Category Archives: Inspiration

Inspiration and Hero-Worship in Bath

It’s been ages since I was last in Bath, and upon our return Wednesday afternoon I very quickly remembered why I love the place so much. For this visit to Bath, we had Raymond’s sister, brother-in-law and niece with us. It was their first time.

We had a plan. Raymond would play tour guide while I wrote. I was feeling a bit panicked for having had a week with very little writing — lots of fun with the rels, but very little writing — so I promised I’d write at least part of the time then reward myself with a bit of Bath on the side.

So, being the well- behaved writer that I am, Wednesday afternoon, I bade everyone a fond farewell as they all headed  off to take the open-bus tour. Then I hung out in the hotel gardens and lounge drinking tea and writing like a crazy woman. I joined the happy gathering in the evening for fisherman’s pie and a pint of Abby Ale at Sam Weller’s Pub. I figured I’d earned it after finishing off 3K on the WIP for my day’s efforts. In fact I was pleased enough that I went on the tour of the Roman Baths with the rest of the gang the next morning. I love the Roman Baths. I don’t know how many times I’ve seen them, and every time I do they excite me and inspire me.  How amazing is it that something as simple as water can so powerfully draw for so many people to one tiny place for so many centuries?  It’s taken the water that now fills those ancient Roman baths ten thousand years from the time it fell as rainwater in the Mendip Hills and percolated down through the layers of rock to make its way back up to the hot springs below the baths. That’s some seriously vintage water!

After a picnic lunch near the River Avon, complete with fresh cherries and French school children having a water fight, I said good-bye to my compadres and headed back to the Lansdown Grove Hotel for another close encounter with Stacie and Harris and another two thousand words written on The Exhibition. That evening I joined the crew in front of the Pump Room to listen to a little opera from the street buskers, which got us all in the mood for a nice Italian dinner later.

Friday, before we took the train home, we visited the Jane Austen Centre a little bit of a pilgrimage, for me, to honour one of the literary goddesses of all time and definitely one of my heroines.

The Jane Austen Centre is a quiet little place off Queen’s Square, not far from where Jane stayed when she was in Bath. What I remember most about the visit was hearing that Jane delighted in Bath when she went there as a young woman, and out of that delight came Northanger Abby. But later when she returned in her late twenties she found the place shallow and depressing, as evidenced in Persuasion.

Though much of Bath looks like it might have looked in Jane’s day, things have changed considerably since then. Now it’s easy for me to find inspiration walking the streets between the honeyed sandstone buildings of Georgean Bath. It’s easy to be inspired painlessly and happily in the far-less stratified hodge-podge of tourists and locals scurrying about in the bright June sunlight. And, for me,  it’s impossible to walk where Jane Austen walked and not be awed by the stunning creative force that came from one small, seemingly powerless woman, whose novels didn’t even bare the name of their author until after her death.

KD Grace proudly puts her claim to authorship front and centre on everything she’s ever written, as does Grace Marshall. My name, my creativity, my essence. I wrote it! I claim it! I can’t imagine what it would be like to have been such a creative person as Jane Austen was in a time in which women had very little control over their own destinies.  I’m only saying that it’s good to be reminded that nothing comes without a price, and that price is no less dear because I wasn’t the one who had to pay it. Having said that, I’m pretty sure every writer suffers for her art. I believe that whole-heartedly. Most of us suffer in ways that mean nothing to anyone but us, in ways that are quite often neurotic and unnecessary (at least I do).

I hope at this point, you’ll pardon my groupie-ism and hero-worship, but really, how could I go to Bath and not be at least a little bit star struck.

Thank you, Miss Jane Austen for writing the human heart in such a moving way in a time when it wasn’t cool to do so, and especially in a time when it wasn’t cool for a woman to do so. My efforts to write the human heart often feel bumbling and less then eloquent, but they’re sincere and full of hope, hope your words helped inspire.

On a less serious note. Near the end of our tour at the Jane Austen Centre there was a place with regency costumes for visitors to try on and take piccies in. I have to say, Raymond makes a far more striking Darcy than I do Elizabeth.

A View from Above

Back before I started work on the Lakeland Heatwave Trilogy, back when I thought there was only going to be one novel, I struggled hard to move forward and couldn’t figure why it wasn’t working. And then I got a glimpse, just a little glimpse, but enough, of the whole picture, and I understood that the story I was trying to tell was a trilogy and not a one-off. The story I needed to write, was way too big for one novel.

I was reminded again how important that view of the overall picture can be when my good friend, Melanie Frazier, sent me a link to a breath-taking photo of the Lake District taken from the International Space Station, and I was deeply moved by such a view of a place I love, of a place that inspired and figured strongly, into each of the three Lakeland Heatwave novels, almost as if it were another character in its own right.

The lake District image taken from the International space Station behbysjcaaayk3t-large

 

The photo was tweeted by Canadian astronaut, Chris Hadfield from on board the International Space Station. Commander Hadfield is a flight engineer currently on Expedition 34 on the station and has gained popularity on Twitter by sharing stunning photos of space and his views of Earth as the International Space Station orbits roughly 200 miles above the planet, moving at over 17,000 miles per hour.

How could such a ‘snapshot’ of one of my very favourite places not get me thinking about writers and the way we view our stories. I’ve always been an advocate of what I like to call snapshot writing. Snapshot writing is giving the reader snippets of detail, of experience, of a fleshed-out moment so full, so rich that the reader can feel it, taste it, revel in it. A snapshot can say so much about an event, often way more than words can. So for me one of the most powerful tools in my writing tool box is to create a snapshot with words, to write a moment so vividly that readers are instantly transported to the place and time. Commander Hadfield’s amazing snapshot from space has done just that for me.

Imagine my delight when I realised that I could not only see the whole of the Lakeland Heatwave trilogy in that snapshot, but I could see all the snapshots, all the intricately woven stories of my own adventures on the fells, of my own explorations and uncoverings of Lakeland one footstep at a time.

castlerigg_Stone_Circle1 How could I not wonder what Alfred Wainwright would have thought if he could see his beloved Lakeland in such a view from above? His incredibly detailed drawings and descriptions of the Lakeland Fells are among the most accurate, most lovely, most poetic ever recorded. I can’t count the number of times I’ve sat in the Twa Dogs Inn in Keswick, the night before climbing a fell I’d never walked before, drinking Cumberland Ale while reading through Wainwright’s notes and studying the maps and drawings from his Pictorial Guides of the Lakeland Fells. The beauty in the minute detail of his work is now reflected in a stunning overview from space. How could anyone not be moved by that?

More than just the love of Lakeland, which I could go on and on about, and frequently do, is the sense of place such a snapshot from space gives. (I’ve added links with lots of pictures to show you the up-close-and personal of what you can see from a distance from the ISS photo. Enjoy!) I can look at that shot and see Ullswater and Derwent Water. I can see snow-capped Helvellyn and Skafell Pike, the highest peak in England. I can see the Borrowdale Valley, the Newlands Horseshoe, Honister Pass – all the places my characters in the Lakeland trilogy frequent – all the places I’ve frequented, and I couldn’t not share it. So if you look closely at the picture, the highest snow-covered point in the lower right — that’s Helvellyn. Its iconic Striding Edge put me to the test in one of the most adrenaline-laced, exquisite walks I’ve ever done in the Lake District.

And if you look to the left and slightly lower, at the last snow-covered range in the picture, that high point is Scafell Pike, the highest point in England and another walk I’m proud to say I’ve had the pleasure of doing.

But now, if you look in between those two ranges and slightly north, settled, almost centred, in between the two is a dark spot, roughly oval in shape with jagged edges. That’s Derwent Water with Keswick on the northeast shore invisible to the naked eye from so far above. To the south of the lake, where the fells begin again, is the Borrowdale Valley. And slightly to the left, you can just make out the irregular U-shape of the Newland’s Horseshoe, all of the above frequented by my characters in the Lakeland trilogy, frequented by me. The Newland’s Horseshoe is the place where both Marie Warren and I first ‘got lost’ in the mist. The Borrowdale Valley and the Newlands Horseshoe are the places that inspired the trilogy, the places where heather clings to steep cliffs, where deserted slate quarries make for slippery descents, where the views are breath-taking and where it can all disappear into the mist in a heartbeat.

I’m so glad it was clear the day Commander Hadfield took this picture. I can’t stop looking at it. I love the fact that I’m somehow connected to that place and all the stories it evokes – not just mine, but everyone else’s – all those poets and walkers and writers and photographers and artists – past, present and yet to come — who have found Lakeland as powerful and as moving as I have. I’m connected to all of them, and by that connection, to all of those who read the writings and look at the works of art inspired by that tiny, rugged piece of land that’s just as exquisite when seen from 200 miles above as it is when explored slowly, painstakingly, one footstep at a time.

Surely there is no other place in this whole world quite like Lakeland … no other so exquisitely lovely, no other so charming, no other that calls so insistently across a gulf of distance. All who truly love Lakeland are exiles when they are away from it.

Alfred Wainwright

Aural Pleasures Revisited: Fond Memories of Filthy Words

Aural Sex at Eroticon 2013When Kristina Lloyd suggested I do a post about the Night of Aural Pleasure readings at the Lock Stock bar for Eroticon 2013, I agreed happily, but only if I could get some of the fabulous writers I’d had the priveledge to read with that night to share a bit of their experience and even titilate us just a tad with a few lines from what you missed if you weren’t there, and what you enjoyed totally if you were. Once again I’d like to thank the lovely and talented Harper Eliot for arranging the whole event, not an easy task, and I sincerely hope that there’ll be lots more such readings and opportunities to rub shoulders with some of my favourite writers in the future.

Ashley Lister

I thought the whole evening was fun, exciting and really, really entertaining. I was listening to some of my favourite writers sharing the words they’d published and written. Speaking as someone who loves the written and spoken word, I don’t think the pleasure comes much better. The atmosphere was welcoming and supportive and I can’t wait until next year if there’s a chance to repeat the experience.

Below are the opening verses from one of the poems I read (Betty & I) the story of a man who takes a blow-up doll to a swingers’ party.

Betty and I

We went to one of those swingers’ parties,

Me and my blow-up doll: Betty.

She wanted to add a new kink to our lives.

I just went there to get sweaty.

 

Our relationship was at a low point.

And it had been that way for a bit.

But I still tried to treat her with flowers or clothes.

Or a bicycle puncture repair kit.

 

Yet for months my Betty had been silent.

And our love life had skidded off track.

I didn’t know if Betty had stopped loving me.

Or was just missing the string from her back.

 

Molly Moore

“I rarely get nervous when I reading now. I have done it often enough to know I am OK at it but on this occasion the nerves really grabbed me. Maybe it was the thought of reading to a room full of very talented writers that left me suddenly feeling very exposed and vulnerable. The moment I took my place in the spot light I would been much happier taking my kit off rather than speaking but luckily for everyone I controlled that urge and they got words instead of naked!”

A snippet of the story I read…. which was titled Hungry Beast.

“The heat of the flogger on my skin and the sound it makes as it connects with my flesh still rings in my ears. If I close my eyes I can feel the grip of the cuffs on my wrists as they hold me in place before him and when I look down I remember seeing my shoes laying there, empty and forgotten for the time being. The room is busy, people are talking and laughing, but even though my eyes see them my ears seems to switch off to the background noise. For me the only sound I can hear is the paddle or crop or whip as it cuts through the air and finds me. I am its intended target, the recipient of its affections and with each touch I learn to fear it less and want it more.”

Excerpt from the poem, Brutal Passion

“Regal dresses and beautiful jewels

Seem dull to me compared to tools

Of a dark and deviant cell

And helpless maids that face a hell”

 

Kristina Lloyd

When I saw Harper Eliot’s stunningly sexy poster for Aural Sex, I sensed this was going to be a great night. Getting a black cab to the venue kristina_lloyd_aural_sex Eroticonwith Remittance Girl and Janine Ashbless, two writers whose words invariably dazzle me, ramped up my excitement. Over the weekend at Eroticon, I was involved in several conversations about setting up an erotica salon in London, a regular event potentially similar to Rachel Kramer Bussel’s erstwhile In the Flesh reading series. The success of Aural Sex suggests this would be an excellent idea. I’d like it put on record that cocktails and posh frocks ought to be involved!

On the bill at Aural Sex was a mix of readers, some unknown to me, others established authors; and we had a large, appreciative audience. Sitting in a cosy pub with a gin, being regaled by smart, sexy words,  ranging from Molly Moore’s dark and sultry public-play vignette to Ashley Lister’s hilarious and poignant poem, Betty, not to mention the pints of troll come from Ms Ashbless, is my idea of a damn good time! I was proud to take to the floor and declare ‘I’m doing anal’ (I was on my second gin by this point). I read the opener of my story in the anthology, Smart Ass, part of an anal erotica ebook series edited by Alison Tyler. The piece begins, ‘So, there he is with his cock in my ass, and I’m biting the pillow, making all sorts of groans. At least, that’s how it looks on the outside.’ You can read the first few pages on Amazon. In short, Aural Sex was a superb evening. We ought to do it more often!

Janine Ashbless

I read from Named and Shamed and polluted the ears of the Aural Pleasure audience with no-holds-barred Troll Bukkake. Could it get any better?

“Still it came … Pints of the stuff. Goddamn – it tasted like cold miso soup.”

 

KD Grace

I was astounded when I discovered how much more powerful poetry is when it’s performed rather than read silently by me.  And I find that to be equally true with erotica. There’s something very intimate and down-to-earth about reading or having erotica read to you out-loud. Add to that the alcoholic beverage of choice and excellent company, and what’s not to like?

Thanks, everyone, for sharing your experiences of the Night of Aural Pleasure. It’s a real treat to have you, and I can hardly wait to be aurally titilated by all of you again!

 

 

 

My Friend Barbara

183I’d like to dedicate this post to my dear, dear friend, Barbara Steel, who died last night at the age of 93. If ever I loved a woman, I loved this woman. She was the first friend I made when we moved to England the first time. I remember her working in the flowerbeds in the grounds of the flats we were considering moving in to. I asked her if the garden got lots of birds visiting it, and she rattled off in quick succession about a half a dozen different species. I as wasn’t familiar with British birds as I am now. She told me much later than when she found out we loved birds, she hoped we’d take the flat because she knew right then and there we’d be friends. I knew it too. I just had no idea how good a friend she would be.

We saw each other for coffee a couple of times a week. She lived in the flat below mine. Which meant our views out the window were similar. We’d quick, ring each other up when we’d see interesting birds outside our window so we could share them. I remember her calling me breathlessly one day to look out the window, and there was a sparrow hawk who had just that second taken a starling. We talked in hushed tones on the phone about how disturbing and how beautiful what’d we’d just seen was, and how life so often turns in a second in ways we could have never imagined.

When we moved away to Moscow for four years, the highlight of our trips back to the UK was time spent with Barbara over one of her famous snack lunches – always homemade soup and maybe quiche or cold ham and sandwich stuff, always lingered over, always delighted in, always finished off with coffee far late in the afternoon after time had flown by with discussions of far away places and past adventures and her life with her husband, John, long dead by then, and my adventures in Russia and my struggles to get published. Then there was the gossip from the flats – who was new and what everyone was up to.

One day I came to see her just before catching a night flight back to Moscow, and she loaded me down with a cheese sandwich an apple and some chocolate just to tide me over. She knew I adored good British cheddar and Cox apples.

Sometimes I called her from Russia just to talk. I missed her. I needed her level-headedness. She never treated me like I was inferior because of our age difference. I never felt mothered or condescended to by her, but I always felt like she was a friend whose opinions mattered to me and who celebrated my successes and my adventures as though they were her own.

Barbara was in her early 80s when I met her. She wasn’t in good health. She had heart problems and bad arthritis, and yet she never complained. She always found something to laugh about, something to celebrate.

corn and stuffWhen we returned to England and we moved into our home, Barbara taught me to garden. Wow, how she taught me to garden! She wasn’t able to do much herself, but a lifetime of experiences were there in her mind, and all I ever had to do was ask, while I sat with her over coffee and biscuits and we watched the birds flit and flutter at the feeder in front of her window.

The first time I grew tomatoes, I didn’t know how to prune them, and they’d grown into a bit of a jungle. Then Barbara came over. She insisted on showing me what to do. I remember her out in my back garden, holding on to my arm with on hand and point and telling me which shoots to pull and which ones to leave and why. That year we had a bumper crop, some of which Barbara made into her yummy tomato soup.

One of the things I treasure most about Barbara was that she read my work – not just the non-erotic stuff, but she insisted upon struggling through the erotica too, even though she laughed and said it wasn’t really her type of reading, but her friend wrote it, so she read it, delighted in my success. And when her legs became ulcered and the nurses were coming several times a week to change the dressings, she passed all my naughty novels around among the nurses and bragged about her friend, the writer.

I have very few pictures of us together. I wish desperately now there were more. What I do have, though, is a million memories of a woman who faced her health problems with courage and grace, more grace than any person I’ve ever known; a woman who loved nature, loved getting her hands in the earth; a woman who could take the most sickly houseplant and nurse it back to health; a woman who did exquisite needlework; a woman who took up watercolour painting at the young age of 84; a woman who periodically took me out to her flowerbeds with a garden fork and let me dig up plants and starts to take home for my own burgeoning beds. I have a million memories of the woman who listened to me moan about not being able to get my writing published, a woman who celebrated with me when I finally did. A woman who laughed and schemed with me about the Italian villa I would buy with my millions from my royalties, the villa that would have a suite especially for her and a very handsome servant to attend her.

The villa never happened. We both knew that it wouldn’t. I never got to give her that, but oh, what the woman gave me! I heard her stories, her wonderful stories about being phone operator during the war and directing the ambulances to the places in London that had been bombed, about her trips to Italy and Greece with her husband, the love of her life, John, about gardens and birds and flowers and insects, about the proper way to make shortbread, about the way we both adored the colour blue.

Barbara Steel was a woman no one could resist. She was kind and generous and always interested, and people were drawn to her because of it. I 181seldom came to her house for coffee without two or three people stopping by just to check in and say hi. Everyone loved Barbara. And me, I adored her. She was the best example I’ve ever known of a life well-lived and well celebrated even when her hands became too sore to paint or do needlework any longer, even when she could no longer walk in the garden or even get out to fill her bird feeders, she still found something to smile about, something to celebrate.

I’ll miss her terribly, but she left no empty space. She filled that space with the friendship and love and laughter and wisdom and sometimes just blunt honesty that only she could give me. She left no empty space. She left me so full of what’s best about being human. I’m a far better person because Barbara Steel was my friend. And I’m so very glad that she was a part of my life.

Finessing Sex Notes: Post Your Exercise on Irregular Voice

I’ve been asked for the notes from my Eroticon writing workshop, Finessing Sex and the In Media Res exercise I used at the end, so here they are. Sadly, the forty-five minute time allotted to us meant that most of the people in the workshop didn’t get the chance to share their work. The lovely Mia Moor has kindly taken it upon herself to solve that problem by allowing anyone who participated or anyone who wasn’t able to attend the workshop but wants to do the exercise to post their creative efforts on her wonderful website, Irregular Voice Thank you SO much, Mia, for sharing your site! You’re the best.

Below are the notes from the hand-out I used, which I’ll also pass on to Ruby for the Eroticon site. I’ve added just enough to clarify where needed. Enjoy!

*****

FINESSING SEX

Notes

Part 1: Creating Characters                           

Create at least two characters, and give yourself five minutes to create a very rough character sketch of each. Feel free to use characters from a story you’re working on and use the scene for your story or simply use the exercise for raw material. Do whatever you want with your characters as long as by the end of your scene at least one character has sex

Number one rule: Write! Keep on writing! Don’t stop!

Setting yourself a limited amount of time in which to brainstorm a topic or a character is a fantastic way to get beyond the internal editor to the good stuff! Allow yourself to play with the words and have fun.

Part 2: Cause some chaos. Ask yourself:

1. How can the sex scene you’re about to create have the most impact in your plot?writing-image-2-225x300

2. What are the consequences of this sex scene?

3. Who is affected by this sex act?

4. What revelation does this sex scene bring about?

5. How can this sex scene be used most affectively to drive your story?

Remember! Sex should NEVER be gratuitous. Sex always serves a purpose.

6. When the sex is over, how will the landscape of the story be changed?

Part 3: Choosing a POV. Ask yourself:

1. From whose POV is the sex in this scene most interesting. Why?

(If you choose to write your scene from the third person objective POV, why is that the best POV?)

2. Whose POV will best move your story forward? Why?

3. Whose POV will result in the most chaos?

4. Whose POV will give the most emotional charge?

5. Who has the most baggage?

Hint: Baggage is one of the best tools for helping choose POV. Baggage is what every person carries from childhood, from traumas, from past sexual experiences or lack thereof, from anything within the emotional place where your character is when you write her/him having sex.

Note: Not all of these questions may be satisfied by one character’s POV. You’ll have to choose which POV will best serve the story. Sometimes the most important thing about the POV character is the insights he/she offers the reader into another character!

Part 4: The ‘Photo Shoot’

Think of the scene you’re writing in terms of a series of snap shots. You, the writer, are now the photographer, and you get to choose the snapshots you believe will give your reader the most vivid experience of the story you’re telling. Remember, the ultimate voyeur in the story will be your reader, so make the scene worth looking at. Think in terms of:

1. The physical attribute of your characters.

2. Using all of the senses.

3. What does the person who’s POV you’re writing from actually think about her/his experience of sex. The running internal commentary can sometimes be the sexiest part of a sex scene, or the most revealing. Remember, this is why you’ve chosen this person’s POV.

4. The language used in the sex scene is also a powerful tool for eliciting emotion, arousal, a sense of who these people shagging are, what matters to them, and how they experience sex.

5. Location can raise the risk factor, raise the discomfort level, raise the heat level and affect the pacing of the scene.

Step 5: Write it!

1. In Media Res. Minimise the setup and start in the middle of the action. Tell the story from the inside out.

2. Remember! Editors are busy folks. They may give you as few as three paragraphs. If you hold their interest for three, then you get a fourth. If you enthral them for four, then you get a fifth …

Your job is to start at the point that grips and make the reader unable to leave until they find out what has happened to put your characters in such a position.

The Exercise: Using the above tools, write for ten minutes. Write without stopping; write without slowing down. Start in the middle of the action and create some chaos as quickly as possible.

Now write like the wind!

And when you’re finished, don’t forget to head on over to Mia’s site, Irregular Voice, and add your results and check out what everyone else came up with.

Helpful Sites:

Erotica Readers and Writers Association: http://www.erotica-readers.com/

Erotica for All: http://eroticaforall.co.uk/

How to Write Erotic Fiction: http://howtowriteeroticfiction.blogspot.co.uk/

The Erotic Literary Salon: http://theeroticsalon.com/

My Websites: https://kdgrace.co.uk/ , http://gracemarshallromance.co.uk/

Helpful Books:                  

Writing Erotica:

How To Write Erotic Fiction and Sex Scenes — Ashley Lister

How to Write a Dirty Story –Susie Bright

Writing Erotic Fiction – Pamela Rochford

Love Writing: How to Make Money Writing Romantic or Erotic Fiction – Sue Moorcroft

Writing Craft and Inspiration:

Writing Down the Bones – Natalie Goldberg

Best book ever on giving yourself permission to write badly in order to get to the good stuff.

Self-Editing for Fiction Writers – Renni Brown and Dave King

Best book on self-editing and honing craft I’ve found.