I’m sure you’ve already seen the pictures of the paintings and heard me rave about the fabulous artists who each volunteered to illustrate a different excerpt of my novel, Body Temperature and Rising, for my launch party a couple of weeks ago. As I’ve gotten to know these very talented young artists and seen a bit more of their work, I knew I had to have them on my site and give my readers the chance to get to know them a little better and have a look at a few images of their wonderful work.
The very talented Fuschia Ayling is my guest today. Fuscia chose the opening scene of Body Temperature and Rising to paint, and on her blog, teased us all with sneak peeks of the work in progress. I’ve been following her blog ever since just to see what she gets up to. Welcome Fuschia! It’s a pleasure to have you on A Hopeful Romantic.
KD: Fuschia, have you always known you’ve wanted to be artists? What inspired the choice?
Fuschia:I have always been driven creatively, ever since I was a very small child – I suppose I was always happiest when I was up to my elbows in paint, mud or playdough. When I was small my father owned a gallery and studio in St. Ives, and his success and talent as an artist – along with my immersion in the Cornish art scene – meant that I was given all the encouragement I needed to continue exploring my interest. As I grew up I continued to enjoy expressing myself visually, but I
viewed it more as therapy – there were always things which I couldn’t explain to others, things that I could only really exorcise in my journals. I studied Art and Design at college and then took an extra couple of years to really develop my work and distance myself still further from what seems to be a very Cornish expectation – that as an artist one should paint landscapes and seascapes to order. I am thankful that being an artist is a viable career option – I can basically devote my life to healing what is, unfortunately, a slightly damaged brain.
KD: Tell us a little bit about yourself.
Fuschia: I am 20 years old, currently studying at Kingston University for a BA in Fine Art. My work is always confessional, often sexual and sometimes a little shocking. My work deals with my own personal experiences and opinions, and in that way it is like an ever growing and expanding diary of my life. I often deal with issues that, although still current, are perhaps best described as scars from childhood. I have been called a feminist artist, although this isn’t a label I particularly identify with, I think my work deals with what could be deemed “Feminine Issues” merely because I am by gender a woman. I enjoy writing, drawing, sewing and painting – I like to mix and match materials and processes.
KD: Why did you choose to make sexuality the central theme in your artwork?
Fuschia:I suppose sexuality is a central theme in my work because it is a central theme in life – sex
is, after all, the reason why we are all here. I am very interested by human nature, especially when it comes to sex, and I think that this interest fuels part of my obsession. Like many people I have issues with my own sexuality, I find that exploring these unspoken things in my work comes naturally to me. I have produced a lot of work in the past about being a rape victim, and I probably will continue to do so in the future, it is something which I kept secret and shamefully hidden for so long that having the freedom to express it, to work through it and to, hopefully, help other people in similar positions to myself is hugely healing to me. I think also that in my work I wanted to make a distinction between sex and rape, because rape is not sex but it is violence and sex is something beautiful – no matter how hard you’re fucking it is always consensual. Sex is wonderful – I want to celebrate that.
KD: Where to you get your inspiration?
Fuschia:I am inspired predominantly by my own history, but also materially – by patterns, colours, chance events. I am really interested in
surface decoration, the little details which make up the skin of an object. I also have a fascination with craft – embroidery, needlework, knitting, upholstery, beading – things which were traditionally a woman’s work, I enjoy bringing a new vitality to them when they are placed in an altogether different context – For me, a cross stitch of a pretty house is impressive, but a cross stitch of a vagina is sheer brilliance.
KD: What’s the hardest thing about being an artist?
Fuschia: I think that, for me, the hardest thing about being an artist is also one of the best things – Being self led. On the one hand the freedom is wonderful, the ability to just get up one day and say “Today I shall make a wall-hanging entirely out of cotton wool…” – that is a fabulous feeling when you have total monopoly over your practice. On the other hand, however, is awful days of total creative block, despondency, failure… It is about having the ability to be your own critic, but also to know when to stop beating yourself up over your short-comings.
KD: Who inspires you, as an artist?
Fuschia: In the art world my greatest influence has to be Tracey Emin, I discovered her work aged 14 and have been in love ever since. I admire her ability to let the viewer in but still keep hold of the reigns. For me she is somebody who is very real, very human and also very good at what she does. I also admire Sarah Lucas, Elke Krystufek, Nan Goldin, Annette Messager, Ana Mendieta and Francesco Clemente among others. I have also been inspired greatly by the work of author Mervyn Peake. I would also like to take this oportunity to say a big thank you to Sarah Berry for her ongoing support!
KD: What are you working on now?
Fuschia: I am currently working on a project which is far more feminine in appearance, I have become really interested in floral prints and patterns. I have just completed part of this – a large square painting titled “My Not So Secret Garden”, which was inspired by my unease with the common pornographic pose which involves spreading ones pussy lips with ones fingers, I was interested in the dual meaning of the gesture – whether it was an invitation, a sign of vulnerability in exposing our softness – or whether it could be an aggressive gesture, a blatant display of sexuality as something threatening. By combining the image with soft floral shapes and pastel colours I am trying to play with the connotations the familiar pose has…It is work in progress!
KD: What are you working on now?
Fuschia: I am very excited at the moment about our (The Vagina Atelier) nomination for the Erotic Award’s Erotic Artist of the Year, and the possibilities for making new contacts. I am looking forward to seeing what the future brings…
Fuschia’s blog: http:/www.fuschiaayling.blogspot.com
Thank you, Fuschia for giving us a chance to get to know you a little better and to sample a little bit of you stunning art. It’s been a real pleasure you to have you! I wish you all the best in your creative pursuits.