All posts by K D Grace

Sex Magic Revisited

castlerigg6I’m thinking about sex magic this morning. You all know that I do write paranormal erotica from time to time and that sex magic figures into my plots quite often. But even when I’m not writing about witches and demons and ghosts, even when I’m writing a contemporary story, I’m still thinking about sex magic, and sex AS magic. I’m always struggling to get my head around why sex is magic, why human sexuality defies the nature programme/Animal Planet biological tagging that seems to work for other species that populate the planet. I don’t think I could write sex without magic, and even if I could I wouldn’t want to. I’m not talking about airy-fairy or woo-woo so much as the mystery that is sex. On a biological level we get it. We’ve gotten it for a long time. We know all about baby-making and the sharing of the genes and the next generation. It’s text book.

But it’s the ravenousness of the human animal that shocks us, surprises us, turns us on in ways that we didn’t see coming. It’s the nearly out of body experience we have when we are the deepest into our body we can possibly be. It’s the skin on skin intimacy with another human being in a world where more personal space is always in demand, in a world where touch is not trusted, and contact is minimal.

When we come together with another human being, for a brief moment, our worlds entwine in ways that defy description. We do it for the intimacy of it, the pleasure of it, the naughtiness of it, the dark animal possessiveness of it. Sex is the barely acceptable disturbance in the regimented scrubbed-up proper world of a species that has evolved to have sex for reasons other than procreation. Is that magical? It certainly seems impractical. And yet we can’t get enough.

We touch each other because it feels good. We touch ourselves because it feels good, and sometimes intimacy with ourselves is harder to achieve that intimacy with another. We slip inside each other because it’s an intimate act that scratches an itch nothing else in the whole universe can scratch. During sex, we are ensconced in the mindless present, by the driving force of our individual needs, needs that we could easily satisfy alone, but it wouldn’t be the same. Add love to the mix, add a little bit of romance, add a little bit of chemistry, a tiny bit of conflict and uncertainty, and the magic soup thickens and heats up and gets complicated. I don’t think it’s any surprise at all that sex is a prime ingredient in story. But at the same time, I don’t think it’s any surprise that it is also an ingredient much avoided in some story.

Sex is a power centre of the human experience. It’s not stable. It’s not safe. It’s volatile. It exposes people, makes them vulnerable, reduces them to their lowest common denominator even as it raises them to the level of the divine. Is it any wonder the gods covet flesh? The magic of humanity is the fragility of human flesh, its very frailty is it’s power — the ability to interact with the world around us, the ability to interact with each other, the ability to penetrate and be penetrated.

So as I mull through it, trying for the zillionth time to get my head around it, I conclude – at least for the moment – that the true magic of sex is that it takes place in the flesh, and it elevates the flesh to something even the gods lust after. It’s a total in-the-body, in-the-moment experience, a celebration of the carnal, the ultimate penetrative act of intimacy of the human animal. I don’t know if that gives you goose bumps, but it certainly does me.

Riding the Ether Blurb:

Cassandra Larkin keeps her ravenous and dangerous sexual appetite secret until she seduces Anderson in the mysterious void of the Ether.  Anderson is the sexy, insatiable ghost who can give her exactly what she needs.

But sex is dangerous in a place like the Ether…

When the treacherous demon, Deacon, discovers the truth about the origin of Cassandra’s powerful lust, he plots to use her sex magic for revenge on Tara Stone and the Elemental Coven, who practice their own brand of sex magic.

Cassandra must embrace the lust and sexuality she fears and learn to use its power. Will she stand with Anderson, Tara, and the Elemental Coven against Deacon’s wrath or suffer the loss of friendship, magic and love?

 

Riding the Ether Excerpt:

(150-year-old ghost meets a succubus in the Ether)

Anderson was unsure if he had lost consciousness, but Anderson knew immediately, when he had gathered himself enough for the knowing, that he was in the Ether, though how he got there he could not tell. Immediately he cast the counting spell his mother had taught him when, at last, she agreed that even though he was no daughter, he had wit enough and was gifted enough in the Old Ways to walk safely in the Void. He had already crafted his own counting spell, for until she had relented, he had visited the Ether in secret without her permission. More efficient than his, her spell allowed him to set a small clock in the back of his mind, a clock that kept track of time in the World of Flesh, the only way to mark the passing of time in the Ether. If the counting spell were not cast, one could very easily die. While starvation set in, and the comatose body withered away in the World of Flesh, no time passed at all in the Ether. Time was simply not a concept in the Void.

Lakeland Witches 2 RTEAnd though he did not remember casting the special enfleshment spell, the one he always cast for himself in the Ether, he was fully in the flesh, albeit flesh that only had substance in the Ether. He was completely naked, and fully, nay, outrageously aroused. The pressure in his groin was both agonizing and exquisite. He reached for his manhood, knowing full well he was in need of wit that he did not possess when his lust was so great. But before he could stroke himself to release, a voice spoke out from the Void. ‘That belongs to me.’

He was not startled that the woman appeared out of nowhere. After all this was the Ether, but he was very startled, if most pleasantly so, that she was as naked as he, and it was no hardship for him to look upon her. Before he could utter even a cry of surprise, she knelt next to him, slapped his hand away and took his member into her mouth.

‘My dear woman,’ he gasped as her tongue snaked up the underside of his manhood. ‘I do not believe we know each other.’

She stopped pleasuring only long enough to reply. ‘We will very soon.’ Then she returned her efforts to his great need.

‘I fear this shall end quickly if you do not stop what you are doing.’ He tried, though only half-heartedly, to push her away. After all what manner of man saw to his own release before the pleasure of his lover?

‘I know you.’ As she spoke, she continued to stimulate him with her hand. ‘It may be over quickly this time, but then,’ she lifted her head enough to brush a quick kiss against his lips, enough for him to catch the tiniest glimpse of dark cinnamon eyes. ‘When it’s over we’ll begin again, and then,’ she gave him a squeeze. ‘Then I’m sure I’ll be well compensated.’

She spoke no more, but took the length of him deep into her throat and tightened her grip until there was nothing for it. He shuddered the weightiness of his release into her throat, and she drank it back like fine brandy. And when she had drained him as surely as if he had been the glass containing her drink of choice, she slipped up next to him, her tight roseate nipples brushing against his ribs. And when she kissed him, he tasted himself on her lovely tongue. This time she kissed him with all of her mouth, nay, with all of her body if that were possible, and he felt lust already returning to his loins.

When she pulled away, he spoke in one breathless sentence, fearful that if he did not find his voice immediately, the lady’s own greed for the pleasures of the flesh might make him forget that he even possessed the power of speech, might make him forget why his voice would even be of importance. ‘My dear woman, might I at least enquire who it is that pleasures me so well and in such unusual circumstances?’

Once again she held him with the deepest, darkest eyes he had ever seen on a woman so pale of complexion. ‘I’m Cassandra, Cassandra Larkin, and I’ve been waiting for you.’

‘Then it is clear you have most definitely found me, Cassandra Larkin.’

Though it was usually fear and uncertainty that drove those who rode the Ether to complete the task for which they had come and return to the World of Flesh as quickly as possible, those who were more adept at journeying in the Ether knew that passions and desires were always more difficult to control in that vast space. Therefore it came as no surprise that his desire should return with such intensity.

Though in truth, he had never taken his pleasure in the Ether before, and he was certain other practitioners of ethereal magic would not approve. But at that particular moment on his internal spell-induced clock, he could think of nothing in the Ether he would rather be doing than sharing pleasure with Cassandra Larkin. Though he was much more in control of his manhood after she had so deliciously emptied him, he would most definitely be the first to agree with modern theories on human sexuality, stating that the brain is the seat of desire. And this slender woman pale of flesh and hair, dark of eyes was truly intoxicating. He wondered if her appearance in the Ether was as her appearance in the World of Flesh. Some, he knew, chose to appear differently when riding the Ether.

He felt her hips shifting and rocking with her unsatisfied need, and as he lifted himself onto one elbow rising above her, for the first time he became aware of the bed on which they lay. It was devoid of colour, like the emptiness in which they found themselves, but it was a bed nonetheless. Anderson could not but admire the woman’s attention to function, much more important in ethereal magic than form. And at this moment, hers was the only form in which he was interested, though he wondered why that should be when there was important coven magic in which he ought to be participating.

She guided his hand to the soft warmth between her legs, and he eased a middle finger into the slippery wetness of her ardor. His thumb caressed the heavy node of her pleasure and she trembled like a leaf on water, honeyed eyelashes fluttering over dark eyes. She opened herself to him, shifting her buttocks until he could see the heavy folds and hillocks of her womanhood pouting open before him, until he could smell the heat of her rising up from below her belly at the seat of her desire.

She lifted her arms around his neck. ‘Anderson,’ she pressed his name up through her chest and past her lips with labored breath. ‘Anderson, it’s all right for me to have you here in this place, and I need you. Please. I need you.’

His own need grew with the feel of her beneath him, and he did not deny her the release she so needed. He cupped her buttocks, felt them tighten in his grip, felt the strain of her anticipation as he positioned himself, the head of his member pressed tight against her womanhood. ‘Please,’ she whispered again.

He pushed into her until the sigh of her breath was a sob, then she wrapped herself around him and pulled up to meet him, pressing her mouth to his, whispering against his lips. ‘Ride it with me, Anderson. I need you to ride it with me.’

The power of first contact drove fire up his spine and up into his head until the very fabric of the ether sparked with it. Then as he thrust, it was as though she had inhaled all of him into herself, right up through the very core of her womanhood all the way to the beating of her heart. And then she gave it all back to him again, each time driving the fire up into him hotter and brighter than the time before. His bliss was such that he wondered if it were her intention to burn him until he was but ash to be blown away into the nothingness of the Ether. But he was too far gone for his possible destruction by fire to matter, and when she began to shudder and tremble with her release, driving her heels into his kidneys, digging her nails into his back, he allowed himself to tumble into the abyss with her. The bed she had created quite literally vanished and they were falling, endlessly falling into the heat of their release.

For a time, they floated in nothingness, wrapped around each other. The clock in his head warned him he had been gone too long, that there were important responsibilities he must return to, but still he clung to her.

‘Are you all right?’ She whispered against his ear.

He chuckled softly at such a question. ‘As ecstatic as the experience of sharing pleasure with you is, my dear Cassandra, it was only le petite morte and surely you are aware that I am already dead, and therefore undamaged by even the power of your great ardor.’

To his surprise, she wept, only a little, but he appreciated the ways of women. Their ease with their own emotions was a thing much to be envied. And she did indeed weep, and hold him even closer to her, if that were possible. ‘Only le petite morte,’ she sighed. ‘Of course.’ She moved a hand down to rest against his heart. ‘I have to go now, Anderson, and so do you.’ She kissed him, and in that startling moment colours flashed before his eyes, steamy sunsets, nights dense with stars, an older woman with a cascade of white hair falling over a black robe, ghosts, memories, wild places. And the sharp crack of a bullwhip and fire that was cold and unnatural, and yet familiar in a way that chilled him even in his ethereal body. Then, as inexplicably as he had come to be with Cassandra Larkin in the Ether, he fell away from her into darkness.

When the darkness broke over him, he awoke on the dream bed looking up into the concerned faces of the rest of the coven.

 

Another Visit to Vegas & a New WIP

S6302679I’m taking you back to Vegas today. Not that you weren’t expecting it, right? I take you there every chance I get. I thought I’d take you there on a warm summer evening, and not to one of the better parts of town, but to someplace a lot more dangerous. My new Work In Progress, Buried Pleasures, follows the adventures of Samantha Black, a woman with a talent everyone is after. Samantha is not in Vegas for the glitz and the glam. Sam has come to get her friend, Evie Holt, out of a very bad situation, a task that could very well get her killed or worse. Enjoy the beginning of this paranormal romance!

Buried Pleasures

He was the biggest damn dog Sam had ever seen, and she’d nearly jumped out of her skin when he slipped out of the growing evening gloom and rubbed up against her hip nudging the remains of her peanut butter sandwich with a cold nose. ‘Hey you! That’s my lunch.’ And her breakfast too, she thought. In fact it would be her last meal until she made enough in tips tonight to buy something else. The dog plopped down on his enormous haunches in front of her, effectively blocking further progress unless she wanted to wrestle him out of the way, which she figured was a losing proposition. He offered a small whine, and what she could have sworn was a smile. Then he licked his chops with an enormous pink tongue, the large golden eyes locked on her sandwich. If this hadn’t been Las Vegas, if she’d been in the wilds of Wyoming of Montana, she would have sworn the beast was a wolf instead of a dog, and that he was about to call out the rest of his pack to help him bring down dinner that involved a whole lot more than a partially eaten peanut butter sandwich. Though she figured said dinner would be a bit on the under-fed side at the moment. But the dog made no threatening moves. She’d seen him before, seen him dozing in the sun next to a homeless man who often settled in the shade near the storm tunnel.

Come to think of it though, it was the man who’d always drawn her attention rather than the dog. He was big enough and looked dangerous, big enough to be a woodsman with a wolf dog. But though it was more than his size that always drew her eye when she walked past the entrances to the tunnel, it wasn’t anything she could really put her finger on. She never looked directly at him, because for some really stupid reason, to do so felt dangerous. Besides, she always felt like he was watching her. Though he never was. If anything he seemed to be watching everything, like he was taking it all in. And she was a part of what he took in. Somehow just being in the man’s vicinity made her feel, well exposed – not like he was a stalking her, but like he knew her, like he could see her secrets. Like he could see everybody’s secrets. She shivered. This whole nasty situation with Darian Fox and Evie had left her suspicious and feeling as though there were threats around every corner. But then there were, weren’t there? Why couldn’t she make Evie see that?

Her stomach growled. The dog whined and licked his chops, and she was brought back to the present moment. Frankly she found the dog’s company the most pleasant she’d experienced since her reluctant arrival in Vegas. Christ! Had it really been two months ago? ‘Time flies when you’re having fun,’ she growled under her breath. She reached out and scratched the animal’s ruff feeling strangely comforted by the feel of thick fir. She wondered how he handled the heat in July and August. It hadn’t entered her mind that he could practically bite her whole arm of in lieu of the peanut butter sandwich if he chose too, though he seemed fairly well mannered at the moment. He’d never shown any inclination to be friendly to her, or any interest in her at all when she’d walked by here before, but then again, she’d not been eating a peanut butter sandwich before. Golden eyes shifted from the sandwich to her face and back. He whined again and offered her an open-mouthed yawn sporting teeth like daggers, then his tongue lolled out the side of his mouth in a relaxed, but attentive pant, and he inched closer, eyes still locked on the sandwich.

She sighed and her stomach growled again. ‘God I’m so gullible! But only with animals,’ she added as he inched his way closer. ‘People, I know better than to trust. Especially in Vegas.’ The dog cocked his head, as though he understood every word, and he very well might, she thought. ‘Well, I suppose I could stand to lose another few pounds.’ She tore a corner off the sandwich, and stuffed it in her mouth savoring the last of her very scant meal. Then, as the dog inched forward again, she handed him the rest of the sandwich. He took it from her almost daintily before it disappeared down his gullet in a single gulp. He offered another whine and a little woof of a bark. ‘Sorry Bud. There isn’t anymore,’ she said, stroking an enormous soft ear. ‘But if tips are good tonight, I’ll bring you a Big Mac tomorrow. How would that be?’

‘Leave off the special sauce if you do. It makes him fart, and I have to sleep with the mutt.’

With a little yelp of her own, she turned to find the dog’s master towering over her. She stepped back, in danger of falling on the dog, who gave an indignant woof, which she wasn’t sure was from her nearly landing on him or from his owner’s lack of discretion in discussing his digestion. Either way if the man hadn’t caught her by the arm with a large hand she would have flattened the poor pooch.

The man was big and rugged like the dog, she thought, as he slid an arm around her waist and pulled her away from the beast, swiftly enough that she realized with a start that he didn’t trust the dog with her. For a second she tensed and her skin prickled. But it wasn’t the dog she feared at all. She trusted him almost instantly and she knew the feeling was mutual, peanut butter or not. She wasn’t keen on being touched by people she knew well, let alone strangers, and this man made her knees weak from a distance, let alone up close and personal. Before she could panic, she was engulfed in the scent of juniper and wood smoke and dry desert heat. Perhaps it was the desire to sniff again that relaxed her, that made her forget that she could be in real danger, but before she had time to really consider her safety, he settled her onto her feet and stepped back. ‘Excuse me. I didn’t mean to startle you. It’s just that Gus isn’t usually great with people.’ The dog scooted forward and sniffed her fingers with a cool nose, then looked up at the man as though he wondered what the hell the problem was.

‘It’s fine. I’m all right,’ she managed without sounding too disconcerted. ‘I just wasn’t expecting company for lunch.’P1010641

The man offered her a smile that made her stomach bottom and, for a tiny moment, made her feel like there was nothing solid beneath her feet. Then everything righted itself and settled around her again. ‘And Gus wasn’t expecting to be invited to lunch with such charming company,’ he said. ‘The mutt’s a bit of a mooch.’

The man wore faded fatigues –patched and threadbare in a couple of places – along with heavy-duty biker boots that were scuffed and well worn. But the clothes didn’t hang on him like clothes often did on the homeless people who sheltered here. He filled them out. In fact he filled them out way too nicely for a man with whom regular meals were not guaranteed.

‘I’m just glad he was happy with peanut butter and didn’t find it necessary to have a bit more protein with his meal.’ She wriggled her fingers, and the man chuckled, and held her gaze with startling eyes that were winter storm grey and not clouded by drugs – not that she would know much about that sort of thing. His hair was dark and mussed and the stubble on his face made him look tragic and romantic, if more than a little bit dangerous. She forced herself not to look away. ‘I’m sorry. I don’t have anything else.’ She flushed in a wave of embarrassment. ‘Believe me, I really don’t.’ She suddenly found herself fighting back tears and lowered her gaze. He had no idea, she thought. There wasn’t even any change left in the bottom of her bag. She’d rounded up all of that and the few pennies she found down behind the cushions of the couch to buy a loaf of bread and the peanut butter. Even if he decided to steal her bag, fat lot of good it would do him. Even the phone was a worthless pay as you go job with barely enough time on it to call 911 in an emergency. Truth was he could easily take from her whatever he wanted. He could even take her if he wanted, and there would be nothing she could do, certainly no one would miss her. She should have been scared, she supposed, after all she knew very well that the storm tunnels could be dangerous places, but she was just too damn tired to care. She could feel his gaze move over her. It made her feel giddy and flushed and … strangely naked, but not like he was leering, more like he could … well just like he could see things.

‘I know,’ he said softly. ‘I know what you have.’ He curled a finger beneath her chin and lifted her head so their eyes met again, and the prickle of her skin returned, but this time she felt as though she were suddenly bathed in champagne bubbles, suddenly falling into the storm blizzard depths of his eyes, suddenly unable to catch enough breath. ‘I have something for you, though.’ He stepped back, sliding his hand down her arm to curl his fingers around her wrist. Then just before the strength of his grip, the power it transmitted could panic her, he took her hand and folded something into her palm. Then he whispered against her ear, ‘Gus’ll be looking forward to his Big Mac.’

She blinked and caught her breath. Did he say that, or did she just imagine it. But he had already turned, given a soft whistle, and the dog followed him into the maw of the tunnel. She watched them for as long as her eyes could see shape and movement before the blackness swallowed them up. Then she looked down in her clenched fist and opened her fingers. There was just enough light left in the evening sky that she could make out the words Buried Pleasures engraved on both sides of a poker chip. How the hell did a homeless man get a poker chip from a place like that, she wondered. She turned it over in her hand a couple of times squinting in the low light, but it seemed genuine enough. Then she shrugged, dropped it in her bag and headed for the casino, picking up her pace so she wouldn’t be late for her shift. It was a helluva walk from her apartment to the 6 Spot, and she always tried to make it before it got too dark. Not only was it a long walk, but it took her through areas that were not the safest places for a stroll. On top of that, she was in danger of being late, thanks to her encounter with Gus and his owner. She’d made enough money busking yesterday to pay the rent, but not enough to put gas in the car.

She didn’t feel good about the busking. Vegas was way too small. It would be too easy for her to draw attention, and she especially didn’t want to draw Darian Fox’s attention again. On the other hand, she didn’t feel good about joining the homeless man and his dog in the tunnels if she got kicked out of her apartment either. If the city were bigger, another day, maybe two of busking and she’d have made enough money to give her at least a bit of a cushion, but she couldn’t risk it. Word got round, even when she downplayed her abilities, which she always did. Not for the first time she resented the hell out of Evie’s little rich girl naiveté, and not for the first time she wondered why she didn’t just call Evie’s father and let him come and sort her out. How the hell did she get mixed up in this mess to begin with? But she was expendable, right? She was a nobody, not an heiress wanting to thumb her nose at daddy by trying out life on the wild side.

S6304352She heaved a sigh and picked up her pace again. She was just feeling sorry for herself. She was just tired. Evie was her friend, and she knew damn well that if the shoe were on the other foot and she were the one acting like an idiot with Darian Fox, Evie would move heaven and hell to get her out of a bad situation.

She picked up her pace yet again, telling herself dryly that she would be able to take up competitive race walking if she went a few more days with no gas money. That would beat the hell out of her job as a cocktail waitress. True, it was a shit job, but right now beggars couldn’t be choosers. While she could make good money busking, even maybe find a job at a piano bar someplace, she knew that wasn’t safe, but she had to have some money if she were going to survive until she could get Evie away from that bastard, Fox. And that meant stuffing herself into the tiny spandex excuse for a uniform and letting the half-drunk partiers at the Black Jack tables ogle her while she delivered their watered-down drinks because, what were friends for, right?

Writing Katie in Love by Chloe Thurlow

tourbutton_katieinloveWhen I gave up my job describing interiors for a magazine, my Mother told me not to ‘burn my bridges,’ and I started to wonder if that is sound advice. Once burnt, there is no way back. You have crossed the Rubicon, the Styx, the Thames, for that matter. I had moved from West London to East London where the rents are cheaper and the cost is broken streets, a fall on the ice and a broken finger.

At that time, a friend of mine who paints abstracts lost all of her work in a fire. For months she walked around in a funk. Then she rented a new studio. She started again and her paintings were fresher, freer, more layered, more interesting.

It made me think. I have files of unfinished short stories, notebooks of ideas, character descriptions. I kept going back to them as if in the past we might find the future.

But I had a deeper instinct that, only when I found the courage to burn all these scribbled notes would the universe reach down and lift me like a fiery phoenix from the ashes. You get trapped into repeating yourself, you plagiarize yourself, you become all those things you condemn in others. Sometimes, I would pass a shop window and glimpse my mother in the reflection.

There was a book I wanted to write and I needed to steal time to write it. I had some savings, the chance to house sit, and a plan of action came to me one day in the park when a paragraph like a speck of space dust fell from the sky into my head. I raced home and wrote it down. I didn’t burn all my jottings, that would have been romantic, and in my flat I don’t have an open fireplace.

What I did was place all the notes and notebooks in black plastic bags and carried them down the stairs – the Romanian girl in  the flat below was singing, I could hear her voice faintly through the half-open door – and put the bags in the blue Paper and Cardboard recycle bin.

I felt lighter walking back upstairs, not just lighter from not carrying the bags, but lighter in my step, in my head. Katie from that first paragraph was now at my side and she would remain there night and day like a doppelganger, like changing images in a house of mirrors: me, but not me.

My previous books had been about girls coming of age, finding themselves and their sexuality. Katie was not a young girl. She was 28, my age, as it happens, and she had a lot of confusion about a lot of things: love, romance, passion erotica. But also art, contemporary life, nude-selfies, sexting, porn, internet dating, pulp and pop culture, tabloid TV – men, those shapeshifters and mysteries so hard to live with and impossible to live without.

These are the ingredients for what was given the working title: Strangers, then Stranger in the House of Mirrors, then House of Mirrors, then…well, lots of things, and became as if it were meant to be: Katie in Love.

A book is a journey; your characters your companions. You create them and they, in some ways, create you. Katie Boyd is a perfectionist, moody, she likes dancing, she is unsure what she should do in her life and, when she feels as if she is falling in love with Tom Bridge, the feeling is unexpected, shocking and terrifying.

Katie in Love was 13 months in the making, all writing is re-writing, every word is a chip in a mosaic, even that space gift first paragraph was edited, but the book became the book I wanted to write and I feel free now to start another book.

 

Katie in LoveBlurb

Katie Boyd has nothing in common with Tom Bridge, the volunteer doctor she meets at a party – except in bed she finds a passion to match her own. Tom is intense, puzzling, a man who cares about others and compels Katie to question her own life drifting through the hip clubs and London party scene.

When Tom returns to his post in a Sri Lanka orphanage, Katie isn’t sure if their passion was lit by its brevity, or if love, unexpected and not entirely wanted, has edged its way into her life. Should she go back to being who she always was? Or follow Tom into the unknown?

Katie in Love is a compelling erotic-romance that will grip readers as they follow Katie’s journey to an ending they may have expected – but not in the way they expected it.

Brilliantly written and coolly self-aware, Chloe Thurlow was described by KM Dylan on Amazon as “…the Anaïs Nin of our times.” With Katie in Love  – her sixth novel – Thurlow reveals a writer at the height of her powers.

Excerpt from Katie in Love — furnace hot 5*****

Katie has met a stranger at a New Years Eve dance and she takes him back to her East London flat –

My heart was a little boat that had broken its moorings. My breath was trapped in my throat. I rolled to one side and slid across his body. I took his cock back into my mouth, completing the circle, his tongue pushing back into my vagina, my tongue wrapped about his shaft. We rocked to and fro like sunflowers in a field, deeper and deeper, while the tree branch tapped like a metronome against the windowpane and we found perfect harmony.

My pussy continued to leak nectar into his mouth. Our bodies were slippery with perspiration. I could have remained in that position for the rest of my life, but the tempo changed, his body tensed and my throat filled with warm sperm that tasted like coconut milk. I gobbled it down, greedy for more. He kept pushing into me, I kept drawing at his cock and, as the last drips drained into my mouth, I grew rigid. I released his cock and gasped as his meaty tongue ignited an orgasm that made me scream. I cried out as if in pain but the pain was an intense, all-consuming pleasure.

My body was trembling as if in fever. I rolled to one side, arms wrapped around his legs, our bodies drenched, throbbing, electric. I was dizzy. He pulled me up and pushed his cock inside me as if it were a jewel being placed back in a velvet box. We rocked gently like waves on an outgoing tide and, on that tide, the ship would soon be sailing.

We slept for an hour. We made love again and he slept again, staying hard inside me while I lay awake enjoying the feel of his weight pinning me down. Sometimes you have to picture what you wish for. I had pictured the stranger and willed him into being.

I must have drifted into sleep. I remember my eyes blinking open, a smile on my lips. There was dull light around the unclosed blinds. Morning had come. It was the first day of a New Year – a new beginning. He was dressing. He leaned over, kissed my forehead, and I watched as he left my bedroom. I heard the click of the front door. Then there was silence.

Link for Amazon downloads – http://bookgoodies.com/a/B00S1SMMIG

Link for Amazon books –  http://bookgoodies.com/a/1503014908

Write to Chloe at – chloe.thurlow@yahoo.co.uk

Read Chloe’s extraordinary blogs at – www.chloethurlow.com

 

Chloe ThurlowBio

Chloe Thurlow lives in London and spends as much time as she can in Spain trying to improve her dire Spanish accent. The author of 5 previous novels, Katie in Love, is her first indy book – an experience she describes as walking blindfold on a highwire between two buildings without a safety net. Katie in Love is available as a beautifully-bound paperback and an ebook.

Website: http://www.chloethurlow.com/

 

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Voyeur, Body Thief and Beyond

This post first appeared in the ERWA blog Nov 2012, but with the world of self-publishing wide open and with so manyBook stacks
‘books’ out there of questionable quality, I thought it a good time to revisit just what makes a really good read, and what a really good story will do for the reader.

One of the most intriguing parts of story for me has always been the way in which the reader interacts with it, more specifically the way in which the reader interacts with the characters in a story. I find that interaction especially intriguing in erotica and erotic romance.

 

To me, the power of story is that it’s many faceted and it’s never static. And, no matter how old the story is, it’s never finished as long as there’s someone new to read it and to bring their experience into it. Like most writers of fiction, I’m forever trying to analyse how a powerful story is internalised, and why what moves one reader deeply, what can be a life-changing experience for one may be nothing more exciting than window-shopping for another.

 

In my own experience as a reader, there are two extremes. I can approach a story as a voyeur, on the outside looking in http://www.dreamstime.com/stock-photo-abstract-black-white-writing-pen-image20156020from a safe distance, or I can be a body thief at the other end of the spectrum and replace the main character in the story with myself.

 

One extreme allows the reader to watch without engaging and the other allows the reader to create sort of a sing-along-Sound of Music- ish experience for themselves. As a reader, I’ve done both and had decent experiences of novels doing both. As a writer, however, I don’t wish to create a story that allows my reader to be a voyeur or a body thief.

 

As a writer I want to create a story that’s a full-on, in-the-body, stay-present experience from beginning to end. I want
characters that readers can identify with and are drawn to but don’t necessarily want to be. I want a plot that feels more like abseiling with a questionable rope than watching the world go by from the window of a car. I want to create that tight-rope walk in the middle. I want to create that place in story where the imagination of the reader is fully engaged with the story the writer created. That place is the place where the story is a different experience for each reader. That’s the place where the story is a living thing that matters more than the words of which it’s made up. It matters more because the reader has connected with it, engaged with it, been changed by it, and the story continues to affect them long after they’ve finished reading it. In that place, the story and the reader are in relationship. Neither can embody the other, neither can watch from a distance. The end result may be a HEA, the end result may be disturbing and unsettling, but at the end of a really good read, the journey to get there is at least as important as the end result, and the result is on-going beyond the final words.

 

Erotica and erotic romance are by their nature a visceral experience. Though I think that’s probably true of any good story. I don’t think good erotica can be watched from a distance any more than it can be the tale of the body thief. While either will get you there, there’s no guarantee that the journey will be a quality one. And I want a quality journey. I want to come to the end of a good read wishing I hadn’t gotten there so quickly, wishing I’d had the will power to slow down and savour the experience just a little longer. I want to come to the end wondering just what layers, what subtleties, what nuances I missed because I got caught up in the runaway train ride and couldn’t quite take it all in.Sleeping woman reading181340322466666994_IswNAb85_b

 

A good read is the gift that keeps on giving. Long after I’ve finished the story, the experience lingers, and little tidbits that I raced through during the read bubble up from my unconscious to surprise me, intrigue me, make me think about the story on still other levels, from still other angles. When I can’t get it out of my head, when I find myself, long after I’ve come to the end, thinking about the journey, thinking about the characters, thinking about the plot twists and turns, then I know the story has gotten inside me and burrowed deep. There was no pane of glass in between; there was no body for me to inhabit because all bodies were fully occupied by characters with their own minds and their own agendas. The experience extends itself to something that stays with me long after the read is finished and makes me try all the harder to create that multi-layered experience in my own writing.

Out Now! Lisabet Sarai’s D&S Duos Book 4

Young woman with shibariToday I’m welcoming Lisabet Sarai back to celebrate Book 4 of her D&S series.

Blurb

Lisabet Sarai’s D&S Duos Book 4 celebrates the thrill of sexual power and the ecstasy of surrender. In “Like Riding a Bicycle”, after years of vanilla marriage, a couple resumes the kinky games that first drew them together. The characters in “Limbo” experience the ultimate erotic connection thanks to dangerous and addictive out-of-body technology. D&S Duos Book 4 also includes bonus story “Blind Obedience” and a transgressive excerpt from Lisabet’s erotic thriller Bangkok Noir.

Excerpt: 

We make our choices, often blindly. Then we live with the consequences.

It’s your fiftieth birthday, I’m half a world away, and married to someone else. I honestly don’t know which is the bigger obstacle. No, scratch that. If today’s experiment is successful, the distance will mean nothing.

I want to help you celebrate. To give you something special. Romantic and cynic that you are, I want to prove to you my enduring devotion, across time and space. I want to give back to you some of the magic you’ve shared with me.

I climb out of the taxi at the entrance to an alley too narrow for the compact Toyota to navigate, hand the driver a hundred baht and head toward my destination on foot. I’m somewhere in the maze of venerable lanes of Cholon. I smell star anise and decaying fish. I pass racks of drying laundry and bins of preserved fruit.

The address you emailed me belongs to a surprisingly grand, if somewhat decrepit, building, three stories of balconies and shutters. No sign. When I ring the bell, I am ushered into the waiting room by a powdered and rouged crone wearing too-tight silk and ropes of jade beads. She gestures for me to sit on the velvet banquette and shuffles away. The walls are mirrors, framed by faded brocade draperies. I can’t help grinning to myself; clearly, this state-of-the-art Monroe parlor used to be a brothel.

This was my idea, but you did all the research. I know that you’re somewhere in the basement of a fancy hotel in San Francisco. Very exclusive, top security. For executives who want the ultimate in “teleconferencing”.

The madame returns with a sheaf of papers. Release forms. Of course it’s all illegal anyway, but no one wants to take any chances. There are documented cases of people going astral and never returning. The parlor doesn’t want to be stuck with my still breathing but non-sentient body.

Buy Links

Amazon US

Amazon UK

Excessica

Barnes and Noble

Kobo 

 

lisabetFace
About
Lisabet:

LISABET SARAI occasionally tackles other genres, but BDSM will always be her first love. Every one of her nine novels
includes some element of power exchange, while her D/s short stories range from mildly kinky to intensely perverse. Learn more at http://www.lisabetsarai.com.

 

 

 

 

Find Lisabet here:

Website: http://www.lisabetsarai.com

Blog: http://lisabetsarai.blogspot.com

Goodreads: http://www.goodreads.com/author/show/83387.Lisabet_Sarai

Amazon: http://www.amazon.com/author/lisabetsarai

Yahoo group: http://groups.yahoo.com/group/lisabets_list