All posts by K D Grace

London Faerie: Playing with Consciousness Part 2

It’s my pleasure to welcome London Faerie back to A Hopeful Romantic for the second instalment of his fascinating post on playing with consciousness. If you missed Faerie’s first post, check out Part One here.

Often in BDSM we talk about ‘sub space’, and this is shorthand for an altered state of consciousness experienced by submissives when things go well. Often when a submissive is experienced, the simple act of putting a collar on them takes them straight into this altered state: London Faerie-23thoughts of anything but what’s happening right now melt away and they focus their attention on the Dominant in front of them. For those who find entering sub space harder, strong impact (spanking, caning etc) often help take the person into an altered state: when the pain gets too much to bear, it feels much better to focus on the sensation than to think yourself away from it. A skilled Dominant uses their voice, their presence, impact and fear to guide the person deeper and deeper into sub space.

Anticipation is a key here. In a recent workshop one participant talked about how not knowing what was coming next was the thing that helped them drop into sub space, and this makes a lot of sense to me. I know it doesn’t work for everyone – for some, the anxiety of not knowing makes them more thinky and less present. But for many waiting for the next touch, stroke or instruction brings them into this focused flow state and out of their everyday relationship with reality.

What is talked about less often is ‘top space’, the altered state of consciousness experienced by the Dominant. I experience this as similar and different to sub space. A sub surrenders to the situation fully, letting go of any thoughts and fully embracing their desire to serve and please the Dominant. Meanwhile the Dominant focuses all their attention on the submissive, letting go of any thoughts and fully embracing the open, vulnerable person in front of them. Feeling the submissive’s desire to please and serve, many Dominants find themselves growing into the present moment, expanding so they feel bigger (often literally) and enveloping the submissive in their expanded attention.

This sounds abstract because it’s hard to describe, but both ways of accessing altered states are reported again and again by both Dominants and submissives around the world. Kinky people instinctively find a way to the flow state described by Mihály Csíkszentmihályi, irrespective of what this state means for them.

At the recent Eroticon, KD Grace and Victoria Blisse led a fantastic seminar about Sex & Spirituality, looking at how we enter this different head state through both experiencing sex and writing about it. It was amazing to discover that almost everyone in the room knew exactly what they were talking about. Writers talked about ‘the writing coming through me’, ‘the characters telling me what they do next’, ‘the book writing itself’ and ‘feeling guided’. For some this indicated the presence of an external force or power, but I don’t see that as important. For me I see it as connecting to a ‘grid’ of consciousness which contains everything and everyone. From this hyper-connected place I can feel and access much more than I do when I’m feeling separate. It’s like my mind connects with a kind of global Mind and I’m fed information beyond what I myself know or understand. It isn’t necessary for me to believe this as anything other than plugging into a collective consciousness, like a circuit board that gives me power and creative juice. And this is equally true if I’m making love, doing BDSM or writing.

London Faerie-14Sex, BDSM and creativity are particularly effective ways to shift consciousness, and this is why I lead workshops in these areas. What’s often interesting is the journey people take into deeper and deeper presence over the course of a day- or weekend-long workshop. A key element is how safe we as facilitators make it for people to go there. I see this ‘dropping in’ as a process of removing our masks and our armour so we can be more ‘naked’ (emotionally rather than physically). Along the way, we often meet the pain and difficulties that caused us to protect ourselves in the first place: fear, overwhelm, rage, frustration, feeling unseen, feeling not good enough and so on.

As people feel safer to let go of their protective layer, they drop in right before our eyes. Often we begin the workshops with simple intimacy exercises: for example, standing in front of a stranger and looking softly into their eyes, seeing them while allowing them to see you. This sounds strange because we don’t do it in everyday life, but it’s surprisingly effective and powerful for helping people to drop in to more presence. Seeing someone else as simply human, without any needs or expectations beyond this, recalls our inter-connectedness: ‘we are all in this together’.

The first few times people experience this flow state in workshops, it can really surprise and sometimes alarm them. One participant, asked how they felt on the Sunday morning of a weekend workshop, said “I’m somewhere above Heathrow Airport right now.” They had never felt so fully present and this in turn made them feel incredibly high.

Over time, people get more supple at moving in and out of altered states of consciousness. The masks and armour their wear in everyday life become less welded to them and they learn how to take them off in a few minutes when the conditions are right. I see this with experienced BDSMers who quickly create a safe space for each other to play, let go of anything they don’t need right now and move into this hyper-connected state. Then when they’re done they gently come back to a more everyday state of consciousness, taking time and care not to rush or jolt themselves.

I wrote about this ‘suppleness’ on my own blog here. http://londonfaerie.co.uk/2013/08/magical-space/

For me being able to shift between altered states of consciousness and more everyday ways of being in the world is a great gift. For many people, attending workshops like our forthcoming Through The Portals is a great way to cultivate this suppleness. It means that when we need to attend a difficult meeting and talk about financial projections or project plans, we can move easily into horizontal reality; and when we want to make love with someone and open ourselves to that connection, we can move easily into vertical reality. This suppleness is valuable for just about anything we might do in a day.

And many roads lead to Rome: whatever takes you into altered states of consciousness, whether it’s writing poetry, tending your garden or getting a jolly good whipping, the more often you make those shifts, the more supple you become and the easier they get. The first few times it can be painful to go back into thinking in time after being so lost in the moment; but after a while you recognise that it’s easy enough to shift between the two states, and this makes it safe to go deeper into altered states because you know your way back the everyday ones.

If your interest has been piqued by what I’ve written, I’m running two workshops in April where you can experience these altered states for yourself. On Sat 5th & Sun 6th April I co-lead Through The Portals, an experiential weekend introduction that includes BDSM, Tantra and breathwork. And on Sat 26th & Sun 27th April I lead The Purple Door, exploring ecstatic and altered states through BDSM. Find out more at http://sacredpleasures.co.uk

Through the Portals Workshop:

5th & 6th April

The Purple Door Workshop:

26th & 27th April

www.sacredpleasures.co.uk

About London Faerie:

London Faerie-15London Faerie is a purveyor of authentic desire. He believes that you should ‘Follow Your Bliss‘, and offers a range of workshops, talks, salons and sessions to support people in doing so.

Faerie’s practice is wide-ranging, drawing from BDSM, shamanic healing, coaching, psychodrama and Tantra. He’s been practising and learning for over 12 years, and brings a wealth of experience and expertise to his groups and sessions. Faerie is the founder of Sacred Pleasures, the place where everything meets: a sex-positive community space where you can welcome more of yourself and make friends with everything you are.

Find London Faerie Here:

www.londonfaerie.co.uk

www.sacredpleasures.co.uk

blog.londonfaerie.co.uk (personal stuff)

Twitter: @londonfaerie

 

Sexy Just Walked into Print!

SJWIT_1I love my Kindle and I wouldn’t be caught without it, but there’s just something about the feel of a real book. We Brit Babes all agree that sometimes you just need to feel it! With that in mind, we’ve got some great news for touchy-feely, inhale that sent and stroke those pages book lovers. The Brit Babes’ first anthology, Sexy Just Walked into Town, is now available in print!

For those of you who have been off-world for you holidays and may not yet know, here’s the skinny.

Sexy Just Walked Into Town is a collection of delicious erotic and romantic stories from the Brit Babes. These tales will tease and tantalise you, each one a sample of the individual Babes’ voices and styles. You’ll find contemporary, BDSM, same-sex loving, ménage a trois, paranormal, sporty, military, Rubenesque and more. There’s something to suit everyone here including a few Brit Babe collaborations.
Ranging from sweetly vanilla to so-hot-it-will-blow-your-mind, we  aim to please in every literary fantasy department. The heroes are strong, determined and soul-achingly divine and the heroines sassy, sexy and not afraid to grab what they want. Passion and pleasure is the name of our game, romance and raunch a top priority and it all comes with a delightful sprinkle of kink.
With a whole host of awards, best-sellers and accolades, the Babes know you’ll find something in this anthology that will keep you turning the pages and squirming on your seat. Then, if you like what you read here, check out the individual authors’ websites to investigate their collection of published works.
Buy Print Version of Sexy Just Walked into Town Here: britbabes_kink_hotnraunchy_4
Available free in eBook from:
AAAAAND! Here’s just a taste of what’s between this sizzling pages — a little excerpt from my story, Stones. 

 

Blurb from Stones:

When landscaper and gardener, Paul Danson, takes on the task of clearing the overgrown grounds of the mysterious Magda Gardener’s decaying Victorian mansion, he uncovers much more than the  disturbingly erotic sculptures hidden amid the bramble and ivy.

Excerpt from Stones:

Not wanting to risk another dream, I settled on the sofa with my laptop. I found myself looking at the works of great sculptors, Michelangelo, Bernini, Rodin, trying to think what made Magda Gardener’s sculptures different. There was sex, there was passion, there was violence, even rape. All were themes of the great sculptors. Bernini captured the very essence of Hades dragging Persephone off to hell – her terror, his lust – and no one could look at that sculpture and doubt what would happen next. Yet the horror was once removed, as though the stone itself has rendered safe and distant what was savage and terrifying, what was a breach of human decency.

Bernini's Hades and PersephoneBut Magda’s sculptures practically burst from the stone into life, into whatever mute terror secretly torments them, as though the sculptor fully understood that our most hideous nightmares are the ones born from the twisting and disfiguring of our most vulnerable passions. Could there be anything more horrendous than our deepest fear realised at the very point of ecstasy? Horror films capture it perfectly. The young couple, caught mid-fuck, always see it coming, and their last battle is the battle between ecstasy and horror.

 

Looking Back at The Collector with Kay Jaybee

Kay Jaybee The_Collector_2012A massive thank you to my lovely friend Kd Grace, for allowing me to gatecrash her site once again!

At the moment I am busy writing my third non-erotic book. There is nothing like not writing erotica, to make me think about writing erotica! And recently I have been thinking back to my very first solo erotic book, The Collector.

When it comes to writing, I get my ideas and inspiration from anywhere and everywhere. In the case of The Collector, the initial idea came to me while sat in Heathrow airport awaiting a flight to Aberdeen. One of my oldest friends had just phoned me to tell me about an article in The Observer newspaper all about erotic writers. He was adamant the time was right for me to branch out from short stories and to try a book all of my own.

Blurb:

The Collector sits silently alone, engrossed in her tales of lust, submission and dominance. Has she already engraved your erotic exploits on her salacious list?

She may look like she is scribbling randomly in her notebook, but she is secretly listening to, and recording, the overheard fantasies and indiscretions of others.

Forever hungry for stories, when The Collector’s sources run dry, her appetite for tales of instruction and voyeurism drives her to do some research of her own

before sharing her provocative experiments on paper.

It is time for the world’s raunchiest chronicler to come to light.

*****

I admit the idea of writing a novel- 80,000 words about only one set of characters was rather daunting in those early days of my erotica career- so I began to consider ways to get around that problem. Short stories…but linked together by a single voice…

Then, as I sat in the airport that day, watching people rush around, my mind strayed further…what stories would all the people zipping around the departures lounge have to tell if I was brave enough to ask them…Then I began to listen to what people were talking about on the chairs around me. I watched how people behaved, and then I started to write it all down… The Collector was born.

Here’s a little extract for you…

Crushed

The general din from the concert behind me had reached such a level of confusion that hand signals were now the only possible means of communication. As I slowly inched closer to the bar I began to wonder how on earth I’d get our drinks back through the heaving mass of people.

Thankful that I wasn’t claustrophobic, I slowly shuffled along with the crowd. I could still move my arms but, otherwise I was almost totally immobilised. For some unseen reason we had all come to a complete full stop. Being above average height gave me the advantage of spotting potential “sliding into gaps” opportunities, but eventually I had to accept that I was going nowhere fast, and was destined to remain thirsty for some time.

I looked around at my temporary colleagues. Apart from hair colour, and a stab at gender, I couldn’t really tell you much about the people who were standing so close to me that we knew what the sides of each other’s legs felt like.

My mind started to wander. A thirty or so deep crowd of people, all piling in one direction – what were they all thinking? How many pockets had been picked? How many people were accidentally on purpose feeling up the person in front of them?

I began to imagine how I’d react if a strange pair of hands started to stroke my arse as I stood there, unable to move, my protests going unheard.  My hands began to itch as I turned my attention to the person directly in front of me. Female, above average height, red hair in tidy bunches, short skirt; older than eighteen I guessed, perhaps younger than twenty five.

I was so close to her that as I looked down I had an excellent view of the top of her head. My crotch was already lightly rubbing against her flimsy skirted rear, and the urge to put my hands over her shoulders and slide them down onto her breasts (which my imagination had decided would be both full and firm), was overwhelming.

I still can’t believe I did it. What if she’d screamed? I’d have been arrested for sure, if anyone should have had heard her.

I would like to be able to say I’d been tentative and gentle; testing the water. But I was straight on, squeezing her tits hard (which were actually small, but beautifully tight). I felt her body stiffen as her attempts to instantly turn around were inhibited by the general crush. I tensed, expecting a slap across my kneading digits. It didn’t come. Instead her body shuffled within its confined space, her own hands slipping behind her and flipping up her short skirt to reveal a pair of neat pale buttocks encased in creamy lace knickers, which she pushed against my hard confined dick…

You can buy The Collector from:

Amazon UK – http://www.amazon.co.uk/Collector-Kay-Jaybee/dp/1849633517/ref=sr_1_1?s=books&ie=UTF8&qid=1352239556&sr=1-1

Amazon.com – http://www.amazon.com/Collector-Kay-Jaybee/dp/1905609191/ref=sr_1_1?s=books&ie=UTF8&qid=1352239810&sr=1-1&keywords=the+collector+kay+jaybee

About Kay Jaybee

Kay Jaybee Collecter anniKay Jaybee was nominated as the Best Erotica Writer of 2013 by the ETO.

Kay wrote the The Perfect Submissive Trilogy, (Xcite, 2011-14), Making Him Wait, (Sweetmeats Press, 2012), The Voyeur (Xcite, 2012), as well as the novellas, Not Her Type: Erotic Adventures With A Delivery Man (2nd ed. 1001 NightsPress, 2013), Digging Deep (Xcite, 2013), A Sticky Situation, (Xcite, 2012), and The Circus, (Sweetmeats Press). She has also written the anthologies The Collector (Austin & Macauley, 2012 & 2008), The Best of Kay Jaybee (Xcite, 2012), Tied to the Kitchen Sink, Equipment, (All Romance, 2012), Yes Ma’am (Xcite e-books, 2011), Quick Kink One and Quick Kink Two (Xcite e-books, 2010). Kay has had over 70 short stories published by Cleis Press, Black Lace, Mammoth, Xcite, Penguin, Seal, and Sweetmeats Press.

Details of Kay’s work, past, present and future can be found at www.kayjaybee.me.uk

You can follow Kay on Twitter- @kay_jaybee,

Facebook http://www.facebook.com/KayJaybeeAuthor

Goodreads- http://www.goodreads.com/user/show/3541958-kay-jaybee

Brit Babes Site- http://thebritbabes.blogspot.co.uk/p/kay-jaybee.html

Kay also writes contemporary romance as Jenny Kane – www.jennykane.co.uk

 

 

Cover Reveal: Sweet Spot by Lucy Felthouse (@cw1985)

Sweet SpotA Raw Talent book.

(unapproved blurb)

Virginia Miller is an up-and-coming tennis star. She’s gone from a ratty tennis court in a park in south London, England, to the world’s top training facility – Los Carlos Tennis Academy in California. In awe of the talent around her—Travis Connolly, Rufus Lampani and Nadia Gorlando, Virginia is all the more determined to make the most of the opportunity and show that she’s worthy of her place there. Her mentor, Nadia Gorlando, has every faith in her. But Virginia finds herself distracted—Nadia, as well as being a top notch tennis player, is seriously sexy, and Virginia’s mind keeps wandering where it shouldn’t. Will her crush get in the way of her career, or can she find a way to push the other woman out of her mind before it’s too late?

More info and excerpt: http://lucyfelthouse.co.uk/published-works/sweet-spot/

Add to your Goodreads shelves: https://www.goodreads.com/book/show/21521972-sweet-spot

*****

Lucy Felthouse is a very busy woman! She writes erotica and erotic romance in a variety of subgenres and pairings, and has over 100 publications to her name, with many more in the pipeline. These include several editions of Best Bondage Erotica, Best Women’s Erotica 2013 and Best Erotic Romance 2014. Another string to her bow is editing, and she has edited and co-edited a number of anthologies, and also edits for a small publishing house. She owns Erotica For All, and is book editor for Cliterati. Find out more at http://www.lucyfelthouse.co.uk. Join her on Facebook and Twitter, and subscribe to her newsletter at: http://eepurl.com/gMQb9

London Faerie: Playing with Consciousness Part 1

Though I’d met London Faerie before and seen his amazing sacred BDSM demonstrations,  Eroticon 2014 was the first chance we’d had for a real conversation. And when the topic was something as multifaceted as sex and spirituality, I knew I wanted to have Faerie guest on A Hopeful Romantic. The resulting guest post on the topic of ‘head space,’ ended up way too amazing to cram into one post. So, please welcome London Faerie, for Part 1 of Playing with Consciousness! (see Part 2 on 31st March)

*****

In my work I teach people how to play with consciousness. This sounds a bit grand and, to many people, rather spiritual. However KD’s asked me to write about ‘head spaces’, and this is a great opportunity for me to talk about how you don’t need to believe in God, the Universe or anything else to experience these altered states.

Firstly it’s good to define what we’re talking about here. In everyday life our minds are busy and active with many thoughts, and our attention goes to the past and the future as well as the present moment. I see this as a horizontal reality, where we experience life in a linear way, with the present moment part of a narrative that extends backwards into the past and forward into the future.

Most of us have at times experienced a different space: a peak state, sometimes called ‘flow’, in which we lose ourselves completely in what we’re doing. When we’re in this flow state we lose track of time and everything but the present moment fades away Often this flow state happens London Faerie-23spontaneously and without us doing anything to move into it: for example, when we’re engaged with an interesting and difficult task, like repairing a bike or painting a picture. Instead of finding ourselves on a horizontal line, the present moment expands and we experience a more ‘vertical’ reality, in which we feel deeply connected with the world around us.

For those who are spiritually inclined, this state is often seen as connecting with a higher power: God/dess, the Universe, the Background Presence, All That Is or whatever you individually choose to name it. I don’t however feel that you need to believe in any of those things to experience altered states of consciousness. It’s enough to feel more presence, and in this increased presence to discover that you feel quite different.

These different head-states are special for a few reasons. First of all, they feel great. In his book Flow, Mihály Csíkszentmihályi talks about the flow state as optimal for human beings, a complete immersion that increases our mental capacity and makes us feel much better. He argues that happiness and flow are closely connected: the more time we spend in this peak state, the better we feel. Even though his book actively dismisses spirituality, I recongise that his discovery of the close link between presence and happiness is an important one.

As well as being good for us, going into altered states of consciousness is often very surprising. People report becoming much more attuned to each other, sometimes almost psychic in their ability to feel what is happening to each other. It’s common for people to think similar thoughts at the same moment, to ‘just know’ what to do in difficult situations and so on.

Whatever their beliefs, most people recognise this hyper-connected state as something they’ve experienced from time to time. It’s as if the veil of separateness drops and we experience our inter-connectedness as reality. We still know that we are individual, but we also remember that we’re part of the web of all life and that our thoughts and feelings connect us with everything and everyone else.

London Faerie-14Most of us know these altered head-spaces because we’ve been there, but often this happens haphazardly, by accident and without us being able to easily replicate it. So how do we learn to move in and out of this flow state at will?

Through the course of my explorations with BDSM and Tantra I’ve discovered that there are certain things we can do to enter these altered states again and again. One amazing tool is breath. It still staggers me that changing the way we breathe fundamentally changes the way we feel: it’s so simple and obvious yet it works every time.

When we think about it in reverse, it makes perfect sense. When we feel differently we automatically breathe differently. When anxious we breathe fast and shallow, and this way of breathing increases the anxious feelings; when aroused we breathe fast and deep, resulting in us feeling more ‘charged up’ and more aroused. How we feel and how we breathe are in a dynamic relationship with each other, each affecting the other, taking us into a virtuous or vicious cycle.

Playing with breath deliberately is a simple way to play with consciousness. In Tantra we learn how to become more relaxed through one type of breath, how to turn ourselves on through another and how to become more present and alert through yet another. Similarly we play with breath in BDSM: holding someone’s breath when they have a lungful to induce panic, holding it when their lungs are empty so they feel relaxed and spacy.

If your interest has been piqued by what I’ve written, I’m running two workshops in April where you can experience these altered states for yourself. On Sat 5th & Sun 6th April I co-lead Through The Portals, an experiential weekend introduction that includes BDSM, Tantra and breathwork. And on Sat 26th & Sun 27th April I lead The Purple Door, exploring ecstatic and altered states through BDSM. Find out more at http://sacredpleasures.co.uk

*****

Be sure to stop by next Monday, the 31st for the second instalment of London Faerie’s post on Playing with Consciousness. 

*****

Through the Portals Workshop:

5th & 6th April

The Purple Door Workshop:

26th & 27th April

www.sacredpleasures.co.uk

About London Faerie:

London Faerie-15London Faerie is a purveyor of authentic desire. He believes that you should ‘Follow Your Bliss‘, and offers a range of workshops, talks, salons and sessions to support people in doing so.

Faerie’s practice is wide-ranging, drawing from BDSM, shamanic healing, coaching, psychodrama and Tantra. He’s been practising and learning for over 12 years, and brings a wealth of experience and expertise to his groups and sessions. Faerie is the founder of Sacred Pleasures, the place where everything meets: a sex-positive community space where you can welcome more of yourself and make friends with everything you are.

Find London Faerie Here:

www.londonfaerie.co.uk

www.sacredpleasures.co.uk

blog.londonfaerie.co.uk (personal stuff)

Twitter: @londonfaerie