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I’m thinking about sex magic again. I think about sex magic a lot, actually. Certainly I’ve been thinking about it with the launch of Blindsided, as with every novel in the Medusa’s Consortium series. I’m always struggling to get my head around why sex is magic, why human sexuality defies the nature program /Animal Planet biological tagging that seems to work for other species that populate the planet. I don’t think I could write sex without magic, and even if I could I wouldn’t want to. I’m not talking about airy-fairy or woo-woo so much as the mystery that is sex. On a biological level we get it. We’ve gotten it for a long time. We know all about baby-making and the sharing of the genes and the next generation. It’s text book.

 

But it’s the ravenousness of the human animal that shocks us, surprises us, turns us on in ways that we didn’t see coming. It’s the nearly out of body experience we have when we are the deepest into our body we can possibly be. It’s the skin on skin intimacy with another human being in a world where more personal space is always in demand.

 

When we come together with another human being, for a brief moment, our worlds entwine in ways that defy
description. We do it for the intimacy of it, the pleasure of it, the naughtiness of it, the dark animal possessiveness of it. Sex is the barely acceptable disturbance in the regimented scrubbed-up proper world of a species that has evolved to have sex for reasons other than procreation. Is that magical? It certainly seems impractical. And yet we can’t get enough.

 

We touch each other because it feels good. We slip inside each other because it’s an intimate act that scratches an itch nothing else in the whole universe can scratch. During sex, we are ensconced in the mindless present, by the driving force of our individual needs, needs that we could easily satisfy alone, but it wouldn’t be the same. Add love to the mix, add a little bit of romance, add a little bit of chemistry and the magic soup thickens and heats up and gets complicated. I don’t think it’s any surprise at all that sex is a prime ingredient in story. But at the same time, I don’t think it’s any surprise that it is also an ingredient much avoided in some story.

 

Sex is a power centre of the human experience. It’s not stable. It’s not safe. It’s volatile. It exposes people, makes them vulnerable, reduces them to their lowest common denominator even as it raises them to the level of the divine. Is it any wonder the gods covet flesh? The powerful fragility of human flesh is the ability to interact with the world around us, the ability to interact with each other, the ability to penetrate and be penetrated.

 

So as I mull through it, trying for the zillionth time to get my head around it, I conclude – at least for the moment – that the true magic of sex is that it takes place in the flesh, and it elevates the flesh to something even the gods lust after. It’s a total in-the-body, in-the-moment experience, a celebration of the carnal, the ultimate penetrative act of intimacy of the human animal. I don’t know if that gives you goose bumps, but it certainly does me.

 

 

Excerpt Blindsided: Lusting for Flesh:

It was a dark place where she found him, with walls so high only a small patch of starlight was visible above, but she was a vampire now. She didn’t need the light, and he, well he had never needed the light, had he? He stood naked with his back to her. He was broad of shoulder. There were white scars like latticework across muscles stretched taut over his shoulder blades. At first she thought they were from a whip, but as she drew nearer, she saw that they were more geometric in form, as though perhaps they were some sort of ancient ceremonial writing. She traced the shapes of them with the tips of her fingers, and his muscles rippled with the sensation. With a start she realized she’d never seen his body before.

“That is because I have none,” came his reply. “Only in dreams can I wear the flesh of my choosing.”

“You’ve worn flesh often enough. I would have thought it was always of your choosing,” she said, making no effort to hide her bitterness.

“It was not my own, though. That pleasure, I have never known.”

“Only in dreams, you say. Then this is a dream.”

“You know that it is.” He didn’t turn to face her but leaned toward her, and she slipped her arms around him and rested her head on the flat of his back. His belly tensed at the touch of her hands, and he caught his breath in a soft moan. “Touch is what I longed for most,” he said. “I thought the lack of it would drive me insane while I languished in my previous prison. But here, with you, I’m closer to touch than I would have thought possible. I do not mind it, you know. It is no hardship to be nestled inside you, close to your heart.”

She released him and took in their surroundings once more. “This is the place I’ve created for you?”

He pulled her arms back around him and sighed with contentment as she laid her head against him once more. “This is how I have decorated. The place you created for me was only the shape of myself, both boundless and infinitesimal. Oh, it did not matter. I could see through your eyes, feel through your flesh, even though it no longer lived as it once did, even though you never spoke to me. I hoped that someday you would.”

“And when I refuse, you come uninvited into my dreams?”

“All dreams are uninvited, Susan, and perhaps this time it is you who have come uninvited into my dream.”

She thought about that for a moment. Was it even possible to visit the dreams of a demon? Did demons even have

dreams?

“Susan?”

“Yes?”

“If I had come to you more gently, if I had courted you and companioned you and been patient with you in the ways of your world, would you have loved me?”

“You never gave me that chance.”

 

Working Out My Demons

Over the years I’ve noticed certain recurring themes in my novels and stories. I’ve also noticed them in the novels of my
favorite authors – the ones whose entire body of work I devour hungrily. How can I not wonder about the psychology of those themes and what it is me and my favorite authors – quite possible all writers of story – are trying to work out in our own psyches. Back before I published my first novel, those recurring themes ended up in the enormous navel-gazing tomes of journals I wrote. These days they work themselves out in my stories, and so much the better, I think. Certainly it’s more creative and more fun.

 

Speaking of recurring themes, it hit me just recently that I seem to write a lot about demons. Almost all of my paranormal and urban fantasy novels have to do with demons in one way or another and, as I just released Blindsided, book two of the Medusa’s Consortium series, I found myself wondering just what my writing so much about demons says about me. Some of my stories are about exorcising the demon, getting rid of it completely, but most are about embracing the demon, or at least finding a way to live with it. Certainly that has turned out to be a major theme in the first two Medusa novels. Personally, I’m inclined to think that the latter is by far the most practical method of dealing with demons in real life. In reallife, unlike in fiction, our demons are not that easy to exorcise.

 

We all have them – demons. And they come in as many varieties as there are people. We writers have more than most, I think. Though I’m sure in my case a lot of my demons are linked very tightly to the fact that I’m just flat out, majorly, neurotic. Oh I’ve definitely tried exorcising them, but I’ve actually found that exercising them works better. And didn’t you see that coming from a fitness junkie and wannabe pole dancer?

 

The truth is I take the old adage ‘working out my demons,’ literally. I take mine out for a nice long walk or invite them to be my guests at the gym to sweat it out with the kettle bells, and it seems to suit them down to the ground. And yes, they are loving the pole dance training. I think they’re especially fond of the bruises. I guess maybe all that hard work and exercise wears them out enough that they forget to torture me. Or maybe after the endorphins have kicked in and we’re all well sweated and relaxing with a good protein shake or a handful of nuts, I just don’t notice their torment so much. But the truth is, they can often be quite useful, my demons.

 

Having said that, I guess it shouldn’t come as any real surprise that I write about demons so much. If there’s anything my demons like more than to be exercised, it’s to be the center of attention in a novel or a story. Frankly, I don’t think it matters if I’m writing about demons in the literal sense or if I’m writing about the less paranormal, more concrete demons my characters battle. By writing the story, but exploring the things that frighten me, the things that make me uncomfortable, I think I’m finding a healthy way to live with those inner demons. As neurotic as writers tend to be, the truth is that the best place to write the most powerful stories is right smack dab in the middle of the neuroses – the scarier, the more irrational, the more chaotic the better. It’s a helluva ride, but if I can stick with it, the resulting story is worth the bruises and the shear terror.

 

Telling a story is another way of exercising my demons. I make them work for me instead of against me. In truth, I don’t suppose I ‘make’ them do anything. I think maybe they wanted to be put to the challenge all along. Don’t get me wrong, they seldom make it easy, and they’re often uncooperative. They often make it as difficult and as uncomfortable as possible for my characters and they often make the telling of my characters’ tale as squirmy and uneasy for me as they can. What the hell else is a demon supposed to do?

 

Writing with demons … there just might be a book in there somewhere. Oh, wait a minute, I just wrote one! Anyway, my point is that sometimes the things that cause us the most stress and make us the most fearful are the things that not only make for the best fiction, but the fact that we do write from the place of our discomfort makes the writing all the more powerful and the demons all the more bearable.

 

The other thing about demons is that they seem so much less terrifying when I’m writing my brains out with a story that won’t let me rest until it’s finished. It’s almost like there’s no room for demon intimidation when I’m in the grip of a tale needing to be told. For that bright and shining span of time it almost feels like instead of the demons possessing me, I possess them. Perhaps that’s the true story I was trying to tell with In The Flesh and now with Blindsided. Perhaps our demons don’t possess us so much as they drive us, and if we can just figure out how to buckle up and go along for the wild ride, then living with demons, writing with demons – paranormal or otherwise — can actually be useful.

 

From Blindsided, here’s a little peek at just how helpful a demon can be. Michael has been mortally wounded; Alonso is chained and just when it looks like no help is in sight … enter the demon.

 

 

Enter the Demon – Blindsided Excerpt:

 

“You’re unable to fight, angel,” Cyrus said as Michael struggled to his feet. “If you surrender to me now, I won’t promise you a painless death, but perhaps it will be a little quicker, since I am expecting a guest at any moment.”

The impact was like being hit by a bus. And then it was as though the fucking bus shoved its way right on into his chest and parked there. “I don’t remember you being so rough,” he managed, his eyes watering from the experience, his heart hammering with the adrenaline rush.

“I don’t remember you being in such desperate need,” came the Guardian’s voice inside his head.

Michael knew that wasn’t true. He was always in desperate need when he was the Guardian’s lover, but then again, it was never like this, never with those he loved depending on him. Back then, it hadn’t mattered if he lived or died, but it mattered now. More than anything it mattered now.

Immediately he was full, in a way he’d never been full before. Even when the demon had taken possession of his body, it hadn’t felt like this. He felt no pain, in fact he felt so much more than himself that he wondered if he could survive it.

“You will survive it. The need of our cocks was never as great as this need, my darling Michael. I have given you more of me than I ever did before, more of me to use as needed, for I have promised Susan that I will bring you and our Alonso back safely. I have promised that we will defeat this deformed bastard of the sea god, and I will see that promise fulfilled.”

“That totally works for me,” Michael responded.

“Angel? With whom are you speaking?” Cyrus’s voice broke into the conversation. “Are you calling upon your scribe? Surely you know she can’t help you with her puny words. And Magda Gardener, well, she doesn’t care enough about you to be in any hurry to save your unholy skin, even if she could, and she can’t. Perhaps you’re delirious? Perhaps I’ve hurt you too much for you to fully experience what I have planned for you? Is that it?” But even as he spoke, he stepped back, sheathed the knife and lifted the axe at the ready.

“Trust me, Michael. Trust me as you have never trusted me before, and we shall defeat this creature together.”

Michael gave up the last vestiges of control and felt the Guardian fill every muscle fiber, every cell, felt the exquisite timing that even a retired angel could have never managed, and just as the axe fell, when it was but a hair’s breadth from severing his arm at the already-wounded shoulder, he shifted. The blade came so close that it literally shaved the hair from the skin.

As though the world around him had moved into slow motion, he grabbed the handle just above the axe head, and in one smooth movement he gave it a hard yank. Both blade and wielder went flying, hitting the metal cage where he and Alonso had been imprisoned with such force that it bent and almost collapsed.

As Cyrus struggled free, Michael scrambled to the cross so quickly that he barely knew he’d moved. He took the chains that bound Alonso in a hand that he recognized as his own, but with power he could scarcely imagine. A single tug, and the chain broke and coiled free with a clatter around Alonso’s feet.

“Watch out!” He heard Alonso’s voice in his head just in time to shove him out of the way and swing the chain, sending the end whipping out to coil around Cyrus’ neck and pulled him off balance.

“You wanted a battle. You got one,” Michael roared, feeling the Guardian even in his voice. “You will not hurt me or mine ever again, and you will take the message to your child-raping father that he’s not welcome here ever!”

Cyrus fumbled free of the chain, hefted his axe and charged, his rage sizzling through the chamber. But Michael had some rage of his own. Add that to the Guardian’s and Alonso’s and they were damn lucky the place didn’t blow itself apart. Michael tore an aging metal pipe from the wall and met Cyrus blow for blow, while Alonso took on the now advancing Myrmidons, snapping the neck of the first one and arming himself with his sword as he shoved the corpse aside and attacked.

“You’ll pay for your blasphemy with punishment clearly your god was too weak to exact,” Cyrus roared. His rage was an old rage that stank of fear and helplessness and needs unmet, things that Michael would have never recognized without the Guardian in residence. He ducked and rolled, and the axe came down in a flare of sparks against the concrete where
Michael’s head had been. He’d barely made it to his feet when the chamber went icy cold, and the skin on his bare arms goosefleshed as the presence of something familiar, someone familiar, filled the space.

“What is it, Cyrus, the truth not to your liking?”

All heads turned as Magda Gardener strode into the chamber, the walls coating with hoarfrost at her approach, even with her dark glasses still in place. Michael had never seen her so angry. Around her face the golden hair flew like a banner, and the serpents peeking from beneath her locks and coiling around her arms hissed, mirroring her rage.

 

 

Magda Agrees to Cover Shots: New Covers for Medusa’s Consortium

 

The Medusa’s Consortium series is getting a new look! AND the lady herself finally consented to do a cover shot. Not sure how she managed it without her glasses, or without turning the photographer into stone, but the Queen of Scary has her secrets, and I’m happy to say that both photographer and cover designer are safe and still in the flesh. Though it was touch and go for the novelist there for a little while.

 

 

And what did it take to convince Magda Gardener/AKA Medusa to appear on the new covers of the stories of her Consortium, you may ask. Well I’m still flesh and blood, so she got over her huff with little damage done. However, she did say it would cost me majorly, something along the line that my arse is now hers. As if it wasn’t already. It didn’t hurt that she got on well with Emmy Ellis and the lovely folks at Studeoenp. I think I actually heard that she and Emmy are having coffee together sometime next week.

 

 

I have no idea what the cost will be in the long run. Magda Gardener has a way of calling in debts when you least expect it. She always gets her pound of flesh with interest. Still, I think it was worth it, don’t you? I’m willing to pay.

 

 

Buried Pleasures Available for Pre-Order

 

 

 With Blindsided just hot off the presses, I can’t tell you how excited I am to inform you that Buried Pleasures, book three of Medusa’s Consortium, is now available for pre-order.

 

 

Guarantee you’ll get the first read when Buried Pleasure continues the story of Magda and her gang in Vegas. And wow, the woman has one helluva gang in Sin City. It’s a good thing, because she’s going to need all the help she can get, and so is Samantha ‘Sam’ Black, the last siren.

 

 

Buried Pleasures Blurb:

When Samantha Black shares her sandwich with a dog, his owner, Jon—a homeless man living in the Las Vegas storm tunnels, gives her a poker chip worth a fortune from the exclusive casino, Buried Pleasures. All Sam has to do is cash it in. Sam is in Vegas for one reason only, to get her friend, Evie Holt, away from sinister magician, Darian Fox, who holds her prisoner in an effort to force Sam to perform at his club, Illusions. A neon circus tent of strange and mystical acts, Illusions is one of the biggest draws in Vegas, and he’s hell-bent on including Sam on his more than slightly sinister program.

The shadowy Magda Gardener will do anything to keep Sam from cashing in that chip. She knows that Buried Pleasures is the gate to Hades and cashing in the chip is a one-way ticket across the River Styx, which runs beneath the storm tunnels of Vegas.

 

 

Coming 9th January 2018 – available for pre-order now!

Amazon UK
Amazon US
Amazon AU
Amazon CA
Barnes & Noble
iBooks UK
iBooks US
Kobo
Smashwords

 

A Different Kind of Magic — Buried Pleasures Excerpt:

She opened the piano and ran her fingers carefully over the cool ivory. The buzz of the long familiar, and yet ever mysterious, magic climbed her spine with the effervescing tingle that was always there in the presence of potential music. Jon, who had returned to her side, pulled the padded bench out for her, and she slipped onto it letting both hands arch delicately against the keys, barely making contact. The cloak she’d nearly forgotten she wore, slid down her arms to cover the backs of her hands, but before she could shrug it back, Jon moved behind her and undid the clasp at her throat, easing it off her shoulders to pool on the bench around her.

His touch was a different kind of magic. It sent a cascade of goose flesh over her clavicle down the tops of her breasts, and the tight gasp that escaped her lips was almost, but not quite a sob. Above the keys she flexed her fingers. Behind her, heat radiated off Jon’s body. His breath was warm against her nape. Then he leaned down and spoke close to her ear. “Sing for me, Samantha. I need you to sing for me.”

She withdrew her hands as though the keys were suddenly on fire and clenched them tightly in her lap. “I can’t. You saw what I did to those men, and when I sing I see things, things I shouldn’t know, things I don’t want to know. I … I invade peoples’
private space. I don’t mean to,” she added quickly, “but it happens, and I can’t help it, and the music takes over and I can’t stop until it’s finished no matter how badly I want to, and … I don’t want to do that to you.”

He stepped closer until the tense muscles of his thighs warmed her back, until the shape of him pressed against her almost as it had in his bed. But she was so much more conscious of it now, so much more conscious of the depth of what he desired from her, of her own desire to give it to him, to give him what she’d never been able to give anyone.

He slid strong fingers down across her neck, over her pulse point, which hammered and jerked beneath his touch. Then he cupped her cheek with a rough palm and pressed her back against his belly.

“I don’t want to hurt you,” she managed around a struggle to breathe. “I never wanted to hurt anyone. When it’s good, it’s the most amazing thing ever. Believe me, I would gladly share that with you, but when it all goes wrong …” Her eyes misted at the thought of all that she’d had to keep hidden to protect the people around her.

He leaned over her and took her clenched hands into his. “You won’t hurt me, and it will be good, I promise.” Then he brought her fists to his lips and kissed her knuckles, easing her fingers open one by one as he did so. “You’re a siren, Samantha. That’s why you can do what you can do. Your music is your power and you can control it.”

 

 

If you haven’t yet read In The Flesh, Book One of Medusa’s Consortium, nows your chance to get it FREE!

 

 

The lovely Victoria DeLuis has invited an amazing bunch of Paranormal Romance and Urban Fantasy authors in for this wonderful giveaway. She was kind enough to include yours truly. She has invited us to take iveaway for the whole month of October. I’ve included In The Flesh, book one of my Mesdusa’s Consortium series.

Follow the link below and you’ll find over SEVENTY fabulous FREE reads, featuring novels, novellas, and previews. So if you love UF and PNR as much as I do, browse through the covers, and then click to download the book from Amazon, InstaFreebie or BookFunnel

 

It’s like trick-or-treat candy for lovers of UF/PNR. So go ahead, indulge! Better than chocolate and calorie free!

 

Here is the page link: http://victoriadeluis.com/promo/


 

 

 

Blindsided Launch Day!

 

It’s launch day for Blindsided! I could have never imagined, six years ago when I wrote the short story, Stones, for the wonderful anthology, Seducing the Myth edited by Lucy Felthouse that I would fall so completely and totally in love with Medusa. Nor could I have known just what an exciting, convoluted epic of a tale she would whisper in my ear. While the Magda Gardener in the Medusa’s Consortium novels and stories is quite different from the original character in that first short story, she and the members of her consortium, as well as the monsters they’re up against are endlessly fascinating.

 

One of the things I discovered about Magda early on is that she prefers I showcase her consortium members in my stories rather that the lady herself. So far, I’ve complied, but as you’ll see when you read Blindsided, it’s getting harder and harder for her to stay out of the limelight. I’m not the only one who wants more of her. Her team needs her, and while she may not be willing to admit it, she need them too. They’re her family. Oh, and the enemy wants her big time!

 

Magda is a female Nick Fury and the Consortium is her deliciously monstrous, paranormal, sexy, scary version of the Avengers. They get the job done in a chilling, thrilling sexy way.

 

And there’s more!

 

With Blindsided launching today, you’ll be happy to know that if you haven’t yet read In The Flesh, book one of Medusa’s Consortium, now is the time. It’s available at all outlets for 99c/p.

 

And to help celebrate, I’m offering the prequel Consortium novella, Landscapes, for FREE. Just follow the link. So you can now officially binge read the first two novels.

 

Blindsided Blurb:

In New York City, away from those she loves, living with the enigmatic vampire, Desiree Fielding, Susan Innes struggles to come to terms with life as a vampire whose body serves as the prison for a deadly demon.

When Reese Chambers arrives unexpectedly from England, desperate for her help, she discovers that Alonso Darlington, his lover and her maker, has been taken captive and Reese has been warned to tell no one but her. Before the two can make a plan, Susan receives her own message from a man calling himself just Cyrus. He not only holds her maker prisoner, but also her lover, the angel Michael. If she wishes to see either of them alive, she’ll come to him and not tell Magda Gardener, the woman they all work for and fear.

With no help coming from Magda or her Consortium, Susan and Reese must turn to the Guardian – the terrifying demon now imprisoned in her body. He alone can help them, but how can she possibly trust him after all he’s done?

 

An Inside Takeover — Blindsided Excerpt:

As Susan remembered the stories from Greek mythology of sirens luring sailors onto the rocks to their deaths, she wondered what else the woman was capable of. She was just about to text Magda Gardener when another presence captured her full attention. This presence she hadn’t heard from since he was first imprisoned inside her and had made it clear that while this demon, the Guardian, as they called him, might be captive inside the body of a fledgling vampire, he would not live in darkness. He was no more subtle now than he had been that morning at High View in the English Lake District. His essence exploded behind her ribcage with such power that she nearly dropped her phone.

“Susan, we need to leave now.

Before the shock of the Guardian’s surprise visit could wear off enough for her to respond, another voice spoke next to her ear, so softly that it disturbed no one but her, and it disturbed her deeply. “A vampire with something extra, if I’m not mistaken.” A cool hand came to rest on her shoulder and gave it a gentle knead.

“Susan, we need to leave now,” the voice inside her repeated, and the pressure in her chest made her feel like she might be about to have an Alien moment.

Ignoring the voice of the demon hammering on the inside of her ribcage, she turned to find herself face to face with a dark-haired man who could have passed for either a hero in a cheap billionaire novel or a prince from a fairytale. While the man might possibly be wealthy, he was no prince. She was certain from the way his touch made her skin crawl, and the way the Guardian inside her felt like he was taking a sledgehammer to her sternum, that he was no man either. “A great deal of something extra it would seem,” he said, a purr of a chuckle raising the hairs on the back of her neck. “A vampire and a scribe. Such an intriguing combination. I had no idea such a thing existed in all the world, but then the world is a very big place, isn’t it, my darling?”

“Susan! Now! I mean it!” The demon’s voice was loud enough to drown out the gorgeous sound of Flame still wafting from the stage, where the siren kept herself well and truly disguised behind the piano.

But even the Guardian’s voice couldn’t drown out the soft whisper of Prince Scary-ass, all but making love to her ear. “Tonight I’m here for the entertainment.” He nodded to the stage. “Sadly business before pleasure, but there’ll be another time.” He folded a card into her hand, his fingers lingering in a near caress.

She wasn’t certain if he meant there would be another time to listen to Flame or another time to talk to her.

Before she could contemplate further, before she could think what to do, she found herself jerked from the chair, stumbling and twitching toward the door like a marionette with a drunken puppeteer.

“What are you doing? What the hell are you doing?” It might have begun as a silent conversation, but it became quite vocal in a wave of panic as she recalled the last time the demon had used her this way. She elicited several glares from the punters closest to her, and the bartender gave her the evil eye. “What the bloody hell are you doing?” She hissed a whisper between gritted teeth. “You told me you couldn’t control me. You told me that you were mine to command. Stop it! You’re drawing attention to us.”

“You are the one drawing attention to us, Susan,” the voice inside her spoke again. “Just do as I tell you and all will be made clear once we’re safe.”

That got her full attention.

“Now then, that’s better. Listen very carefully. Walk to the subway and get on the train. Then get off at the next stop.”

As she calmed enough to relax the tiniest bit, she found herself once again in control of her arms and legs.

“That’s better, isn’t it?” the Guardian said. “That man in there, the one who sat down next to us, Darian Fox, I believe his card says.

“That’s right,” she replied, forgetting that she didn’t need to speak out loud. It didn’t matter, though. This was New York City. No one really paid too much attention when someone talked to themselves. People just assumed they either had a Bluetooth earpiece or were a little loopy. That was all right too, as long as they kept their loopiness to themselves.

“Do you know who he is?” This time she spoke only in her head.

“I know he means us no good, and I fear he would mean our siren even less good, if he knew of her existence. Fortunately his main interest, as with most males of your species, is for the beautiful singer and what she can do for his cock. As long as he looks to serve his libido, and our little siren continues to keep a low profile, she should be all right. You, however, or should I say us—he was more than a little intrigued by us. We don’t need that kind of attention. He could hurt us. He could hurt the people we love.”

 

 

 
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