As promised, today’s post is the second installment of Fit to Write and my challenge to prepare for a pole photo shoot in June 2018. (If you want to read the 1st installment, follow the link) For those of you who don’t know, I started a beginning pole dance class six months ago when Polerocks opened a studio just up the road from my gym – first lesson free. I wanted to give my workouts and my fitness routines another dimension. Well, that might have been how it all began, but it definitely evolved into something way more than that.
I just learned that I’ll be graduating to the intermediate class in January. I’m both pole-happy-dancing and biting my nails. I’ve been training for almost six months now. I can climb, I can do the sits and the stands, I can do the spins and combos we’ve learned – maybe not elegantly, but I can get through the techniques. At the end of the day, though, all the strength and conditioning, all the core training during those months, all the stretching and all the bruises have been leading to one major goal and that’s inversion – getting myself upside down without help from an instructor.
The thing about training pole is that unlike kettle bells, I can’t order one online and just stow it behind the sofa when I’m done with it for the day. My house is way too small to easily use one even if I did. That means my brain is constantly trying to think of ways I can practice techniques and core building and flexibility at home. That means every signpost, every light pole, every scaffolding pole I see, I speculate whether or not I could use it to practice when no one is looking. I can’t help wondering if a middle aged woman could get away with climbing the rugby goal posts in the middle of Stoke Park – when no one is using them of course. While I’ve not done that just yet, but there is a plan in the works for going over very early some morning …
Part of the reason I love pole so much is because it’s endlessly creative, even as I fumble about to figure how best to train when I’m not in class. Starting January 4th there’ll be pole classes two days a week rather than one. While I’m very excited, I’m now faced with the task of getting myself conditioned enough that two classes a week, plus my normal training, won’t kill me. That’s a post for another day. In the meantime, it’s all about getting upside down.
I had no idea just how complex the core is, and how much there is to training it just so I can pull myself into a v-sit position (a Teddy) and then into an inversion onto the pole. I’m close, but there’s one little sweet spot I haven’t quite trained enough, coaxed enough, strengthened enough to get my body over that one last hump. My goal, at the moment, is to be able to do that inversion from a Teddy on my own before the January extra classes start. Each night I sit in front of the telly doing v-sit leg lifts. At the gym, I practice leg raises from the dip machine, I do jackknife push-ups with the TRX suspension straps. I’ve even figured out how to use sheets of plastic or paper plates on the living room carpet to do sliders. And then there are the times when I’m just too tired to do anything at all, the times when my body reminds me that I ain’t twenty, and like it or not, my ass better get some patience or there’ll be hell to pay. In fact, I’m just getting over a nasty cold because I didn’t get me some patience when I needed it.
The shots in this post were taken last Friday. Having signed up for the June photo shoot, looking good upside down has become even more important, so most of the session with my pole trainer, Lauren McCormick, was about getting upside down. The screen shots are because I’m not quite brave enough yet to share the videos that happen in training, but this gives you an idea of what’s involved in getting upside down.
Oh! And did I mention skin? Yes, there’s a very good reason why pole dancers don’t wear a lot of clothes. It’s because skin grips and cloth slides. Gripping on the pole is essential, thus my exposed belly. It’s taken another level of courage for me to wear shorts, let alone expose the middle of me, but for the Gemini move, the extra grip along the side and hip makes all the difference.
I find it fascinating that all of our journeys, no matter what we’re doing or where we are, happen on so many more levels that we can easily see. I’ve never been more aware of it than I am now when my body’s journey mirrors, sometimes even predicts and leads the journey of my mind and of my creative self. There’s something about pushing, even when I’m scared sh*tless, that makes me aware there’s always so much more going on in all of us than we ever expect. We’re all capable of so much more than we think we are. That makes us all explorers of our own unknown if we’re brave enough to take that first step, even if we do it with knees knocking and heart racing. That gives me hope.