Tag Archives: writing

Sex Magic

I’m thinking about sex magic tonight. I think about sex magic a lot, actually. I’m always struggling to get my head around why sex is magic, why human sexuality defies the nature programme /Animal Planet biological tagging that seems to work for other species that populate the planet. I don’t think I could write sex without magic, and even if I could I wouldn’t want to. I’m not talking about airy-fairy or woo-woo so much as the mystery that is sex. On a biological level we get it. We’ve gotten it for a long time. We know all about baby-making and the sharing of the genes and the next generation. It’s textbook.

 But it’s the ravenousness of the human animal that shocks us, surprises us, turns us on in ways that we didn’t see coming. It’s the nearly out of body experience we have when we are the deepest into our body we can possibly be. It’s the skin on skin intimacy with another human being in a world where more personal space is always in demand.

 When we come together with another human being, for a brief moment, our worlds entwine in ways that defy description. We do it for the intimacy of it, the pleasure of it, the naughtiness of it, the dark animal possessiveness of it. Sex is the barely acceptable disturbance in the regimented scrubbed-up proper world of a species that has evolved to have sex for reasons other than procreation. Is that magical? It certainly seems impractical. And yet we can’t get enough.

 We touch each other because it feels good. We slip inside each other because it’s an intimate act that scratches an itch nothing else in the whole universe can scratch. During sex, we are ensconced in the mindless present, by the driving force of our individual needs, needs that we could easily satisfy alone, but it wouldn’t be the same. Add love to the mix, add a little bit of romance, add a little bit of chemistry, and the magic soup thickens and heats up and gets complicated. I don’t think it’s any surprise at all that sex is a prime ingredient in story. But at the same time, I don’t think it’s any surprise that it is also an ingredient much avoided in many stories.

 Sex is the power centre of the human experience. It’s not stable. It’s not safe. It’s volatile. It exposes people, makes them vulnerable, reduces them to their lowest common denominator even as it raises them to the level of the divine. Is it any wonder the myths tell us that the gods covet flesh? The powerful fragility of human flesh is the ability to interact with the world around us, the ability to interact with each other, the ability to penetrate and be penetrated.

 So as I mull through it, trying for the zillionth time to get my head around it, I conclude – at least for the moment – that the true magic of sex is that it takes place in the flesh, and it elevates the flesh to something after which  even the gods lust. It’s a total in-the-body, in-the-moment experience, a celebration of the carnal, the ultimate penetrative act of intimacy of the human animal. I don’t know if that gives you goose bumps, but it certainly does me.

Mining the Story: Research in the Lake District

I’ve done enough walking in the Lake District to appreciate a glorious day when we get one, and we hadn’t been walking ten minutes on the steep ascent to the stretch of the Newlands Horseshoe between Maiden Moor and High Spy before we were stripping off layers – in March. We were definitely in for a glorious day!

 My husband and I have walked the entire Newlands Horseshoe as well as bits and pieces of it with friends. This time my sister was visiting from the States, so this was her introduction to the Lakes. It was being caught out in the mist and heavy rain on the ridge between Maiden Moor and High Spy that inspired the opening chapters of Lakeland Heatwave: Body Temperature and Rising. So on this glorious March day, I was all about research. I’d done my map work, I’d read my Wainwright. In my mind’s eye I knew exactly the place I had in mind for Marie and Anderson to escape the inclement weather and get to know each other a little better. But I had to see for myself. I had to know that the rout I’d chosen would give my lovely couple all the challenges they need, plus a safe and dry hideaway.

 I’ve experienced that frisson of fear at being caught out on this ridge when anyone with half a brain would have stayed inside. Though it was hard to imagine that kind of weather when we arrived at the top of High Spy with its enormous cairn and ate our lunch while enjoying the heart stopping views and exquisite beauty of the Newlands Valley.

 Once lunch was done and all the remnants stowed, it was time for research. Instead of heading up Dale Head and on around the horseshoe, we descended through the Rigghead Quarries along Tongue Gill, as Marie and Anderson would have done to get out of the weather. I chose the Rigghead descent because I knew there would be caverns and quarries for our couple to find shelter in, but even my imagination hadn’t prepared me for the steepness nor the roughness of the descent.

 The Rigghead Quarries were slate mines and the leavings litter an already very steep descent. As I worked my way down with the help of two walking poles, good grippy boots, fabulous weather and dry slate shifting beneath my feet, I can only imagine what that descent would be like for my hero and heroine, when the rock is rain slicked, the wind is up and the mist is down. Even in the inclemently warm sun, I had to shiver at the thought.

 As well as my sister, Nancy, we did the walk with two of our very dear walking companions from the Lake District, Brian and Vron Spencer, who know the place better than most people know the inside of their own homes. Brian volunteers for Keswick Mountain Rescue and knew exactly what I was looking for. The cavern about half way down gaped wide into the side of the fell and the opening was littered with leavings and slick boulders. Water dripped heavily from up above. I ducked inside and carefully made my way into the main room, which disappeared beyond the light of my headlamp down a steep bend to the left. Once past the entrance though, the main room was dry and large and with a little effort could have been comfortable enough to wait out a bad storm. It wasn’t at all difficult to imagine Marie and Anderson snuggled together amid the slate leavings. Oh yes! This was the place!

 We probably spent another hour poking in and out of other less threatening, smaller hidey-holes before we continued picking our way very carefully down the steep, make-shift stone steps the miners would have trod every day in all kinds of weather. Halfway down, Brian directed us to a place where the stream flowed fast over the rocks for some to the best, coldest water I’ve ever tasted. We followed the path on into the Borrowdale Valley alongside Castle Crag along the river and on back to the car park with my head spinning at all the possibilities.

 I was pleased that the drama of the walk matched the opening of the novel exactly as I hoped. I spent the rest of my time taking in the feel of the local atmosphere. I had a couple pints at the Twa Dogs Pub. I watched the sunset on the Fells above Derwent Water. I felt the hair raise along my neck at the eerie atmosphere of Castlerigg Stone Circle nestled for the past four and a half thousand years on its grassy plateau amid the fells. The Lake District always inspires me, and this trip was no exception. Such hands-on (or in this case feet-on) research is something I could very easily get used to, and as one who often walks the stories I write, it seemed appropriate to walk the research too.  

The Education of K D: Erotica’s Steep Learning Curve

I just spent a good chunk of last evening on line trying to find a decent definition of kink. Never did find one I thought was satisfactory. But what I did find was a very good online BDSM dictionary to save to my stash of smutting tools. When I was writing The Initiation of Ms Holly, I made multiple trips into London to question the wonderful chicks at Sh! Women’s Store about strap-ons and spanking and blindfolding.  I spent an afternoon online learning amazing things about chastity belts. And that’s just the physical stuff. I find myself learning why semen is good for women, why porn is healthy, and what happens in the human brain during sex.  And the list goes on.

One of the best things about writing erotica, one of the things I would have never thought about before I penned my first smut, was the steep learning curve. I’ll be the first to admit, I usually try sneaking in the back door first, no pun intended. One of the best ways of educating myself to what is out there is to read what other erotica writers have written. I guess in some ways it’s voyeurism for smutters.

Writing is learning; I’ve always known that. There are stories that can be written without much effort or research, but the act of choosing the right words and getting just the right nuances, or analyzing why what some other writer has done works so well, is a learning process in itself. So I learn as I write.

But writing erotica is different in its learning curve because of the average person’s shocking lack of sexual education  – myself included. And because sadly sex is one of those things people don’t talk about in ‘proper company.’ Though it may be true that there are no stupid questions, people are still embarrassed to ask and embarrassed to seek out answers where sex is concerned. M niece has taught university classes on women’s sexuality, and she says what shocked her most was how little women actually know about their own sexuality.  I have no trouble believing that. Though I’ve always considered myself fairly well informed about sex and extremely aware of my own sexuality, as I began to write erotica I was surprised by my own ignorance.

The frightening thing about ignorance is that it can breed resistance to things that aren’t in our own sexual context. I’ve tried very hard not to be prejudiced about facets of human sexuality of which I don’t know enough to judge. But the battle against resistance is on-going. And interestingly enough, I find that my resistance is directly proportionate to my ignorance.  Not too surprising, really. That’s usually the case with ignorance. We tend to fear and villainize what we don’t understand.

Which leads me back to the high learning curve for erotica writers. True, we write about what we imagine, but our imaginations work better with a basic understanding of as many facets of human sexuality as possible. Not only do our imaginations work better, but our hearts work better as well. Our minds are more open and accepting. The old saying  ‘knowledge is power’ is never more true than where human sexuality is concerned. And one of the fringe benefits to writing erotica is that all that scrambling to do research, to understand why people find certain things arousing, to understand what actually happens on a physiological level when we have sex, to understand the sociology and psychology and science and history of human sexuality, is empowerment.

Empowerment means I can better understand aspects of sexuality in their proper context. It means less reason for resistance; that means less fear. It means more compassion, more asking enlightened questions and more desire to share what I know.

If knowledge is power, then the real power we erotic writers have is the power to share all aspects of human sexuality, the power to portray its many facets openly and honestly and approachably through story. True enough — we don’t set out to educate. We’re mostly all about entertainment, all about fun, but inadvertently we do educate. Inadvertently we open up the windows and doors and let light shine into the part of our humanity that has been kept in the dark far too long.

Yes, I know, I’ve just made all smutters sound like campaigners for the cause, dressed in corsets of righteousness. But the education, the empowerment, the coming to grips with all the many facets of human sexuality, well all that’s a long-winded way of saying —  I write erotica because it’s fun, and the education of K D is just a lovely fringe benefit, one more reason to feel really good about what I do.

Early Valentine Heat Wave hits Sh! Hoxton During Erotica Reading

 
Fearless Sh! leaders, Jo and Renee, with Kay Jaybee and me
The heat wave was at Sh! Hoxton Friday night with an early Valentine Reading. Sh! Women’s Stores are THE place to go, not only for yummy sex toys and hot erotica of all types, but they are also fabulous promoters of great erotic literature. When one of the Sh! Women’s Stores holds an erotic reading event, it is THE place to be to hear the good stuff.  And last night, the Sh! Chix didn’t disappoint.

The event was hosted by Maxim Jakubowski, in celebration of his long-running Mammoth series, ‘The Mammoth Books of Best New Erotica.’ Volume 10 (which he informed us is really volume 15, but the first five weren’t numbered) will be out in April. In addition to Maxim, readers included the lovely Kristina Lloyd, bonk buster diva, Rebecca Chance, and sci fi legend, Ian Watson. The evening was a wonderful reminder that erotica comes in all genres.
Maxim deep in thought
Sh! not only presented another fabulous evening of aural titillation, but the event was a true who’s who among smutters. In addition to the readers, who rocked, I got to rub shoulders with the wickedly brilliant Kay Jaybee, the exquisite Rebecca Bond, and to totally mysterious Remittance Girl.

After being read to, drinking copious amounts of fizz,chomping cupcakes, and fondling all of the lovely goodies Sh! has to offer, the party spilled out into the streets and ended up at having noms at Bogayo Moroccan Restaurant. There was much eating and  drinking, and Ian even joined the resident belly dancer in a demonstration of just one more of his many talents. And, of course, we talked about writing. We talked about writing until some of us had to scramble in order to catch trains. In fact, it was such a fun time, I have it on good authority that SOME trains were missed! 
KristinKay Jaybee and I, who were in the same hotel, carried on the discussion of writing over chocolate from the vending machine until the wee hours, and reluctantly tabled the subject until breakfast. Not that I need a reminder, but Friday night was one anyway – a reminder of why I can’t imagine life without writing.

I know for a fact Sh! is planning another erotica extravaganza April 9th. It will include delicious offerings from Lucy Felthouse’s naughty anthology, Uniform Behaviour, and Kay Jaybee will be titillating with excerpts from her hot new novel, ‘The Perfect Submissive.’ I’m also told there will be an art exhibition extraordinaire. Don’t wait too long to RSVP for this one. A hot offering like this is bound to fill up fast.

Kristina and Kevin

A Peek at The Pet Shop

The Pet Shop now has a cover! And the fabulous folks at Xcite Books have assured me the rest is not far behind.  Here is just a glimpse of what you can expect when you open that cover. 

In appreciation for a job well done, STELLA JAMES ‘s boss sends her a Pet for the weekend – a human Pet. The mischievous TINO comes straight from THE PET SHOP complete with a collar, a leash, and an erection. Stella soon discovers that the pleasure of keeping Pets, especially this one, is extremely addicting.

Obsessed with Tino and with the reclusive philanthropist, VINCENT EVANSTON, who looks like Tino, but couldn’t be more different, Stella is drawn into the secret world of The Pet Shop. As her animal lust awakens, Stella must walk the thin line that separates the business of pleasure from the more dangerous business of the heart or suffer the consequences.

A  Peek Inside 

Wet and cold, Stella was trembling hard enough that is was an effort not to spill the cocoa. ‘You’re Tino, aren’t you?’ She spoke between chattering teeth.                       

His back stiffened slightly, then relaxed again as he continued to dig through his pack. ‘I’m Vincent.’

She sat the cup down next to her and chafed her arms. ‘I know you’re Vincent, Vincent Evanston, but you’re Tino. I mean he’s you, isn’t he?’

He turned on her quickly and grabbed her shoulders so that she feared he would shake her. Instead he began to chafe her arms, his dark eyes locked on hers. ‘I told you, Tino’s not here.’ 

‘But I — ’

He swallowed up her words in an open-mouth kiss, taking her breath away, taking away her ability to think with the heat of it, the expressive depth of it. He bit her lip as he pulled back, still holding her gaze. ‘Tino’s not here,’ he repeated. His voice held the tiniest edge of warning.