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Kiss Please!

(From the Archives)

I don’t know about you, but I don’t feel like it’s a proper sex scene, or even a proper PG love scene, unless there’s some serious lip action. Here are a few fun factoids about the lip lock that I discovered while I was writing my post for my Sunday Snog. They are from Psychology Today , How Stuff Works and Random Facts:

 

  • The science of kissing is called philematology.
  • Lips are 100 times more sensitive than the tips of the fingers. They’re even more sensitive that the genitals!
  • The most important muscle in kissing is the orbicularis oris, which allows the lips to “pucker.”
  • French kissing involves 34 muscles in the face, while a pucker kiss involves just two.
  • A nice romantic kiss burns 2-3 calories, while a hot sizzler can burn off five or even more.
  • The mucus membranes inside the mouth are permeable to hormones. Through open-mouth kissing, men introduced testosterone into a woman’s mouth, the absorption of which increases arousal and the likelihood of rumpy pumpy.
  • Apparently men like it wet and sloppy while women like it long and lingering.
  • While we Western folk do lip service, some cultures do nose service, smelling for that romantic, sexual connection. Very mammalian, if you ask me, and who doesn’t love a good dose of pheromonal yumminess?
  • Then there’s good old fashion bonding. It’s no secret that kissing someone you like increases closeness.

 

While all that’s interesting to know, what really intrigues me about kisses is how something seemingly so fragile can become so mind-blowingly powerful when lips, tongue, a whip of breath, perhaps a nip of teeth are applied in the right proportion at the right time on the right part of the anatomy. And with the size of the human body in proportion to the mouth, the possibilities for a delicious outcome are only as limited as the imagination.

 

One theory is that kissing evolved from the act of mothers premasticating food for their infants, back in the pre-baby food days, and then literally kissing it into their mouths. Birds still do that. The sharing of food mouth to mouth is also a courtship ritual, and birds aren’t the only critters who do that. Even with no food involved the tasting, touching and sniffing of mouths of possible mates, or even as an act of submission, is very much a part of the animal kingdom.

 

The sharing of food is one of the most basic functions, the function that kept us all alive when we were too small to care for ourselves. The mouth is that magical place where something from the outside world is ingested and becomes a part of our inside world, giving us energy and strength. Not only is the mouth the receptacle for food, it’s the passage for oxygen. Pretty much all that has to pass into the body to sustain life passes through the mouth. I find it fascinating that the kiss, one of the most basic elements in Western mating ritual and romance, should involve such a live-giving part of our anatomy.

 

But the mouth does more than just allow for the intake of the sustenance we need. The mouth allows us voice. I doubt there are many people who appreciate that quite as much as we writers, who love words and the power they give us. And how can I think about the power of words without thinking about the power of words in song and poetry? Our mouths connect us in language, in thought, in the courtship of words that allow us to know and understand each other before those mouths take us to that intimate place of the kiss. And when that kiss becomes a part of our sexual experience, it’s that mouth, that tongue, those lips that allow us to say what we like and how we like it; that allow us to talk dirty; that allow us to vocalize our arousal; that allow us to laugh or tease our way to deeper intimacy.

 

The fact that the mouth offers all those wonderful, life-giving, life enhancing things, AND can kiss, makes it one of my very favourite parts of the body

“If I profane with my unworthiest hand
This holy shrine, the gentle fine is this:
My lips, two blushing pilgrims, ready stand
To smooth that rough touch with a tender kiss.”

Romeo and Juliet Act 1 Scene 5

William Shakespeare

 

Dry Canyon Dreams

I’ve been living in the world of mythology and the paranormal for the past few weeks while I’ve been busy with the final rewrites and check-throughs of Blind-Sided and Buried Pleasures, the second and third novels of the Medusa’s Consortium Series. They’ll be coming out right on the heals of each other, since they are happening in the timeline at the same time. That has meant it has taken me a little longer to get them ready. But I promise you they’ll be worth waiting for. You’ll be hearing news next week about release dates. So hold on to your hats. With paranormal being the name of the game, I thought I’d share this little short with you from the Archives. A FREE read. Dry Canyon Dreams is a complete story with plenty of desert heat and a little bit of chill thrown in for good measure. Enjoy!

AAAAND! Don’t forget the Super Summer Reads Giveaway going on right now at Book Hub until the 15th of August. Three lucky winners will walk away with a HUGE bundle of books. This is a a multi-genre giveaway with chances to win other fab reads as well as the chance at the book bundle. I’m very proud to announce that my novel, In The Flesh, the first book in the Medusa’s Consortium Series, is included in that massive bundle.

 

Dry Canyon Dreams

From the archives: a free story complete in this post

The night of that first encounter I was restless, and my imagination had been running wild ever since I’d landed in the States two nights before. I had been having dreams, crazy dreams, lust-filled sexy dreams that had driven me from sleep to find myself in sweat soaked sheets aching and wanting and needing … something. ‘Be present,’ I kept telling myself. I needed be present. I needed to learn to be in the moment. That’s a part of what this holiday was all about. Being in the moment was something of a struggle for me with one tight deadline bleeding into another and then another. The insane pace had been going on for over four years and now, for the first time in a long time I had given myself space between projects, space to breathe, space to rest, space to regroup. The problem was; now that I had the time and the space, I didn’t know what the hell to do with it. I’m a writer. That’s not just my job, it’s my vocation, and my identity is tied up in it – very possibly more so than I had imagined.

It had been the dreams that had driven me to the dry canyon in the middle of the night. In my dreams someone I never saw, someone holding me in a close, sensual embrace, someone nuzzling and cupping and caressing, kept whispering in my ear that I needed to write the story, that I needed to get it all down, but they would never tell me what story I was to write, and when I burst into wakefulness restless and uncomfortable in my own skin, the feeling of being stretched and expanded and then shoved back into myself was overlaid with a shimmering patina of arousal. Feeling like I’d suffocate if I didn’t get some air, I’d dressed quickly and left the house, leaving a note on the kitchen table for my sister just in case she should wake and find me missing.

In ten minutes I was in the dry canyon alone in the middle of the night wondering why I wasn’t at least a little bit nervous about my choice of how to spend my time in the wee hours. My sister said that in spite of the fact that the canyon ran through the center of the town with five miles of paved walking path from one end to the other as well as other footpaths meandering along the canyon’s edges, in spite of the fact that the canyon was almost never deserted, occasionally there was a mountain lion spotting, occasionally warnings were posted. There had never been an attack, never been even a threat, but it wasn’t all that uncommon in areas where human habitat encroached on puma territory for the two to come in contact with each other. But not now, I told myself. In my visits to my sister’s I’d seen deer in the canyon, myriad birds, rock chucks and other wildlife, but never a mountain lion. And if I were being completely honest, I found the shiver up my spine at the thought of seeing one of the beautiful cats at least as exciting as it was frightening. The full moon hung heavily just over my head, almost like I could reach out and touch it. It gave off enough silver light that I could see in exquisite monochrome layers, juniper and sage and the rise of the steep volcanic cliffs of the canyon walls.

IMG_5578The dry canyon splits the town of Redmond, Oregon right down the middle and until recently the only way to get around it was to drive to the end. Now there’s a huge bridge that spans it joining the two sides, the architects and builders having taken particular care that the bridge should blend in with the canyon and the high desert’s natural beauty. The bridge glistened pale in the moonlight, giant concrete arches rising like the bones of some graceful prehistoric monster whose death throes had spanned the canyon in rib-boned arches. It’s the landmark I always walk toward. And that night, when I got there, I drank deeply from the water fountain placed strategically in the shade for passing bikers, runners and walkers. There’s even a fountain for dogs next to it. Then I settled on the lone picnic table beneath the bridge, lie down on my back and look up at the shadowed underbelly of sinuous concrete.

I heard the runner before I saw him. I heard his heavy breathing, I heard the scuff, scuff of his feet against the ground, and I stayed still, listening, not wanting to startle him. I knew I should make good my getaway, or at least make my presence known, but I didn’t. For some reason I just lay there and watched as he drew near. The moonlight glistened on his bare chest, and I didn’t even pretend not to look. He was light footed, slender of build, long and well muscled. His hair was tawny pale and unkempt, clinging in wet curls around his ears and onto his shoulders. At the fountain, he drank long and deep, then tossed several cupped handfuls of water onto his head, down the back of his neck and onto his face. His nipples beaded, and goose flesh bloomed and spread across the rise and fall of his pecs where the water dripped onto his chest and over his taut belly. It was then that his gaze lit on me and the little breath of his surprise sounded like a soft growl in the muted night.

“Strange dreams,” I said in response to his unasked question as to my presence. I made no attempt not to stare at him, which didn’t seem too impolite, since he stared right back at me. ‘I needed some fresh air.’ Frankly I was surprised I could speak at all, let alone that I can be so brazen about it.

He bent for another drink, and I noticed he was barefoot. My insides quivered at just how little clothing the man really had on. The running shorts were thin and rode low on his hips revealing his navel and the slender path of soft hair disappearing into his waistband, a path I found myself wanting to follow with the stroke of a palm.

I was surprised when he moved to the table next to me, and settled a large hand in my hair, fisting it and stoking it until I sighed softly and moved against his palm. I was even more surprised when he stepped back, stretched his arms high above his head, yawned deeply, and then lay down beside me, settling himself around me in a spoon position. The dry desert air had dried the sweat from his flesh almost entirely. He was surprisingly warm and he smelled of desert heat, juniper and sagebrush. For a second I panicked as his strong arm snaked around my waist and pulled me back tight against him. Then I felt his mouth on the back of my neck, first parted lips, then tongue, then a slight nip of teeth. I found myself inexplicably calming under his touch, calming to the low rumble of satisfaction deep in his chest, to the steady hard pumping of his heart as he pressed his chest tight against me.

Once he was certain I wouldn’t run, his hold on me relaxed and his palm, flat against my belly, slid beneath my tank top and up to cup my breasts. I caught my breath in a startled moan as he thumbed my nipples alternately until they rose stiff and sensitive against calloused skin. I’d not bothered with a bra when I left my sister’s house. I never expected to meet anyone in the canyon. Easy access for anyone’s hands other than my own had not been my plan. While he cupped and kneaded and pinched, his mouth went back to work on my neck. He raised himself on one elbow to tongue and nip the hollow of my throat and I could feel the shape of him, hard and urgent, beneath the thin fabric of his shorts.

I barely had time to think about the hard rub and shift of him pressing against the back of my sweat bottoms before his hand migrated back down my belly and eased under my waistband with me shifting forward into the cup of his palm as he fingered and worked his way down. My legs parted and shifted and moved of their own volition to allow him access, and the shiver down my spine was not from the cool of the night as he stroked and fondled, all the while nipping and tonguing the back of my neck and the lobe of my ear, an effort leaving me weak and trembling with need that felt bone deep.

I don’t know how his hands could be everywhere, but they were. He slid my sweats down over my hips and, for a split second, I felt the cool night air against my bare bottom. Then I felt him bare and hard and anxious against me. The biting of my neck became more urgent and, God, I wanted him to bite me hard, I wanted to bite him back. I was only half conscious of the sounds he was making, animal grunts and groans, growls deep in his chest, sighs that I felt hot and moist against my skin. Then the nipping and the suckling and the caressing migrated down the length of my spine, and strong arms lifted me onto my hands and knees until my bottom was raised high in the moonlight and, before I could even think to protest, he continued his explorations, spreading me and kneading me with strong hands until his tongue found what he was looking for — me wet and restless and needing. I don’t remember much beyond that point except intense desperate pleasure, except his breath hot and fast against the swell of me, except him tasting me in hungry, lapping mouthfuls. And when I was boneless and weak from his efforts he pulled away, rose up and bit me on the shoulder, bit me hard enough to make me cry out, then he plunged into me, crushing me to him, holding my hips tight against his body, wrapping his arms around my waist, burying his face in my neck. I remember rearing back against him with each thrust, matching him growl for growl, holding my breath, bracing for impact, anticipating the breaking and shattering and falling apart as we came together and collapsed in desperate gasps back onto the table. Then he curled around me and we slept.

I remember waking alone on the picnic with the moon setting and dawn just beginning to gray the rim of the canyon, or at least I think I remember. I was barely aware of the walk back to my sister’s house, and the stripping off of my clothes and the falling into bed and into unconsciousness. In fact when I woke later in the morning snuggled down in the bed with the cool desert breeze blowing the curtains at the open window next to my bed, I figured I’d probably dreamed the whole experience. I mean the whole experience of dressing and walking in a dark canyon in the middle of the night alone, of sharing my body with a man I didn’t know, a man who never spoke, it wasn’t me at all. Surely it wasn’t the kind of thing I’d do. It was my imagination, I was sure. Jet lag often makes for powerful dreams, though it was strange the way my body felt that morning, I woke to the achy tenderness that follows rough sex, that follows a ravenous encounter too wild to really be just fucking, and yet just tame enough not to scare me into running away in fear of being completely devoured.

After breakfast my sister and I walked the canyon – her anticipating a good bit of morning exercise and me wanting to see if just maybe something would jog my memory, if just maybe something would bring the vividness of the encounter back to me. The dry canyon has been one of my favorite parts of where my sister lives for a long time. Walking it together has been a major part of our visits. We’d just descended the side road into the canyon and I was admiring how the bridge shown in the morning sun, thinking about my dream encounter, when my sister drew my attention to a sign on the notice board.

mountain_lion_petroglyph_photo_print-r1c1d777189c04e63a2426808aab6f0e1_wyy_8byvr_512Caution: Mountain Lion Sighting.

 

The breeze that had been warm felt suddenly chilled and the hairs on my arms rose.

‘There hasn’t been one in awhile,” she was saying when I finally managed to turn my attention back to her. “Usually people see them at dawn or at dusk, people out for a late or an early run. They’re nocturnal, you know?”

“Yes, I know.” I said, remembering with a shiver low in my belly the nip of teeth on the back of my neck and the rough push and shove of flesh against flesh.

 

Filtering Our Lives

From the archives

(This post first published on Erotic Readers and Writers blog March 2015)

 

I’m in the States at the moment having a wonderful visit with my nephew, his wife and their four lovely daughters, but I have been thinking about the filters through which we view the world — mostly social media and VR and this post seemed appropriate. Enjoy

 

I’ve been thinking about filters lately, going through one of my periodic stages of resenting smart phones, social networking and all things techno. That may well be in part because I’ve only ever managed to master what it takes to survive in that online world. I’m a klutz on my best days. But sometimes I’m an angry luddite wannabe, who grumbles incessantly while I bury my nose in my kindle to lose myself in a good book … Oh the neuroses of my life!

 

When I’m lost in the world of navel gazing and trying to connect to what matters without losing myself in the detritus and the trivia of a world online, I often find myself thinking about the filters we live our lives through, and what being once removed from everything, while at the same time up close and personal with the whole world and all the information in it means to us as a civilization – to me as an individual.

 

I can go online and hear the background microwaves that are the remnants of the Big Bang, the beginning of the universe. I have done, have listened over and over with goose bumps crawling up my arms.

 

I can go to Facebook or Twitter and have meaningful conversations with friends all over the world, people I’ve never met physically and yet I’ve connected with and feel somehow a kin to.

 

I can keep up on films and stars and gossip, I can join any group, be a fan girl, talk trash, be a part of any organisation with any cause imaginable – political, religious, medical, physical, magical, practical, any hobby, any sport, any obsession. It’s all there. All I have to do is log on. Easy.

 

When we were in Dubrovnik over Christmas last year, we found ourselves in a random café for lunch one day. The cafes that were open in the dead of winter were happy for customers, and when we arrived, we were the only ones there. About halfway through the meal a young man came in, eyes glued to his smart phone. He asked us if we’d read the reviews for this particular café. We said no, we’d just dropped in. The food was lovely. We had a local beer, local specialties, and the owners of the restaurant were friendly, and patient with us as we practiced our rusty Croatian on them. Meanwhile the man ordered without looking at the waitress, ate without looking at the food, all the time lost in communion with his phone. We left him that way.

 

Back out on the streets, after a wonderful walk in the sunshine around the medieval city wall, we stopped for coffee and once again were astounded by the number of tourists gripped by their phones even as they walked, obliviously, down the main street of the Jewel of the Adriatic, the sea the colour of sapphire and the sky a shade darker still, contrasting with the red tile roofs.

 

A few weeks ago we went out for lunch and observed three very lovely young women who came in and sat down at a near-by table, again completely caught up in whatever was happening on their phones. They barely spoke to each other during the course of their meal and never put their devices down.

 

I recently received an email from a friend of mine in the States, and I was saddened when the rather extensive epistle was all about what series she was now watching on telly. I know for a fact this woman used to be a librarian. We used to spend our time talking about books.

 

All of these events, and lots of others leave me slightly queasy, even as I sit here writing this blog post, hoping that a lot of people will go online to my blog and read this post. It’s the filters that leave me feeling this way. They leave me wondering about our connection with the real world, about MY connections with the real world. I wonder if we’re now more connected, and I just don’t ‘get it’, or are we less connected because we’re joined at the hip with our devices. I’m guessing it’s probably a combination of the two.

 

The world I live in is totally dominated by the technology my profession depends upon. The first thing I do in the morning is get up my laptop and see what I missed over night. I do what I need to do for PR on twitter and Facebook, I see what I need to do for the rest of the day, and some days that involves a good deal of being online and interacting with social media. Don’t get me wrong, I’m very happy that I have some control over the promotion and sales of my books, no matter how little that may be. The feel that I’m at least doing something is worth a lot, even if it is at times only the placebo affect. In a time when publishing is entering the strange new world of self-pub, when the gatekeepers are no longer the guardians of all things literary, when the gates are quite literally wide open, I see how important it is to be present online. But I fear very much that being present online often costs me the simple pleasure of just being present.

 

I remember when I launched Interviewing Wade after a day spent mostly in promo, looking at reviews spending time on Twitter and Facebook and blogging, at last I went into the darkened kitchen to reheat the pasta from lunch for dinner and discovered something truly amazing. Through the kitchen window, I had the most exquisite view of the thinnest sliver of a new moon in conjunction with brilliant Venus, and for a few minutes there was the added pleasure of red Mars just about to sink below the rooftops of the neighboring houses. I was stunned. I couldn’t take my eyes off what I saw. I reached for the binoculars for a closer look

 

The moon was illuminated with earthshine and, through the binoculars, the darkened areas were visible with the brilliance of the sunlit crescent making the whole look almost dark purple, huge and 3D. As I tried to focus on the bright smudge of Venus, my heart beat kept jarring the binoculars, so I couldn’t resolve the phase, but I’m sure it was as close to full as Venus ever gets.

 

Venus is always in phase. How amazing is that! We never see the full face of Venus because it’s in between us and the sun, and it’s only full when it’s on the far side of the sun from us – something that’s only true with the inner two planets. Mars dipped quickly and was gone, but I stood for ages, trying to hold my breath and brace my elbows so I could look. But no matter how hard I tried, Venus constantly quivered through the binoculars with the steady beat, beat, beat of my pulse. I shifted back and forth between the shiver of Venus and the pock marked darkened surface of the moon with its crescent of brilliance at the bottom edge. When my arms got tired of holding the binoculars, still I stood.

 

It was one of those rare moments of being in focus, of standing with nothing in between me and my little sliver of the universe; experiencing a moment, one raw, naked, aching moment without anything in between me and my heart. That tiny shred of time felt like skin freshly formed over an abrasion. And I wanted to stay there forever in that little sliver of
the present with nothing in between.

 

I couldn’t, of course. The moon set, and I had work to do. It occurred to me as I nuked dinner, that even that incredible few minutes of focus were filtered, brought closer through the lens of my binoculars. We’ve been filtering our world for probably as long as we’ve walked upright. Perhaps we can only be safe in – and from our little slice of the universe when we filter it, analyze it, look at it through eyes – and heart — well protected.

 

The next morning, online, there were more images of Venus and the New Moon in conjunction than I had time to look at. I was far from the only one bringing that moment into myself through filters that helped make sense of it, helped make it personal and, clearly, I was far from the only person needing to share it. Somehow that makes the world community seem just a little bit smaller, just a little bit closer. Somehow that makes the filtering of my universe and all the contradictions that involves set just a little bit easier in my mind. That and the knowing at least for a little while that earthshine, that sliver of moonlight, that conjunction with bright Venus was mine. All mine.

 

 

 

Disturbing Orgasms

Hi my lovelies! I’m still on holiday in Croatia, but I’ve not forgotten you. This post is from the archives and a post I did for the Brit Babes blog a while back. Disturbing orgasms, in fiction, are quite often the most exciting to read about. So I thought I’d share with you my ideas as to why that might be. Enjoy!

 

I’ve been thinking about the written climax. I did a mental inventory of the most memorable fictional “cum shots” I’ve penned and discovered that many of the ones that topped my list were disturbing. They were disturbing in that the sex leading up to them was not exactly hearts and flowers and chocolate truffles. It was never my plan that the orgasms resulting from disturbing sex should be among the most sizzling, but that they were made me stop and wonder why those scenes were so often the ones that made me twitch in my knickers.

 

That we’re aroused by things that disturb us is … well, it’s rather disturbing, actually. Why aren’t we happy with filthy hearts, and flowers and smutty sweetness and light? Why is it that often the more uncomfortable the fictional sex makes us, the more aroused we get. I got groped by a stranger once on a bus in rural Croatia. As upsetting as the experience was, it didn’t stop me from revisiting it in my fantasies a million times and wondering what would have happened if I’d been bold enough to let the whole scenario play itself out. The incident has inspired my fiction more times than I can count.

 

Let’s face it, there’s something about sex that’s frightening. There’s something about sex from which we’re never quite sure we’ll recover. Don’t believe me? Just look at how desperate conventional religion is to control sex; just look at how highly regulated erotica is compared to any other genres; just look at how disturbed the general public is by the sex act – even the sex act between two consenting adults. There’s absolutely nothing else that disturbs us quite like sex does – not even graphic violence. And if the sex is of dubious consent or transgressive in nature, then often our dark unconscious finds it even hotter still.

 

I personally think sex disturbs precisely because it arouses us. It elicits an animal response in us that nothing else does. That response is no more a choice than is our stomach grumbling when we’re hungry. That it exerts that much control over us, that we can so easily and so completely abandon ourselves to it without any certainty of what the end result might be, frightens us. What exactly is it we fear? If I had allowed myself to enjoy the fact that I was aroused on that bus, it wouldn’t have turned me into a “slut.” It wouldn’t have turned me into anything that I’m not already. It certainly wouldn’t have made me a bad person. When I’m being honest, I have to admit that there’s something seriously hot about being disturbed, and just maybe what makes it so hot is that it forces me to face desires I’d prefer to deny.

 

Sometimes the sex is disturbing because it’s with the wrong person. Who doesn’t want a seriously good villain to f*ck their brains out first, then they can count the cost later? Who doesn’t fantasize about a good shagging by a stranger whose face they never see, whose name they never know? Who doesn’t fantasize about rough sex, inappropriate sex, sex they have no control over? Perhaps this is why we’re so in love with shifters and vampires and other supernatural beings – they are a safe receptacle for forbidden sex, for disturbing orgasms.

 

Erotica writers dare to take disturbing sex, sex that comes from our deepest fantasies and write it. Anything written is suddenly far more real than it is when it’s safely tucked away in our unconscious. And when someone brings it up into the realm of conscious consideration by fictionalizing it, giving it a name, then we’re suddenly confronted with the fact that, yes, we are aroused by it, even as we’re disturbed by it. We then have to ask ourselves what that fact says about us as people?

 

To horribly paraphrase Carl Jung, what we admit and bring into conscious thought is far less likely to kick us in the arse when we least expect it while sailing naively down the river of denial. So much of becoming whole and well-rounded people is accepting who we, all of who we are, the light along with the dark. Often what disturbs us most is what we most need to embrace in order for that to happen.

 

Is that my psychological analysis? Hell no! That’s just my long-winded way of saying that reading about other people’s disturbing sex can be a real panty scorcher.

 

Here’s a disturbing little snippet from my latest release, Landscapes. I hope you find it as hot to read as I did to write.

 

Landscapes Blurb:

 

Vampire, Alonso Darlington has a disturbing method of keeping landscaper, Reese Chambers, both safe from and oblivious to his dangerous lust for the man. But Reese isn’t easy to keep secrets from, and Alonso wants way more than to admire the man from afar. Can he risk a real relationship without risking Reese’ life?

 

 

Landscapes Excerpt:

 

It was nearing dawn when Talia returned to our accommodations smelling of sex, as I knew she would if she were to obtain for me what I wanted. By then my blood burned in my veins, and my body felt too close to me, as though the flesh that I dwelt in suddenly conspired to crush me with its demands. And though I knew that Reese Chambers could not have refused her even if she had come to him as a toothless, foul-smelling hag, I hated her that he had poured himself into her body while I had been left with only my fantasies kindling my lust to an inferno.

 

Though my need was such that my flesh was fevered and my cock an insistent throb, until she returned, I held myself contained within skin that felt too thin. When she saw the state that I was in, she pulled the heavy drapes with an efficient tug, then with a nod of her head, motioned me to follow her down into the basement room that had been prepared for me. When she turned to me at the foot of the bed, before she could opened her kiss-bruised lips to speak, I took her mouth, starving for the first taste of him, the taste of his saliva, the taste of his blood, mixed with hers. She’d bitten him; he’d bitten her back. He was rough, and he liked to be treated rough, but he kept that to himself. He was embarrassed by it. His lips were slightly chapped from so much time in the sun and wind, and they’d slid against hers, suckling and stroking and pressing until her mouth opened to his. With ravenous laps of my tongue, I tasted him in her mouth, and she held back the moan of response, so I could hear the echoes of his groans, heavy with need he’d not satisfied in awhile, and I felt kinship in my own unsatisfied needs. Images of him flashed through my head. Christ, his eyes were green, dark green like the evergreen forests of the north, and he kept them open when he kissed her, taking her in with his eyes.

 

I shoved aside the silk of her low bodice exposing her breasts, breasts that his hands had cupped. My nipples peeked to sharp aching points at the feel of his calloused thumbs raking, pressing and releasing. I breathed in his scent on her breasts, burying my face in her cleavage, licking the taste of salty, slightly picante maleness, sniffing and tasting until I could stand it no more. In one violent jerk, I tore the dress all the way down and shoved it off her shoulders, away from the flesh he had licked and kissed and mounted. I cried out at the feel of him, weight on one elbow, knee spreading her thighs, fingers opening her heaviness, anxious to penetrate, anxious to relieve his need. And then, with Talia free of clothing, Reese Chambers’ essence filled the room. Talia’s panties were still wet with his semen mixed with her humid desire, and I tore them from her and forced her onto her stomach, onto her hands and knees, so that it was not her face I saw, but his that I imagined. With hands on her hips, I raised her bottom in the air and spread her still swollen, still slippery folds with fingers made awkward by my arousal, letting the scent of his hot bread and honey release intoxicate me. Then I buried my face in her snatch and, as I ate his lust from her, I knew him.

 

He was Cumbrian born and bred, and his accent was the soft lilting sound of the fells. He was a landscaper and a gardener by trade. His hands held the magic of the earth and his mind conceived ideas for beautiful outdoor spaces; those he liked best were patterned after Renaissance and medieval gardens. He was homesick and heartsick. He’d gone to Surrey to work with his father because the money was good. But his father had died recently and he had returned home to Cumbria. He didn’t care if he had to work in a pub or muck stables. He wanted to be home. He missed the people and he missed the fells. He missed the simpler, more honest rhythms of life. He was shy, even a bit reclusive. He read voraciously and widely, he liked astronomy and he was afraid of snakes, though it embarrassed him to admit it. He hadn’t had sex in a long time, and found it better to have a wank session than a meaningless encounter. The facts of him, the details of his life raced at me in a flood I consumed ravenously with each lap of my tongue.

 

As I ate Talia I felt the shape of his face, the curve of his chin, the rise and fall of his chest as he had done the same. I felt the soft tuft of bronze curls nestled between the hard rise of his pecs and the courser, deeper curls that caressed his testicles and his cock when it was at rest, but it hadn’t been at rest. How many times had he taken her? He was thick enough to fill her and the friction of him inside was delicious and maddening. The shape of him – I wanted to caress the shape of him, with my hands, with my mouth, and the taking of his essence from Talia was an act of ripping away something that should have been mine. As I bruised her arse with kneading fingers and, as I licked the last of his release from her, she managed a breathless moan. ‘Take the rest. God, Alonso, take the rest, and release me.’

 

Wow! You Don’t Look Like an Erotica Writer

A summer post from the archives

I don’t look like someone who writes erotica. I get that all the time, and I have to smile. It’s a bit like being told, ‘funny, Scribe-computer-keyboardMG_07771-225x300you don’t look like you’re not wearing any knickers. You don’t look like you just had extra cream in your coffee. You don’t look like you’ve been reading Cosmo in the ladies room.’

 

Contrary to popular belief, most erotica writers actually do look exactly like eritoca writers. In fact I look exactly like an erotica writer. Problem is most people don’t know what erotica writers look like. And, fair enough, I have to admit we’re a very difficult lot to recognize, so I’m going to give a very short crash course in how to spot an erotica writer. Not that it’ll help much. We’re masters of disguise. But perhaps it will give you some idea of what you’re actually up against so you won’t feel so bad next time you discover that the woman checking you out at the pharmacy, or the bloke tapping away on his laptop at Starbucks, or the chick picking up her kids after school is an erotica writer.

 

First, you need to know what NOT to look for in an erotica writer. Unless said writer is doing a reading at a book store and is trying to look like people expect an erotica writer to look, the person least likely to be an erotica writer is the one dressed in fishnet stockings and nose-bleed stilettos. Likewise don’t expect her to be the one with peek-a-boo cleavage and a leather mini, or the one with ‘please f*ck me now’ make-up.

 

In fact, the most outstanding thing about an erotica writer is that she doesn’t stand out. In fact it behoves her not to stand out. She’ll be the one in the coffee shop in the corner in the back. She’ll be wearing jeans and a jumper because minis and tiny tops are just too damn cold and uncomfortable to sit around and write in, and erotica writers are endlessly practical. She probably won’t be wearing any make-up because the time it takes to put on a face is time that could be spent getting down the fab hot story idea that came to her while she was cleaning her teeth this morning.

 

Yep, chances are very good you won’t notice her at all, but she’ll notice you. She’ll notice everyone and everything around her, and she’ll filter it all through an imagination filled with possibilities, sexy possibilities, stories to be woven, and heat to be generated on the written page. She’ll have her head down, writing like a madwoman. And if she has a quirky little smile half plastered across her face, you’ll know she’s found the hot idea she’s been looking for.

 

Some erotica writers don’t stand out because hey they didn’t even make it to the coffee shop. They’re still curled up at home in their pajamas with a cuppa writing a story sparked off by a dream they had. They may be in their most comfy track suit, hair pulled back in a ponytail, feet snuggled in fuzzy slippers while they tap away on the laptop at the kitchen Writing pen and birds 1_xl_20156020
table. They may be scribbling away in a little purple notebook during their lunch break at the office.

 

It’s hard to say where they’ll turn up, or how they’ll disguise themselves, or what occupation they might take up in their every-day, non-erotica-writing life. But it’s a pretty good bet that when they do decide to reveal themselves, you’ll still be picking your jaw up off the floor saying, ‘Wow, you sure don’t LOOK like someone who writes erotica.’

 
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© 2017 K D Grace
The Romance Reviews

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