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Buried Pleasures Available for Pre-Order

 

 

 With Blindsided just hot off the presses, I can’t tell you how excited I am to inform you that Buried Pleasures, book three of Medusa’s Consortium, is now available for pre-order.

 

 

Guarantee you’ll get the first read when Buried Pleasure continues the story of Magda and her gang in Vegas. And wow, the woman has one helluva gang in Sin City. It’s a good thing, because she’s going to need all the help she can get, and so is Samantha ‘Sam’ Black, the last siren.

 

 

Buried Pleasures Blurb:

When Samantha Black shares her sandwich with a dog, his owner, Jon—a homeless man living in the Las Vegas storm tunnels, gives her a poker chip worth a fortune from the exclusive casino, Buried Pleasures. All Sam has to do is cash it in. Sam is in Vegas for one reason only, to get her friend, Evie Holt, away from sinister magician, Darian Fox, who holds her prisoner in an effort to force Sam to perform at his club, Illusions. A neon circus tent of strange and mystical acts, Illusions is one of the biggest draws in Vegas, and he’s hell-bent on including Sam on his more than slightly sinister program.

The shadowy Magda Gardener will do anything to keep Sam from cashing in that chip. She knows that Buried Pleasures is the gate to Hades and cashing in the chip is a one-way ticket across the River Styx, which runs beneath the storm tunnels of Vegas.

 

 

Coming 9th January 2018 – available for pre-order now!

Amazon UK
Amazon US
Amazon AU
Amazon CA
Barnes & Noble
iBooks UK
iBooks US
Kobo
Smashwords

 

A Different Kind of Magic — Buried Pleasures Excerpt:

She opened the piano and ran her fingers carefully over the cool ivory. The buzz of the long familiar, and yet ever mysterious, magic climbed her spine with the effervescing tingle that was always there in the presence of potential music. Jon, who had returned to her side, pulled the padded bench out for her, and she slipped onto it letting both hands arch delicately against the keys, barely making contact. The cloak she’d nearly forgotten she wore, slid down her arms to cover the backs of her hands, but before she could shrug it back, Jon moved behind her and undid the clasp at her throat, easing it off her shoulders to pool on the bench around her.

His touch was a different kind of magic. It sent a cascade of goose flesh over her clavicle down the tops of her breasts, and the tight gasp that escaped her lips was almost, but not quite a sob. Above the keys she flexed her fingers. Behind her, heat radiated off Jon’s body. His breath was warm against her nape. Then he leaned down and spoke close to her ear. “Sing for me, Samantha. I need you to sing for me.”

She withdrew her hands as though the keys were suddenly on fire and clenched them tightly in her lap. “I can’t. You saw what I did to those men, and when I sing I see things, things I shouldn’t know, things I don’t want to know. I … I invade peoples’
private space. I don’t mean to,” she added quickly, “but it happens, and I can’t help it, and the music takes over and I can’t stop until it’s finished no matter how badly I want to, and … I don’t want to do that to you.”

He stepped closer until the tense muscles of his thighs warmed her back, until the shape of him pressed against her almost as it had in his bed. But she was so much more conscious of it now, so much more conscious of the depth of what he desired from her, of her own desire to give it to him, to give him what she’d never been able to give anyone.

He slid strong fingers down across her neck, over her pulse point, which hammered and jerked beneath his touch. Then he cupped her cheek with a rough palm and pressed her back against his belly.

“I don’t want to hurt you,” she managed around a struggle to breathe. “I never wanted to hurt anyone. When it’s good, it’s the most amazing thing ever. Believe me, I would gladly share that with you, but when it all goes wrong …” Her eyes misted at the thought of all that she’d had to keep hidden to protect the people around her.

He leaned over her and took her clenched hands into his. “You won’t hurt me, and it will be good, I promise.” Then he brought her fists to his lips and kissed her knuckles, easing her fingers open one by one as he did so. “You’re a siren, Samantha. That’s why you can do what you can do. Your music is your power and you can control it.”

 

 

If you haven’t yet read In The Flesh, Book One of Medusa’s Consortium, nows your chance to get it FREE!

 

 

The lovely Victoria DeLuis has invited an amazing bunch of Paranormal Romance and Urban Fantasy authors in for this wonderful giveaway. She was kind enough to include yours truly. She has invited us to take iveaway for the whole month of October. I’ve included In The Flesh, book one of my Mesdusa’s Consortium series.

Follow the link below and you’ll find over SEVENTY fabulous FREE reads, featuring novels, novellas, and previews. So if you love UF and PNR as much as I do, browse through the covers, and then click to download the book from Amazon, InstaFreebie or BookFunnel

 

It’s like trick-or-treat candy for lovers of UF/PNR. So go ahead, indulge! Better than chocolate and calorie free!

 

Here is the page link: http://victoriadeluis.com/promo/


 

 

 

De-Scribing

While I posted parts of this blog several years ago, with Blindsided just out, it seemed more appropriate than ever, and with me away on retreat allowing my characters to dictate what I write, I had to share these thoughts with you.

We writers of fiction often play god creating both characters and plot and setting that created world in motion to see what happens, to even control what happens. We actually get to look inside the heads of our characters and see what’s going on there, what motivates, what inspires, what frightens, what excites. In a lot of ways that’s the norm. That’s what the writing life is supposed to be like, that’s supposed to be our experience as we plot the story and shape our characters.

 

But in every good writing experience I’ve ever had, in almost every novel I’ve ever written, there comes a point when I stop being the creator, when I stop telling the characters what’s going to happen and how they’ll react to it. There comes a point, a certain threshold – usually when I’m most deeply into the world I’ve created, when the characters rise up and rebel. They stop being my puppets and they start telling me exactly how it’s going to be. They make it very clear to me that I have been demoted from god, creator of the fictional world and all who live in it to … well … to a glorified secretary and little more. They tell me what to write and I don’t argue. I just write, because at that point, they know what’s best.

 

OK, the position is actually a bit more glamorous than that of a secretary because my characters now drag me along, whether my bag is packed or not, to wherever the plot takes them and through whatever twists and turns unfold in the process. I become the war correspondent reporting the action on the front. I become the Scribe, responsible for recording the facts, responsible for writing the truth as my characters see it. I also become their advocate. It becomes my job to speak for the character to the readers, to make sure the readers ‘get them’ and their plight.

 

The Scribe! I’ve been thinking a lot lately about what that means, especially as I work on the Medusa’s Consortium series in which the roll of the scribe becomes a lot more important. I’ve been trying out that position, opening myself to the idea of being prepared for anything. The result has been several stories I’ve shared with you on this blog, as well as some highly imaginative incidents that may or may not have involved strong drink, too little sleep, and a sense of humor that is most active when the imagination is stimulated. The story of the storyteller is another story within itself. The storyteller, the novelist, the war correspondent, the reporter, are all quite often used as plot devices that frame the story. In fact the story within a story, the plot within a plot, the play within a play is as old as Shakespeare and probably older.

 

It’s old because it works. It works because it give more dimension and also allows the Scribe a little bit of distance, a little bit of space to say, while pointing the finger, ‘Hey, it wasn’t my idea! They told me to say it! It’s their fault, not mine!’ If ever there was license for a writer to misbehave with abandon, I’d say the Scribe is it. So, I’m sure you can see where I’m going with this. My new release, Blindsided as well as In The Flesh are both Scribe stories, in which our scribe, Susan Innes takes center stage. Encounter in a Dry Canyon and the encounters with Alonso Darlington as well as the lady in the sunglasses, (and you all now know that this lady will be putting me through my paces for a long time to come) are all examples of the writer as Scribe, of the writer only there to observe and tell the characters’ stories.

 

Being a Scribe for the characters and events of an intriguing story means that I, the writer, gets the hell out of the way
and let the characters tell the story, let them guide me through the events as they unfold. If I’m not in the way, the story is one step closer to its purest form, colored by the characters views of events and experiences rather than my own, and that has to be the difference between Nescafe and a freshly made, triple espresso with whipped cream on top!

 

While I’m away in Zagreb on my writer’s retreat, I hope to spend a lot of time getting out of the way and letting the characters dictate the story to me while they drag me right on into the middle of the action. I think that’s the very best place for a writer to be, and when it happens, it’s a heady experience! It’s also an experience that affects the writer in ways too much control over a story never could. So, bring it on, I say! But I don’t say that without a certain amount of fear and trepidation as I settle my sweaty fingers onto the keyboard and take a deep breath.

 

Gods and Monsters, Demons and Billionaires

Most of us might not consider this – especially if we’re in the camp that is sick to death of billionaire stories, but billionaires have been with us in their more archetypal forms since the time of telling stories in the cave around the fire.

The truth is that power and control, in all their guises have a facet of raw, primal lust, and few things are more darkly and secretly fascinating than the idea of being forced to give up control and finding that we like it. Being possessed, being under someone else’s thrall, being taken to the realms of ecstasy, whether it’s on Mount Olympus, in Dracula’s dungeon lair or in a penthouse apartment, is a part of that dark fantasy that makes up, not only the mythological seductions, but every vampire story, ever monster story, and yes … every billionaire romance.

 

Why is that? What makes that dark fantasy such a powerful one. Well, I have a theory, and I’ve been toying with it ever since I wrote In The Flesh. Certainly it’s no less relevant in the second of the Medusa’s Consortium novels, my new release, Blindsided, and it won’t be in the third, Buried Pleasures, either. Buried Pleasures, BTW, will be coming out in January. I think that no matter how appalled we are, no matter how stubborn and independent we are, we want to know what it’s like to be with and to be taken by a force so much greater than us that we have no control. What’s it like to be bitten and seduced by a vampire? What’s it like to make love to a monster? What’s it like to be seduced by a god? What’s it like to be the object of lust for a billionaire? And ultimately what price are we willing to pay for entrance into Club Billionaire, Club Olympus, Club Undead? Oh, and just in case you’re wondering, those gods, those monsters, those demons and billionaires — they are most definitely NOT all male.

 

It’s more than lust. It’s more than love. In fact it’s all a little mercenary really. We want, we long for, a chance to take into ourselves all that we’re not. We want to know their secrets. We want those divine, powerful, filthy rich, forbidden lovers to reveal to us their inner workings just as much as they want to possess us. The ultimate question then becomes can we pay the price and survive to tell the tale? Can we achieve our HEA and find some sense of balance in a world to which we are the interloper? Oooh! It’s always so much fun to find out. And what I am discovering as I delve deeper and deeper into Magda’s world and that of her Consortium, is that the answer is far more complicated. Sometimes the Happy Ever After looks more like “what the f*ck is this then?” Sometimes the true adventure only begins when just when you think the HEA is in sight. Sometimes there are far greater things at stake.

 

Here’s a brief overview of the Medusa’s Consortium series. I think you can see why when the monsters show up, relationships might get a bit … complicated.

 

Medusa’s Consortium:

 

Contrary to popular belief, Medusa is alive and well. Ever since she escaped Greece and the Olympians, Medusa/AKA Magda Gardener has been secretly kicking ass and taking names.

 

Scheming to keep one step ahead of the Olympians and the havoc they wreak, Magda is a rescuer of monsters and demons and a thief of all things sacred to the gods who betrayed her. She is irreverent, powerful, rich and has her own agenda in which the lines between right and wrong are not always clearly drawn. For those she helps, those she draws to herself, life will never be the same. Like the Godfather, those who owe Magda Gardener never know when she’ll call in the debt, nor what will be required of them when she does. But the price for those who cross her, for those who hurt
the ones under her protection, is worse than death.

 

As her Consortium of powerful misfits grows into a cohesive family, as plotting from Olympus threatens the modern world, it Magda finds it more and more difficult to keep herself apart from the lives of those she has drawn to her. Perhaps the Gorgon doesn’t have a heart of stone after all.

 

Writing Retreat

It’s hard to believe that my first novel, The Initiation of Ms Holly, has been out seven years. I remember well that first
decent royalty check and the decision I made to celebrate with my own private writer’s retreat. I did the research, decided I didn’t want to travel too far or spend too much, and I didn’t want to go to a place like the Lake District, where I would rather walk than write. I chose the lovely Portland Cottage in Lyme Regis down on the Jurassic Coast. For those of you who don’t know, the place has a rich literary history, being the setting for John Fowles’ book, and the film, The French Lieutenant’s Woman, Jane Austen’s Persuasion, Tracy Chevalier’s Remarkable Creatures, and others.

 

The flat at Portland Cottage had gorgeous views and room for me to spread out, write, read, sprawl, pace and oh yes, the best part, a lovely tub for inspirational bubble baths. And the town itself was a total delight. I could walk on the beach, explore the village and let my Muse guide me until late afternoon, then it was back to Portland Cottage to write until I got too sleepy to continue. I’d sleep in a room with a sea view and listen to the tawny owls call, then wake up to the sun rising over Golden Cap, and start all over again.

 

I managed 35,000 words that first year, and even more important, I learned that a writer’s retreat – a private one — not one where it’s more about workshopping and socializing, but one with just me and space to write and think, was an invaluable tool worth every single pound I spent.

For the next six years, I made that yearly pilgrimage in late September or early October to Lyme Regis and Portland Cottage, and every year I managed massive word counts, fantastic walks, glorious inspiration, and came back home feeling refreshed. The lion share of seven of my novels has been written at my writer’s retreats, and they have become a non-negotiable part of my writing year.

 

I’m writing this before I leave for my 2017 writer’s retreat, because I will have my head down writing hard by the time you read this. Sadly I won’t be doing it at Portland Cottage this year. The flat has been sold on as a private residence. Happily, I’m doing it from a lovely flat in Zagreb Croatia just off Maksimir Park. You’ll hear all about that when I get back home.

 

For me going to Zagreb for my sacrosanct writing week is not only a new beginning, but a reclaiming of a place I lived in long ago, a place I loved. The story of why it has taken me so long to reclaim this wonderful place is one for another time, but let’s just say even though I write this before I’m actually there, I fully expect to accomplish a lot and to be totally inspired. I have a sneaking suspicion I might meet old friend there and maybe make some new ones too.

 

For me, it’s a time of new beginnings, and as difficult as it is to let go of the old familiar, as frightening as it can be to
move forward, it’s essential for growth. Certainly it’s crucial for creativity. As I write this post, I’m anticipating what this next week will bring. As you read this post, I will be embracing another new beginning and moving forward in my own creative journey. I can’t wait to tell you all about it when I get back home.

 

P.S. Be sure to check Facebook. I might just pop a few piccies on from time to time.

 

Series Lover’s Paradise!

 

 

Happy October, everyone! I’m just back from a lovely, if soggy, walking holiday in Snowdonia. For my lovely readers who are not from the UK and don’t know, Snowdonia is a lovely national park in the mountains of North Wales. During the long rainy nights with no Wifi, Mr. Grace and I both curled up with a good binge read. For us, that means it’s series time.

 

Nobody loves a good series more than I do. In my humble opinion, the only thing better than a good doorstop novel is a series. If an author can engage me in a world, in a series of events, in the trials and tribulations of her characters, I am SO there!

 

And that’s why I’m so excited about this giveaway event. If you like the never-ending story a good series offers, here’s the perfect giveaway for you.  

 

Author Cross Promotion Start-a-Series Giveaway:

This is an awesome way to make sure you’re well-supplied with some serious binge reading material. Here is your opportunity to win up to 45 eBooks and help us celebrate that best ever binge-reads, the series.

 

This giveaway runs until October 9. All you have to do is follow the link for your chance to win. https://AuthorsXP.com/giveaway

 

As a writer of series as well as a fan, I’m especially excited about this giveaway because In The Flesh, the first novel in my Medusa’s Consortium sizzling, chilling urban fantasy series, is included. I’m especially excited because it’s just in time for the release of Blindsided, the second novel in the series, now out for your reading pleasure.

 

 

Book I – In The Flesh Blurb:

When Susan Innes comes to visit her friend, Annie Rivers, in Chapel House, the deconsecrated church that Annie is renovating into a home, she discovers her outgoing friend changed, reclusive, secretive, and completely enthralled by a mysterious lover, whose presence is always felt, but never seen, a lover whom she claims is god. As her holiday turns into a nightmare, Susan must come to grips with the fact that her friend’s lover is neither imaginary nor is he human, and even worse, he’s turned his wandering eye on Susan, and he won’t be denied his prize. If Susan is to fight an inhuman stalker intent on having her as his own, she’ll need a little inhuman help.

 

 
© 2017 K D Grace
The Romance Reviews

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