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Interview with Elise North Part from A Demon’s Tale

 

Welcome back to the second and final instalment of my interview with PI Elise North, straight from the pages of my WIP, A Demon’s Tale — the next novel in the Medusa Consortium series. I’ve refilled coffee cups and topped up the shortbread, and we’re ready to chat.

 

KD: Elise, if Magda Gardener, and now the Guardian, are any example of your clients, I would say your life is not dull. Can you give us a peek into what your client list looks like?

 

EN: Well, KD, living here in the Big Apple, I get my share of vampires, most with the same reasons for coming to a PI as any other client. Sometimes they want me to help them find a way to let those they left behind before they were changed know that they are okay, to give them some closure, but they still don’t feel it’s safe for them to put in an appearance all transformed. I do get some vampires wanting me to check up on their familiars. I’ve worked for witches and shape shifters. I’ve worked for a lot of ordinary folks who want me to investigate strange activity that would get them laughed out of any other PI’s office. Of course I’ve done some consulting with New York’s finest – mostly with Detective Paul Danson because he’s always open-minded enough to realize when he’s investigating something outside the box, so to speak.

 

Ghosts, yes. The strangest one calls himself the Historian. He lives in the basement of the New York City Public Library. I had to meet him after midnight when we met. I don’t mind saying that place is creepy after dark. Even more so when I had to virtually break in to talk to him. Most of the time, though,  I liaised with his PA, who is an actual sibyl straight from Delphi. Can you believe it? She’s immortal, so she’s well preserved, but flakey as an old paint job, scary as hell too, when she lapses into prophecy mode.

 

KD: Wow! You should write a book.

 

EN: Don’t be silly, KD, I think writing is kind of like music, there’s magic in it. I mean just look at Susan Innes. I’ll stick to being a gumshoe.

 

KD: As I mentioned earlier, you were hired by Magda Gardener to follow an incubus, a Mr. Sands, I believe?

 

EN: Oh yes. Daniel Sands was an interesting character. Seemed he only ever fed on women who’d never orgasmed, never killed any of them, just made them sing the Hallelujah Chorus. That job bordered on voyeurism almost from the beginning. Strange though, Magda Gardener had me tailing him for months, then all of a sudden she pulled me from the case telling me she had all the information she needed. I haven’t heard any more about him since I left the case. When he’s not in feeding mode, I think he keeps pretty much to himself somewhere in remote Scotland.

 

KD: And the Guardian is the first demon you’ve worked for?

 

EN: Oh I’ve investigated a fair amount of demon activity, but I’ve never actually worked for one before. Would have never thought I would accept one as a client, actually. They’re just too unpredictable.  The Guardian is a special case, though. Any other demon would not have found me so receptive.

 

KD: Having made an attempt to interview the Guardian myself, I shiver at the thought.

 

EN: He’s okay, G. Got a wicked sense of humour he’s still trying to figure out how to use.

 

KD: Wait a minute, G?

 

EN: Well I can’t go around call him the Guardian all the time. Especially when that’s just his last job title, not his name, and since he doesn’t remember his name, or maybe he’s just keeping it to himself, G does the trick and he’s okay with that. As for working for him, well he’s a great client, actually. He’s honest and above board with me, intrigued by the fact that he can’t affect me. I think he might have tried a bit in the beginning, but he mostly wanted my help for Susan Innes, his jailor, so to speak, whose dreams were being invaded by a megalomaniac god claiming to be her father.

 

KD: Poseidon?

 

EN: Yup. What a twat. Calls himself Richard Waters now. Wants to take over the world for Olympus once more and needs Susan Innes’s help to do so. Anyway, that was the original purpose of my visits with G. I found that I enjoy his company, and I’m totally intrigued with gaining some insight into what makes demons tick while I’m working for him.

 

KD: And have you? Gained any insight into demons?

 

EN: Well, I’m not sure, actually. He’s been very open in telling me about what it was like for him before he was imprisoned, and frankly I wouldn’t have wanted to be in the same city with him when he was free. One scary bastard, from what I here. But I think it’s changed him, being imprisoned in a woman – now vampire – he clearly sees as a dear friend, I would say he even loves, though he claims demons don’t feel love. I think, interacting with humans in such a human, such a vulnerable way, he’s evolving. That’s exciting to see. Oh I know you can’t trust demons. But frankly I don’t trust most people either.

 

I find that I enjoy his company, and I’d love to spend more time with him, but there’s only one way I can go to him and not have to go through either Susan Innes or Reese Chambers, who is Innes’s fledgling and the prison annex, as he calls himself. The only way I can visit G. privately is to fall asleep and dream. He has his own dream construct, and I can get there because dreaming does not involve magic.

 

KD: Thanks for stopping by today, Elise, and sharing a bit about yourself with my readers. I know you keep a busy schedule with important cases.

 

EN: My pleasure, KD, and the coffee was great! Since I was up all night working. I’m heading home hoping to grab some shut-eye and maybe dream my way into a visit with G.

 

KD: And the coffee won’t keep you awake.

 

EN: Never does. I guess even coffee’s magic doesn’t really work on me. Or at least not the bad insomnia juju.

 

KD: Come back any time, Elise. Maybe we can catch up later in the book.

 

EN: Sounds like a plan.

 

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