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Chapter 12 of Concerto

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Chapter 12  I Believe You

 

 

 

I slept all the way to Portree. I suppose it was a testament to how unwell I really was. Perhaps it was also a testament to how much I preferred the peaceful oblivion I found in sleep over the harsh reality of the waking world. It wasn’t that I expected to return to my pianist in the dream world. Whether anyone believed me or not, I knew in my heart of hearts what had happened to me had been so much more than a dream.

In my state of confusion and unhappiness, sleep was the best option. Besides, I couldn’t bring myself to be sociable, and Ian didn’t seem to mind. In fact, he hadn’t even turned on the radio, but left me in blessed silence making no effort to cheer me up. While he had been nothing but kind to me, I certainly had to be a major inconvenience, one that took him away from his work. It couldn’t have been his plan to taxi an invalid around all over the Scottish Highlands. And yet, I sensed no resentment from him, though in all fairness, I wasn’t conscious long enough to sense much of anything.

I didn’t wake up again until the door opened on my side of the Land Rover. For a confused moment I looked up into the eyes of my pianist, but when I slid my arms around his neck, it was Ian who spoke to me urgently, peeling me off him and chafing my hands in his. He looked nearly as confused as I was, but mostly he looked concerned. “Ms. Alan? Wake up. Are you okay? It’s me, Ian McLaren, remember?”

All I could manage was a deep breath and a nod. In that shared moment of embarrassment, he could not have missed the deep disappointment that must have flashed across my face when I realized who he was, and more importantly, who he wasn’t.

“We’re here,” he said when I gave no further reply. He helped me out and supported me with an arm around my waist until I could gain my bearings.

As he shut the door, I glance around me and reconsidered the wisdom of getting into vehicles with strange men. “Where’s here?” I asked. “This isn’t Portree.”  We were parked in front of a large cottage, which looked to be as much of a building site as the smaller cottage where my pianist had been.

“Just outside Portree, actually,” came the reply. “This is my Aunt Maggie’s place. Well one of them anyway. This one I may well buy off her when I’ve finished the renovations. It suits me.”

I stopped and only stood staring at the stone facade. As if he anticipated my next question, he said, “You’re in no condition to travel on to Glasgow today. In fact, you shouldn’t even be out of bed. Aunt Maggie tells me you’re in no hurry to get back, and I don’t fancy taking you to A and E with a relapse.”

When I still didn’t move, he turned to face me. “I’m happy to call my sister to stay if you’d prefer, or my cousin Patricia.”

I shook my head and forced a little chuckle. “I trust you, Ian.” I wasn’t entirely sure that was completely true, but at the moment, I was too tired and too ill to care.

The building site that was the outside of the cottage did not reflect the glorious inside, which was done up like a Victorian summer cottage, many of the furnishings and features clearly from the period. “Your work or your aunt’s,” I asked running a finger along the edge of a beautifully restored wrought iron table with a matching mirror in the slate tiled entryway.

“A bit of both. She has nearly a sixth sense for period design. Me, I’m just a builder with a love of history.”

“You don’t speak like a builder,” I said as he helped me out of my jacket.

“You know a lot of builders, do you?” He replied with a chuckle.

“Never actually met one before you, so I guess I’ve got no real data to go on.”

“You’re a writer, surely you don’t judge a book by its cover.” With that he led me down the hall into a small warm kitchen tiled in emerald green and white and nodded to the table. “Sit.” He nodded to a small kitchen nook tucked into a sunny corner, and I settled. “Maggie threw together some of her world famous potato leek soup last night. There’s plenty here for both of us, and you need to eat.”

I watched as he put a small pot onto the stove and then took a baguette from the breadbox and began slicing it. “It doesn’t seem to bother you, playing nursemaid to a crazy lady.”

“As far as jobs go, I’ve had worse.” He plugged in the kettle and set out two mugs. He didn’t deny the crazy lady bit though, and I didn’t really feel like hearing one more person tell me that I’d only imagined the whole thing.

“Besides,” he added giving the soup a stir, “it’s not every day I get to play chauffer and host to Sophie Alan, acclaimed writer of romance.”

“Not that acclaimed,” I said, holding the teacup in my hand for warmth once he’d given it to me.

He sat down across from me. “An author whose imagination is a fertile, exciting place.”

I sat the cup down and heat climbed my cheeks. “Is that a hint?”

“Actually that’s a quote on the cover of your last novel,” he said with a quirk of a smile. Then he got up to serve the soup.

“Yeah, well that was awhile ago. That imagination is not nearly as fertile and exciting these days.” Too late, I realized I’d left myself open for the lecture, which I didn’t get.

“Thus the weekend at my aunt’s cottage.” Before I could respond, he set a bowl of soup in front of me. “Eat. You need to eat to get better.”

He had effectively left me with nothing to say, and once again, he made it easy for me to do just that. We both ate looking out the window at the cottage garden awash in watery sunshine. I barely managed the soup before I was all but falling asleep at the table. He escorted me upstairs and into a suite that would have totally delighted me in its Victorian elegance had I not been too exhausted to care. He simply helped me off with my shoes, settled me onto the big mahogany bed and covered me with a large tartan throw. “Rest awhile,” he said. “I’ll be downstairs when you wake up.”

I woke from a dream of piano music, the melody my pianist was playing when I first met him. The room now bathed in evening shadows and the lace curtains wafted gently on a cool breeze. As the events since that weekend flooded back to me, I groaned and clenched my eyes tight hoping that if I lay there long enough I’d return to the dream world and the music would lead me back to him. When that didn’t happen, I got up and made my way to the bathroom to pee. In spite of the music in my dreams, the house was silent, that kind of peaceful silence one never finds in the city.

As I splashed my face with warm water, I realized I was hungry – something I’d not been since before my weekend at the cottage. It must be getting near dinnertime, I figured. The discomfort of not knowing exactly where I was and being completely at the mercy of a man I barely knew drove me downstairs.

My bare feet made no sound on the wood floor at the bottom of the stairs. Soft light from elegant glass wall sconces glowed with golden warmth, a warmth that made the place feel homey and comfortable rather than overdone. Fire crackled in a fireplace in a small study off the main hallway. I knocked softly on the doorframe and stuck my head inside. “Ian?” Tentatively I stepped over the threshold. The walls were lined with bookshelves full to the brim. Other than that, the room was sparsely furnished. There was a small day bed made up in a deep window alcove with a duvet pulled neatly over a cascade of pillows, and there was a modest desk with a large leather office chair. The reading lamp on the desk lit the pages of half a dozen books spilling over the desk along with a journal brimming with notes and sketches of building features and landscapes. It looked as though Ian had just stepped out. Perhaps he was hungry too.

It was only as I turned to make my way back down the hall to the kitchen that I noticed the grand piano in the room across the hall. My heart stuttered, my mouth went dry. I heard myself cry out as though from a great distance, as though I were suddenly someone else, someone moving outside myself. In truth, I might have been someone else sleepwalking across the hall and into a music room astonishingly similar to the one I had been in when, for a brief time, I was someone else, someone from another age, someone very much in love with my pianist. In that strange weaving of present and past, I was marginally aware of the evening light streaming through French doors. A well-tended patio garden lay just beyond and, unlike the building site that was the front of the cottage, the back was an exquisitely landscaped lawn leading onto the cliffs that hugged the sea.

As I ran an unsteady hand over the smooth, cool wood of the piano, flashes of my pianist overwhelmed me. It was hard to breathe. It was hard to think. It was hard to focus on anything but the instrument before me and the man I would forever connect to it. Even knowing what I now knew, even though all I had seen and experience made no sense and no one thought it had actually happened, I couldn’t keep from anticipating. I couldn’t keep from hoping that any minute he might appear at the door, settle himself before the keyboard and play for me.

All the while that wild haunting deluge of music, which was the first I’d heard him play, ran through my head in minute detail. I could hear the intricate ebb and flow of the counter melody. I could hear the drive and surge of the base line, I could hear each modulations, every tempo shift, every crescendo. I could hear it all, and I could see the hands of my pianist in the intricate dance of its creation. I dropped onto the bench and traced the keys, recalling the feel of those warm, strong hands beneath mine as we moved fingers together shaping the melody.

With a tentative touch, I played the first note, and then I played the next and the next – only just the melody and all only with one hand. But it was there, and so was what I didn’t play. I heard it all in my head. In my mind’s eye my hands rested atop his, relaxed, easy, as the melody coursed through both of us together, and I played. I played it all through a haze of tears, from beginning to end, to the point at which he
took me into his arms, to the point at which the music became a living, breathing being with power over us both. It was only then that I realized I was no longer alone. When at last I stopped and wiped my nose on the back of my hand, Ian stood at my side, breathing labored, shoulders tense. With a groan, he stumbled to sit down next to me on the bench, and with a hitch of breath he said very softly. “I believe you.”

 

If you’ve missed an episode of Concerto, here are the links.

 

Concerto Part 1: A little Night Music

Concerto Part 2: Distractions

Concerto Part 3: Too Much to Bear Alone

Concerto Part 4: Writing and Waiting

Concerto Part 5: A Duet in a Storm

Concerto Part 6: Remember How it Feels

Concerto Part 7: Unsettled

Concerto Part 8: Into the Storm

Concerto Part 9: Me, But Somebody Else

Concerto Part 10: Find Me

Concerto Part 11: Making Sense of it All

Concerto Chapter 11

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Chapter 11 Making sense of it

 

“Are you sure you’re well enough to be here,” Mrs. McLaren said, watching me nervously as I stepped out of her battered Land Rover.

 

“Fine, I’m fine,” I lied. I’d been out of the hospital two days and had convalesced impatiently in a hotel room until, ready or not, I could stand it no longer and called Mrs. McLaren, who had promised to take me out to the cottages as soon as I was up to it. I had driven to Portree and endured another night and day in a hotel room in the pounding rain until the weather cleared enough that Mrs. McLaren would even consider taking me out. As it turned out, it was just as well. The trip up from Glasgow had exhausted me, and I wasn’t fit to do much but sleep and order in when I was hungry enough to eat anything. Every time I slept, I hoped that I would wake up back in the cottage with my piano player. But I didn’t. He didn’t even haunt my dreams during those nights of exhaustion and sickness.

 

The landlady watched me with a jaundiced eye as I walked slowly, carefully, through the cottage I’d stayed in, remaining close enough that she could catch me if I stumbled. Everything was exactly as I remembered it, but that was no real surprise. “As I said,” she reiterated, when I turned to her expectantly, “this is the only cottage that’s finished.” She didn’t repete the obvious, the obvious that I’d heard a thousand times, that there’d been no one here but me. She knew it would do her no good, and she wasn’t given to wasted words. It was just as well. I knew what I’d seen. I knew that I hadn’t been alone.

 

She opened the back door, and we stepped outside into the anemic sunlight. My first view of the other cottage felt like a gut punch. There was no patio. Instead a small earthmover stood to the side of a rectangular hole filled with muddy rainwater where the patio, no doubt, would be when the builders finished. To the side under heavy plastic stood several stacks of large paving stones.

 

“The place won’t be ready to lease until next summer.” She sounded almost apologetic. Then she gently threaded her arm through mine. I figured it was so she could catch me if I lost my footing. There was no disguising my trembling. Though more than a little of that was from the shock of what greeted me as I looked out at the other cottage.

 

With a bit of careful tugging, she pulled me away from the flooded would-be patio and around to the front door, which was not locked, the reason became obvious with the pounding of hammers and the mumbled curses of workmen coming from inside.

 

As we entered the front door, two men dressed in paint spattered jeans and ratty t-shirts, looked up, then laid down their hammers and nodded their greetings as though I were some strange creature they weren’t sure how to approach. No doubt they knew the tale. The story of the crazy American lady who was found wandering the cliffs in the middle of a storm had surely made its rounds in a place where I figured I was the most entertaining news that had happened in awhile. Mrs. McLaren motioned them to the door, and they left without a word.

 

Where the wood floor had been, there was, instead, bare concrete, and the fireplace had been newly bricked, the trowel and other tools of the trade still on the floor on plastic sheeting. There was no piano. In fact there was nothing but sawhorses and cans of paint with odd bits and pieces of lumber scattered around, along with a several half-empty bottles of water and sports drinks. The kitchen was exactly as I remembered it, unfinished and covered in drop cloths. As if she knew what I’d ask next, she led me to the bathroom. The tub in which I’d made love to my pianist was there, but sitting in the middle of the floor, and the plumbing was only half finished. Without waiting for me to comment, she led me into the master bedroom.

 

It was suddenly hard to breathe, and I saw the room through a haze of tears I blinked hard to control. The big bed sat in the middle of the floor exactly where it had been, but it was battered and weather worn. On top of a bare mattress that didn’t really fit the wooden slats, a sleeping bag and a pillow lay rumpled and tossed. An empty teacup and an open can of Red Bull sat on a backless chair to the side.

 

“Ian, he’s my nephew, he stays here when the weather is nice and he wants to work late, or get an early start,” Mrs. McLaren said. “Mostly though I think he just likes the place what with the sea and the cliffs.”

 

“The bed?” I managed, feeling like my throat was closing off.

 

“It was here when we bought the place,” she said. “No sense in having it restored until the cottage is a little closer to finished. Ian likes to sleep there.” She smiled indulgently. “Makes him feel a bit like a laird.”

 

There was little left to say after that. Mrs. McLaren walked me up to the cliffs where I’d been found, not far from the standing chimney and the ruined foundations of the manor house, all the while, in my head, flashes of the house in its glory days and broken strains of piano music made me dizzy and even more unsure on my feet. When I dropped down onto a rock near where Mrs. McLaren said I’d been found, she only stood next to me patting my shoulder, until the younger of the two men, the one I assumed was Ian, joined us. “Ms. Alan,” he said quietly. “You’d best go back to the cottage now, have some tea, get warm.”

 

I didn’t protest as he helped me up and the two flanked me, Ian close enough that if I should stumble he could catch me, even carry me if he had to. And to my embarrassment, he had to. We were nearly back to the cottage when a view of the earthmover and the whole where the patio should be made the ache in my chest bloom until it felt like the icy blasts of the storm that had raged all the while I’d stayed her with my pianist. “He asked me to find him and I don’t even know his name,” I whispered, and then the ground tilted around me and strong arms lifted me. I humiliated myself further by burying my face in Ian’s chest and sobbing all the way back to the cottage. Inside, he settled me on the sofa and covered me with a blanket. He sat with me until Mrs. McLaren returned with a cup of tea, which tasted like it might have had a nip of something stronger in it. “This’ll warm your belly and make you feel better,” she said.

 

When she was sure I wasn’t going to humiliate myself further, she motioned Ian into the kitchen, where I could hear them mumbling quietly. Occasionally their voices rose in what sounded like an argument, but it took me a minute to realize they were speaking Gaelic. Not that I cared that much. My own thoughts were too confused trying to sort reality from fantasy. But in spite of everything that I had seen, everything that was obvious, I was still certain that what I’d experienced with my pianist had been real.

 

In a few minutes, they returned to the living room and Mrs. McLaren sat down on the sofa next to me. “You’ve got no business traveling alone,” she said, “not in your condition. You shouldn’t even be out of bed yet. You’ve had a terrible shock. I’ve got guests coming and I can’t get away, but Ian will take you back to Portree and then on to Glasgow and help you arrange a flight home if you need.”

 

“I’m fine,” I said, setting the teacup aside and pushing to my feet.

 

“You shouldn’t be alone.” Ian gently took my arm with a rough hand and guided me back down. “If you don’t feel comfortable with me, I can get my sister, Mary to take you.” At this suggestion, I couldn’t help noticing that Mrs. McLaren stiffened.

 

“No.” I sighed half in defeat, half in relief not to have to make the trip by myself, one I wasn’t sure I could manage. “I’m all right with you taking me.”

 

Twenty minutes later, Mrs. L had me bundled up in Ian’s Land Rover like an invalid with a flask of tea and a basket of sandwiches. It was only after I was settled in that she handed me the coffee table book on the manor house and its history. “Maybe this will help,” she said, then waved us off.

 

If you’ve missed an episode of Concerto, here are the links.

 

Concerto Part 1: A little Night Music

Concerto Part 2: Distractions

Concerto Part 3: Too Much to Bear Alone

Concerto Part 4: Writing and Waiting

Concerto Part 5: A Duet in a Storm

Concerto Part 6: Remember How it Feels

Concerto Part 7: Unsettled

Concerto Part 8: Into the Storm

Concerto Part 9: Me, But Somebody Else

Concerto Part 10: Find Me

Find Me: Instalment 10 of Concerto

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Sometimes things are just too good to be true, and with the storm raging outside and the heat of sex, music and passion raging in, it’s not easy to know where reality begins and dream ends. Crossing that boundary is always a shocker and never what you expected.

(You’ll find links to the rest of Concerto at the end of this instalment)

Concerto: Chapter 10 Find Me

I woke in the dimly lit room watching rain drops slowly drip down a curved tube. For a long time I just watched, fascinated by how clear the droplets were and how slowly, how evenly they drip, drip, dripped. “Still raining.” My throat felt like I’d been swallowing gravel. “Maybe Mrs. McLaren won’t be able to come get me. Maybe I’ll be stranded here with you for a while longer.” my tongue felt too big for my mouth, as I slurred over the words. My body ached all over – no doubt from all the lovemaking. It was only when my pianist made no reply that I tried to roll over in the bed and realized I was attached to the drip, drip, drip. There was an IV bag connected to the long tube that led to the vein in the top of my hand. My pianist wasn’t there. I wasn’t there, at least not in the cottage on Skye where I should have been. A nurse rose up from a chair next to the railing on the side of my bed.

 

Startled into an unpleasant wakefulness, I forced my way up onto one elbow. The needle in my hand pinched, and my joints ached with a vengeance. “Where am I? What’s going on?” The effort was a mistake. The tympani pounding in my head was outdone only by the toxic burst of colors in front of my eyes. I all but fell back into the bed with a groan.

 

“Easy now, just lie back and breathe deeply. That’s it. You’ve had a nasty knock to your head,” the nurse said reaching for my arm to take my pulse and my blood pressure, where the cuff had been left on my bicep.

 

“Where am I?” I asked again, trying to take in my surroundings without moving too much. I was still too muzzy in the head to decide if I should panic, or if maybe I was dreaming. Surely that was it. I had to be dreaming. “Where is he,” I ventured, holding my breath for a second listening for the piano.

 

“Who?” The nurse said without looking up from her efforts.

 

“There was a man with me.” I didn’t know what else to say. I still didn’t know his name, and I regretted it more than ever at that moment. “Is this a … hospital?”

 

The nurse, Claire, her nametag said, “Gartnavel,” she replied with a nod. I must have moaned or maybe gasped, because she looked up at me. “Glasgow?” Then she slid her glasses off and tucked them in her pocket, studying me through dark, liquid eyes until I would have squirmed if moving hadn’t been so unpleasant. “How much do remember,” she asked at last.

 

“What do you mean by that, how much do I remember? I was in bed with my … lover in his cottage. I fell asleep there last night. The landlady was supposed to pick me up later today and take me back to Portree.”

 

“Mrs. McLaren?”

 

“That’s right. I was staying at one of her cottages for the long weekend.”

 

Just then a woman in tailored navy trousers and jacket stepped into the room carefully shutting the door. Her short gray hair and no nonsense attitude made me think of Judi Dench in a James Bond movie. She offered me a smile that made me think it didn’t come easily, and then glanced at my chart. “Welcome back. I’m Ms. Jackson, your consultant.”

 

“My consultant?” It was suddenly a struggle to breathe. A knot tightened in my stomach as I tried once again to sit up. “Why the hell do I need a consultant? Where’s the pianist? Where is he? He was with me, and …” The world spun sickeningly around me and I eased myself back on the pillow, fearing I would throw up. I clenched my eyes shut, fighting back nausea with quick shallow breaths through my
nose. From somewhere far off someone was speaking to me, telling me to relax and breathe deeply. But I was no longer listening. I was lost in the music watching my pianist playing through the rain-pocked glass of the French doors on his cottage. Around me the storm raged and the rain came in sheets. I felt neither. I only watched and listened, but as I reached for the door to let myself in, the world went black.

 

When I woke it was dark outside and a different nurse sat by my bed. I felt like my head was full of cotton wool and everything seemed far away. I swear I could hear the drip drip of the IV and feel each drop going into my vein. I pretend I was still asleep. Maybe I was asleep. I couldn’t be sure I wasn’t dreaming, not when everything was so strange and out of focus. I only wanted to be back in the cottage curled up with my pianist. I wanted him kiss me awake and nibble my earlobe and then take me again in that lazy early-morning way that lovers do, who are new, who are still discovering each other, still unable to get enough of each other. And then I was once again standing outside the French doors listening to my pianist. This time I didn’t try to go in. I was too afraid if I did, I’d find myself back in the sterile room in Glasgow with the nurse hovering over me. Surely I must still be lying in the big bed next to my pianist, sated from so much lovemaking. No doubt, I was dreaming horrible dreams about leaving him, when I would have much rather stayed. I made myself a promise that as soon as he woke me up in some delicious way, I wouldn’t rest until he gave me his name. I needed to know his name. But, he didn’t know mine either, did he? How could two strangers have become so intimate?

 

I don’t know how long I listened. I didn’t get wet, I didn’t get cold, I barely heard the storm rattling the windows and howling around the cottage as he played on and on. I let his music wash over me in waves, carrying me to a safe place where nothing could touch me but the melody. It was the same melody he’d been playing the first time I heard him, and it held me in thrall just as it had then. With the edge of my nightshirt, I wiped the steam from my breath off the glass, and the music stopped. He turned to me and came to the door. My relief was short lived though, when he only placed a hand on the glass and said softly. “Find me.”

 

If you’ve missed an episode of Concerto, here are the links.

 

Concerto Part 1: A little Night Music

Concerto Part 2: Distractions

Concerto Part 3: Too Much to Bear Alone

Concerto Part 4: Writing and Waiting

Concerto Part 5: A Duet in a Storm

Concerto Part 6: Remember How it Feels

Concerto Part 7: Unsettled

Concerto Part 8: Into the Storm

Concerto Part 9: Me, But Somebody Else

Concert Part 6

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It’s time for episode 6 of Concerto, in which more than the music is passionate. If you’ve missed any of the other
episodes of Concerto, just follow the links. Enjoy!

Concerto Part 1: A little Night Music

Concerto Part 2: Distractions

Concerto Part 3: Too Much to Bear Alone

Concerto Part 4: Writing and Waiting

Concerto Part 5: A Duet in a Storm

 

 

 

 

Concerto Part 6: Remember How it Feels

It was an effort to crawl from beneath the piano. I scrabbled up to my knees and then climbed my feet, legs trembling, shoulders tight. This time I found the man’s gaze focused completely on me, even as he played. I stood for what felt like an age under his scrutiny, almost as though he were inspecting me for storm damage. There was no sympathy, which was just as well, I wanted none, but there was satisfaction, as though for a job well done. Then with an abruptness that startled me, he shoved back the bench. At first I feared he’d stop playing, a thing I realized I wasn’t yet ready for. But he continued to play with his left hand, beckoning to me with the right. He invited me, not onto the bench next to him, but onto his lap.

 

There was an awkward moment in which I fought the robe and the sash and the movement of his foot on the damper pedal to find purchase on his lap. All the while his right hand, settled low on my hip, urged me, guided me, teased me into a position that completely obscured his view, and yet he continued to play. When I was settled, his breath hot against my neck, He scooted the bench forward until the edge of the keyboard pressed against my belly. It was an awkward position, an embarrassing position, or would have been if it wasn’t also a completely intriguing position. I sat with my legs spayed either side of his so that he could reach the pedals. While certainly the music benefitted from his efforts, I couldn’t keep from wondering if his liberal foot work might also be for my benefit, or possibly even his own, because it quickly became evident that he was hard. The robe had ridden up until my bottom was bare against his trousers, and the sash had come loose in our scrambling for position.

While he continued to play, he took it in turns, one hand and then the other, cupping and caressing his way inside the front of the robe before sliding it off my shoulders. I didn’t have to wriggle much to be free of it. Then with his left hand low on my belly, he pulled me back tightly against him, and began to kiss and nibble my neck. My gasps and moans in response to mouth at my shoulder, my nape, my earlobe created a passionate duet to what his fingers were doing on the keyboard, the keyboard which he played blindly never missing a beat, never missing a note.

I raised my right arm up around his neck, then onto his head, curling fingers into his thick dark hair and dragging him down until my mouth could catch the corner of his lips. A flick of my tongue, a nibble of my front teeth, and I felt him surge beneath me, felt the sharp catch and release of his breath humid across my chin. Then he did the strangest thing. He reached for my hands – first one and then the other — and placed each gently over the top of his own. All the while he continued to play. As I tensed, he whispered. “Relax. Just let me do the work. Like a dance. Let me lead. Feel the music, feel it down deep.” As if for emphasis, his leg shifted for a press of pedal in just such a way to bring me closer to his erection.

“Oh. Oh!” My voice came out a harsh squawk, and I got it. I truly got it. As he guided me and we played together, the melody my hands mirrored against his went straight to my heart, then moved down deep below my belly until I felt the vibration of each chord, each arpeggio between my thighs where my body pressed up against his.

Somewhere in the shifting and settling and pressing of notes, we had both joined the melody with urgent, needy animal sounds that the notes didn’t quite cover. The movement of his foot on the pedals was accompanied by an insistent rocking of his hips beneath me and by my own baring down.

I suppose it should come as no surprise that someone with the dexterity to play like he did should be able to manage with his left hand to reach beneath me and wriggle just enough to free himself. While one hand worked its magic on the keys, the other worked another kind of magic, opening me, strumming me, playing me— though little effort was needed. I was well ready for him, when he lifted me just enough to ease into position, then with a soft grunt, he guided
me down onto him. My scent rose to fill the room as he returned fingers, shining and wet from me, to the keys and continued to play, keeping time to the rise and fall, thrust and withdraw of the music with his body inside mine.

Tension built and stretched and tightened around us until every move, every effort was a breathless brittle striving,
until feral growls and groans battled the hammering of strings echoing in wood. Until at last his hands collapsed on the keys with a discordant ringing crash. He stood and grabbed me tightly around the waist, forcing me bodily forward over the keyboard, my hands scrabbling their own discordant efforts to brace myself against the demanding assault of his body, which I returned with an my of own assault. The hard muscles of his thighs forced me up on my toes, and I cried out as my first orgasm hit. He bit my shoulder and pulled out against my protests. Then in an awkward scramble for position, he shifted me to face him, my bottom coming down uncomfortably hard on the keyboard before he cupped me and lifted me. And when the angle was just right, shoved back into me, deep and hard.

“You understand. You feel it. I can tell you do.” This time when he sent me clawing and growling over the edge, he came with. And when he had emptied himself with bruising impact, he gasped against my ear. “Remember it. Remember how it felt. Remember everything.”