’t feared the consequences of doing so.

 

“Believe me, there’s no question of your abilities or I wouldn’t have allowed you to write my story and the stories of my people. “But the issue is what contact with him will do to you. It’s already affecting you, whether you’ll admit it or not.”

 

“You owe him. All of you owe him.” The words slip out of my mouth before I could stop them.

 

To this she simply chuckles and sips at her whisky. “I rather think it’s the other way round. He owes us, and he knows it. He’s got a helluva lot to answer for, in case you’ve forgotten.” She waves a dismissive hand. “Of course he loves Susan and Michael, at least as much as a being like him can love anyone. And I dare say he’s very fond of Reese and Alonso too. He wants them to think better of him. His existence is easier if they do.” She waves a hand. “As for what he did in the fight against Richard Waters, he has no choice but to obey Susan’s commands. You wrote the story. You know this.”

 

I stare at my barely touched champagne. I know better than to look her in the face. “You think that’s all it is, he’s just obeying commands?”

 

She doesn’t answer immediately, and for a moment I wonder if perhaps she’s chosen not to, but then she sighs softly, pushes the ever-present Ray-bans up close against the bridge of her nose and says, “I don’t know. But he and I have a long and unpleasant relationship. Neither of us has any real reason to trust the other. But don’t you think a demon like him would take whatever pleasure he could get in whatever from it took, even if he is a prisoner?”

 

“You think I’m the entertainment.” A cold shiver ran down my spine at the thought I’d too often contemplated.

 

“I don’t think anything. But I do know that no matter how completely he’s incarcerated, he’s still dangerous.”

 

“So what exactly is it you want me to do,” I ask. “It’s not like I wanted this job, but then that’s never mattered much to any of you, what I want, has it?”

 

Her lips curl in a smile that’s nearly sentimental, as though in her mind’s eye, she’s fondly recalling all of our encounters to date. “No. It hasn’t.” She downs the rest of her whisky then turns to face me, and like it or not, I feel compelled to look at her, even with the chill creeping over my arms and throat. “As for exactly what I want you to do, first I want this conversation to stay between us. He doesn’t need to know we’ve spoken. Second, I want you to limit your time in his presence when you’re doing this silly interview. I’ve already talked to Talia and she’ll be monitoring you more closely.”

 

“No.” The word comes out lacking conviction and sounding almost like a plea. “I won’t keep our conversation from him. He knows you’ll find out eventually, and I don’t want to be the one caught keeping secrets from him. It seems to me that could be a whole lot more dangerous than being above board.”

 

To this Magda laughs out loud and the woman sitting across the aisle from me looks up from her magazine in irritation. “Choose very carefully which monster you refuse,” she says. “He fears me, and he’s a lot of things, but he’s not stupid.”

 

“The way I see it, my choices are pretty thin on the ground,” I replay.

 

“He would possess you, use you up and spit you out in a heartbeat if he thought he could get away with it,” she said. “Don’t believe for one moment that he doesn’t know exactly what effect he’s having on you. He knows how you crave his company, even as you fear it. He knows how he worms his way into your fantasies, even though you try to deny it. He knows that the longer he drags out the interview, the more danger you’re in. He knows all of this, K D, and he keeps inviting you back.”

 

“I won’t lie to him,” I say, not even trying to hide the trembling that seems to have taken control of me. “If you want me to stop the interview, then you have to put an end to it. Otherwise I’ve made a commitment. Up until now, I’ve done everything you’ve asked me to, in spite of the uncomfortable, and dangerous situation it’s often put me in. I’m damned if I do and damned if I don’t, but I’m not about to make it worse by lying to him.”

 

The glasses slip down her nose, and I nearly dump champagne in my lap I’m shaking so hard. My heart feels like it’ll beat me to death in its mad hammering. I can just make out the flutter of golden eyelashes before she pushes the glasses back into place. “All right. But we’ll all be monitoring you closely, and if I feel it necessary to put an end to the interviews, I will, no matter what you, or he, want. Is that clear?”

 

“Perfectly.” My voice is little more than a whisper.

 

“Good. Now drink your champagne.” She watches until I swallow it back in a single gulp, wishing I’d had her whisky instead. “That’s a good girl, now get some sleep.”

 

It’s the announcement of the descent into Heathrow that wakes me. The champagne flute is gone and so is Magda Gardener. There’s absolutely no evidence that she’s even been there. I return my chair to the upright position and close the tray table thinking about the encounter. With all that’s been happening to me since I began the interview with the Guardian, I’m well aware that it could have easily all just been a dream. But I’m certain that it wasn’t.

 

Inspiration Take Me, I’m Yours!

From the Archives

It’s elusive, it’s mysterious, it’s exhilarating, and we erotic writers crave it more than the
sex we write about. We chase it shamelessly, we long for it passionately, we would gladly make ourselves slaves to its every whim, and no matter how fickle it is, we always welcome it back with open arms. When it’s with us, it’s at least as good as the best sex. And when it’s not, we mourn its loss like a lover. I’m talking about inspiration, of course. It’s the breath of life for every story ever written and the coveted ethereal presence that every writer yearns for.

 

The mythological link to inspiration is especially interesting to me in the light of a life-long fascination with mythology. Half of my novels and at least that many of my short stories and novellas find their inspiration in mythology or fairy tales of some sort. My Medusa’s Consortium novels and stories all have their roots in mythology.

Greek mythology – mythology of any kind, really — is fabulous inspiration for writers. The gods are always dipping their wicks where they don’t belong and finding ever more creative ways to do so. Nine months later, viola! A magical child is born, a child with gifts that will be needed to save the world, or at least a little part of it. But there’s one story that always comes to my mind where the lovely virgin resists, and no wick-dipping occurs. That’s the story of Apollo and Daphne.

 

The Muses serve Apollo, so of course this myth interests me. Apollo is the god oflight and the sun; truth and prophecy; medicine, healing, and plague. He is the god of music, poetry, and the arts; and all intellectual pursuit. If ever there was a wick we writers would like to be dipped by, it surely has to be Apollo. Daphne is a mountain nymph and not interested in giving up her virginity to some randy god. While Apollo is pursuing her, she prays to her father, who is a river god, and he turns her into a laurel tree. Ovid claims it’s not Daphne’s fault that she’s not hot for Apollo right back. He claims that Cupid, who is angry at Apollo shoots Daphne with a leaden arrow, which prevents her from returning Apollo’s feelings. But what matters is that she misses out on Apollo’s inspiration.

 

My theory is that the whole mythology of gods coming down from Olympus, or wherever else gods come down from, to seduce humans is really nothing more than a metaphor for inspiration.

 

Consider all the different forms in which Zeus visits his paramours. He takes the form of a swan with Leta, he visits Danae in a shower of gold coins, he approaches Europa as a white bull. Writers understand that inspiration can take absolutely any shape, and often the very shape we least expect.

The gods aren’t always gentle in their seductions. Hades drags Persephone off to the underworld screaming and kicking all the way. Zeus turns Io into a white cow, who is tortured and tormented by Hera. In the form of an eagle, he abducts Ganymede and drags him away to Mount Olympus. Writers know well that inspiration doesn’t always come in a gentle form. In fact one of my creative writing teachers used to advise her students to go to the place inside themselves that most frightened them, most disgusted them, most disturbed them, and that’s the place where they would find inspiration, that’s the place from which their writing would be the most powerful.

 

I’m quite disturbed by the journey In The Flesh is taking me on. It’s the story of a demonic spirit who is irresistable, and insatiable, and gives everything he promises his lovers and more. But the price of passion beyond imagining is high. Of course he’s just a scary stalker bastard with divine powers, but at the same time, I go right a long with the dangerous, even deadly, seduction of Susan. Would you??? I would. Or at least I think I would. Obsession is a harsh master, and not always the giver of rewards promised. Though at the end of the day, most of us would gladly pay the price for inspiration.

 

Whether inspiration comes in gentle, beautiful forms or whether it drags us kicking and screaming and tears us from limb to limb, the result will be something greater than what it sprang from. From the seductions of the gods, the children born were always larger than life. They were heroes and monsters and fantastical creatures, but they were all born of that joining of divinity and humanity, they were all the result of what happens when something greater penetrates the blood and the bone and the grey matter of our humanity. What comes from that inspiration may indeed be monstrous or fantastical, but it will always be, in the mythical sense, born of the gods.

Which leads me back to Daphne and Apollo. The cost of inspiration is the loss of innocence. We are seduced, we are penetrated, we are impregnated with something new, something fresh, something possibly even frightening, something that we, as writers must carry to term and give birth to. But none of that can happen without yielding to the seduction. Daphne became a tree, unable to move, unable to think, unable to ever be penetrated or inspired. One can only imagine what may have resulted from the willing union with the god of light and truth and poetry and the arts and all the things we writers crave. I’ll be honest, I fantasize about Apollo. I fantasize about inviting him right on in and saying I’m yours. I’ll take all you can give me, and please, feel free to stay as long as you like. Though, in truth, in my fantasy, I skip the dangerous and scary bits. And encounters with inspiration can often be dangerous and scary. I think it’s probably Apollo who inspired my demon lover – a terrifying version of divine inspiration.

There’s a cost to inspiration. It’s the obsession we all know as writers, the one that won’t allow us to think about anything else in the waking world and sometimes even in the dream world until we get the very last word down, until we make it shine exactly the way we conceived it, exactly the way it penetrated us. My heart is racing just writing this because every writer knows what it feels like, and every writer lives for it to happen again and again and again. So yeah, forget the tree rubbish, laurel or otherwise. Inspiration, take me, I’m yours. Have your way with me. I couldn’t be more willing if I tried.

 

 

 

Misfortune of Time, book #6 in The Druid’s Brooch Series (works as a stand-alone) by Christy Nicholas (@greendragon9) #histfic #ireland #medieval #romance #fantasy #faerie #abuse #irish #celt #time #magic

Misfortune of TimeBlurb:

— Time Doesn’t Heal All Wounds —

In 11th century Ireland, Étaín must hide her pagan magic from her pious Christian priest husband, Airtre. She wants to escape his physical abuse, but she must stay to protect their grandson, Maelan. Over many lifetimes, she has learned how to endure her own pain, but Maelan is young and vulnerable.

When Airtre’s paranoia and jealousy spiral out of control, Étaín has no choice but to escape in the night with little more than the clothing on her back, leaving a trusted friend to protect Maelan.

This is not the first lifetime Étaín has fled, and she knows how to survive. But when her past comes back to haunt her, she must make decisions that may result in disaster for her, her grandson, and everyone she loves.

Buy Links

https://www.amazon.com/dp/B07D447G4Y

https://www.smashwords.com/books/view/829120

https://itunes.apple.com/us/book/misfortune-of-time/id1386356872?mt=11

https://www.kobo.com/us/en/ebook/misfortune-of-time

*****

Excerpt:

Étaín held Maelan’s hand and looked around. The abbot said their tutor would meet them here. One monk rose and shuffled toward them, his face hidden in a pale cowl. When approaching, he flipped the fabric back, revealing a young face with blond hair and high cheekbones. His tonsure looked freshly shaved from the shiny skin of his forehead. His solemn expression burst out with a cheery smile when he got close.

“You must be Maelan. I’m called Odhar. The abbot told me to meet my new student here, but I had no idea I’d have the pleasure of two, my lady…?”

Flustered, she stammered before she got control of her words. “No, no, I’m no student, Brother. I’m merely Maelan’s grandmother, Étaín. I’m escorting him into your charge, no more than that.”

“Ah, but I’d be delighted to teach two, and it offers many more opportunities than just one. Are you certain you wouldn’t like to stay for the lessons?”

Étaín truly wished to say yes, of course; she’d be thrilled to stay. She’d always been curious about the world, history, and the law, but as a woman, she’d never been granted the opportunity for formal schooling. She’d learned her letters only due to an indulgent, loving husband. Even if Airtre accepted Maelan’s schooling, he would never accept hers. The memory of his beating three winters ago made her flinch. Her life would be miserable if he ever discovered such a thing.

However, she had an idea. “Alas, I cannot, truly. Perhaps we can chat when I come to pick him up? Just for a little while.”

He took her hand in his with firm pressure. “I would be elated. Will you return at Sext? We can steal an hour before the lad must be off, certainly?”

It just might work. Maelan would be eager to escape to his sword practice, but she might slice a few minutes to discuss the lad’s education. Airtre would surely never argue against that.

Maelan looked apprehensively at his new tutor. “You look too young to teach. How old are you?”

Aghast, Étaín said, “Maelan! That’s not a polite statement, nor a proper question!”

Odhar laughed and patted Maelan’s shoulder. “Lad, I’ll never chastise you for a good question, and yours was indeed a good one. I have twenty-seven winters but have been studying in the monastery for twenty of those. Is that wise enough for you?”

A druid spent twenty winters in the oak groves, according to legend. Étaín held her breath, for fear Maelan would give another rude answer. Instead, her grandson acquitted himself admirably. “It sounds quite acceptable. I’m sure there’s much you can teach me.”

Odhar turned to her, a silly grin still on his face. “Never fear, good lady. I shall keep good care of your ward for the hours he’s in my care. Perhaps I might even teach him a few things. Now leave us to our lessons, and we shall see you again at Sext.”

*****

Author Bio and Links:

Christy Nicholas, also known as Green Dragon, is an author, artist and accountant. After she failed to become an airline pilot, she quit her ceaseless pursuit of careers that begin with ‘A’, and decided to concentrate on her writing. Since she has Project Completion Disorder, she is one of the few authors she knows with NO unfinished novels.

Christy has her hands in many crafts, including digital art, beaded jewelry, writing, and photography. In real life, she’s a CPA, but having grown up with art all around her (her mother, grandmother and great-grandmother are/were all artists), it sort of infected her, as it were.

She wants to expose the incredible beauty in this world, hidden beneath the everyday grime of familiarity and habit, and share it with others. She uses characters out of time and places infused with magic and myth.

Combine this love of beauty with a bit of financial sense and you get an art business. She does local art and craft shows, as well as sending her art to various science fiction conventions throughout the country and abroad.

Facebook: http://www.facebook.com/greendragonauthor   

Homepage: http://www.greendragonartist.com  

Blog: http://www.greendragonartist.net

 

Release blitz organized by Writer Marketing Services.

 

My Life is in My Dropbox!


I’m on holiday in the States visiting family by the time you’re reading this post, but as I did my best to set up my blog so that there would be continuity and so that you would all enjoy it, hopefully, I came across this post, which even so long after the fact still gives me a cold chill. If anything even more so now that such huge chunks of our existence are lived out on social media and in cyberspace, in a virtual world that exists only in pixels and soundbites.  In fact, the memory of the experience causes me to ask once more just who I am if I lose those virtual connections into which I’ve poured the last twelve years of my life?

 

Behold, a cautionary tale! Read and be Afraid!

 

That day almost two years ago, my life flashed before my eyes. It was the first time it had ever happened, and I hope like hell it’s the last. The first thing that struck me was that it was nothing like I’d thought it would be. There were no memories of my childhood, no memories of getting married or moving off on my own to Croatia gone. There were no memories of falling in love or of my favorite trips, nor the major milestones in my life vanished. Everything in my head was still as intact as it ever is. But the experience still gives me cold chills thinking about it. It was intimations of my worst nightmare. I never thought it would be like it was. Though now, looking back, I can’t imagine how I would have expected it to be otherwise.

 

Due to complications installing a new operating system on my computer, which I won’t go into, I ended up having every file in my Dropbox deleted. Now, before you tell me not to worry, there are ways to get it all back, let me just say that I know that. I knew that even as it was happening. BUT all of those ways of recovering data are only theories until you put them to the test, and then you have to be in a calm logical state of mind in order to be able to do that. I was neither calm nor logical as I prepared to continue with my WIP and opened a completely empty Dropbox. I back up everything – EVERYTHING in the whole universe, I back up! I’m fanatical about back ups. And where do I back it all up? On the f*cking Dropbox!!! AND NOWHERE ELSE!!!!! You see where I’m going with this? Panic sets in when the 135,000 word manuscript you’ve just completed disappears along with every picture you’ve ever taken, every word you’ve ever written of any sort. ANY sort, for the past ten years.

 

To give you a bit of perspective, I wrote The Initiation of Ms Holly in 2010. Since then I’ve written literally millions of words – some of them novels, some of them blog posts that I’m rather fond of, some of them short stories, poems, novellas, even the odd navel gaze. There are stories and story ideas that have never lived anywhere outside cyberspace, but I hope they will someday. There are pictures of holidays, of veg gardens we’ve planted, of long walks we’d taken on the Downs in every season at every time of day. Words! There are literally millions of words that I’ve written, and suddenly they were all gone!

Recovery happened, as the tiny part of me that wasn’t vacillating somewhere between total panic and growing despair, knew that it would and, at the end of the day, all was well. I’d lost nothing. I was even able to recover the efforts of that morning. The point is that the fear that I might have lost all my words was an eye-opening experience for me. It was a huge insight into how I define myself and how I judge the value of my life.

 

For good or for ill, I define myself by the words and the pictures in my Dropbox. That’s what it boils down to; that’s me stripped to the bare bones. And for a terrifying few minutes I was no one.

 

No one …

 

When I think about it now with all my words back safely where they belong, I can’t quite get my head around what I felt. There are words in the Bible meant to describe Christ. Most of you know that I came from a conservative Christian background about a hundred years ago, but these two passages transcend my faith or lack thereof and speak to the heart of the writer on a much deeper level than they might to anyone else.

 

For the word of God is living, and active, and sharper than any two-edged sword, and piercing even to the dividing of soul and spirit, of both joints and marrow, and quick to discern the thoughts and intents of the heart.

Hebrews 4:12

 

And the word was made flesh and dwelt among us.

Jon 1:14

 

Words are more than just a collections of sounds that allow us to communicate. Words
have power, like a sword, like a scalpel, to discern thoughts and intents. And words, in the hands of a writer become flesh and dwell among us. For a writer – certainly for me, they become my flesh, and they become the flesh of the characters with which I people my stories. They dwell in me as surely as if they were alive, and they do often discern the thoughts and intents of my heart, without me even realizing that’s what they’re doing. Words are my companions, my guides, my friends; words are the mirror through which I view myself. For my whole life it’s always felt like the more words I write, the more clear the reflection of self in that mirror becomes. Navel gazing much???

 

Even as I write this, I’m well aware of just how neurotic it sounds to define myself by my words, and a part of what happened in that short time without my words was an internal battle for points of reference, for other ways to define myself, which at that moment, I
couldn’t even imagine existed. The point is the value of words – my words – to me can’t be overstated. I live with them close and personal every day of my life, and most days I bring home a few more to live with me. Losing my words, even for just that short amount of time before logic could kick in, before I could regain enough equilibrium to know that wasn’t going to happen, was like losing myself. How can I define myself without my Dropbox full of words? Who am I without those points of reference? Of course it wouldn’t have been the end of the world, had I lost all my words, but I promise you as sure as I’m sitting here, it would have felt like it.

 

Lynne Shelby Launches The One That I Want

 

 

The One That I Want Blurb:

When Lucy Ashford lands a top job at a leading theatrical agency in London, work mixes with pleasure, as she literally falls into the arms of Hollywood heartthrob Daniel Miller.

Handsome, charming and irresistible, Daniel is just what unlucky-in-love Lucy needs, and she is quickly drawn into his glittering celebrity lifestyle. But can she tame the A-list bad boy or is she just one more girl in Daniel s long line of conquests?

And then there’s up-and-coming actor Owen Somers, fiercely talented but as yet uncast in a starring role. After she takes him onto the agency’s books, Owen and Lucy’s friendship slowly grows. If she looks closely, Lucy’s leading man might be right before her very eyes…

 

The One That I Want Excerpt:

This extract takes place early in the book after the theatrical agency’s Christmas party, when Daniel invites Lucy to continue the evening at a nightclub.

 

As I followed Daniel to one of the leather sofas, I was aware of faces turning towards us, the sudden absence of talk as we approached, and renewed chatter once we’d walked past. With so many eyes on me, I was relieved that I made it to the sofa without falling over my feet. Daniel sat next to me, leaving very little space between us. A waiter immediately materialised beside us and asked what we’d like to drink. Daniel promptly ordered champagne.

 

‘Did you notice everyone looking at you?’ I said to him when the waiter had gone.

Daniel shrugged. ‘Since Fallen Angel came out, I get recognised all the time.’

 

‘Having total strangers watching your every move must take some getting used to.’

 

‘I’m an actor,’ Daniel said. ‘Being the centre of attention kind of goes with the territory.’

 

I thought of the numerous articles about Daniel’s amorous exploits in Ireland that I’d read in the gossip columns. And the photos of him glued to his co-star’s face.

 

‘But you must find it irritating to be continuously stalked by the paparazzi,’ I said.

 

Daniel smiled. ‘I don’t mind them. I rather enjoy seeing photos of myself in the tabloids. It’s free publicity.’

 

The waiter returned with our champagne, poured two glasses, and left the bottle within easy reach in a bucket of ice.

 

When we were alone again, Daniel said, ‘I waited a long time to become famous. Now that I’ve had a taste of what it means to be a star, I want more. I want the Hollywood mansion and the Malibu beach house. I want the private jet and the yacht in the south of France. And if getting them means I have to pose for a few photographs outside a nightclub, I really don’t see it as a problem. But I’m glad there weren’t any paparazzi around tonight. It would’ve been hard to make you run a gauntlet of flashing cameras when we’re only on our first date.’

 

‘Is this a date?’ I said.

 

‘Well, there’s you, me, and a bottle of champagne,’ Daniel said. ‘I’d call that a date.’

 

I was on a date with film star Daniel Miller. The thought made me feel light-headed.

‘What would that actress you dated in Ireland think about you being here with me?’ I said.

 

Daniel looked taken aback. ‘She wouldn’t think anything. I was never in a relationship with her. DCOL.’

 

‘What?’

 

‘Doesn’t Count On Location.’

‘I see.’

 

About Lynne:

Lynne Shelby was the winner of our Accent Press/Woman magazine writing prize with her debut novel French Kissing.

She has worked in a variety of day jobs from stable girl to legal administrator. She also had a very enjoyable vicarious career as a stage mother, which has given her a love of the theatre that inspires a lot of  her writing.

She lives in North London with her tall, dark and handsome husband, her son, her two daughters and a lot of books.

 

Twitter: @LynneB1

Website: https://www.lynneshelby.com/

Instagram: lynneshelbywriter

 

 

 
© 2018 K D Grace
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