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Out Now – The Alpha Match by Leigh Archer (Untamed Safari Book #1) (@leigharcherbook) #romance #contemporary

The_Alpha_Match_by_Leigh_Archer-500RED-HOT ROMANCE GOES ON SAFARI  

English conservationist, Caro Hannah, and South African, Ben Duval, must work together on a project to introduce endangered wild dogs to an African game reserve, four years after their love affair ended. The challenges of their profession pale into insignificance beside the personal obstacles they must overcome in order to either bring closure to the events of four years before, or reignite a passion hot enough to burn up the African bush.

The Alpha Match is the first in a series set in the African bush where luxury tented camps and romantic hideaways are havens for royals, celebrities and the adventurous at heart. The Untamed Safari Series places unforgettable men and women in this captivating setting and holds its breath as they play out their red-hot passions.

 

BUY LINKS:

Tirgearr Publishing: http://tirgearrpublishing.com/authors/Archer_Leigh/the-alpha-match.htm

Amazon UK: http://amzn.to/1QhNDIW

Amazon US: http://amzn.to/1buj6b7

Smashwords: https://www.smashwords.com/books/view/528008?ref=cw1985

 

 

EXCERPT

Caro was aware that her voice was rising, but she could do nothing to stop it. Now was as good a time as any to speak her mind. ‘As a matter of fact, if you could stop all the wars on this planet, solve world hunger and reverse the effects of global warming, I’d still feel nothing for you.’

It was the briefest look of pain flitting across his face that silenced her. Then his mouth hardened and his eyes blazed. ‘I’m your boss, Caro.’ He spoke very slowly, his voice vibrating deep in his throat. ‘All I’m asking from you is some respect. Your unwillingness to greet me at the meeting today; that wasn’t very mature, was it? How far do you think we’ll get on this project if that’s the way things are going to be between us?’

Caro was stung. ‘If you think I’m going to be anything other than professional, then you really don’t know me at all. I’ve worked for five years to save the African wild dog and I’d never do anything to jeopardise this project.’

‘Oh, I believe you,’ Ben said. ‘Nobody knows better than I do just how ambitious you really are. As a matter of fact, what was I thinking? Of course you’d never let anything get in your way, least of all other people’s feelings.’

Caro gaped.

He leaned towards her. ‘I’m right, aren’t I, Caro?’

Again he stared into her eyes, his own narrowed and filled with fire.

She could see the cords of muscle beneath the golden skin of his neck. Her breath came in small, silent gasps, and she pressed a hand to her chest.

Ben’s gaze travelled slowly from her face to the hand against her naked skin. He opened his mouth, closed it again. His body tilted towards her, his fingers heading for the bunch of towel between her breasts. Then he snatched his hand back, shook his head, turned and started for the door.

 

AUTHOR BIO – LEIGH ARCHER: 

Leigh writes romance novels set in her native South Africa. She has always had a love affair with Africa’s wild open spaces, the intensity of its people and sunsets. Her love of storytelling began as a child when she spent every spare moment playing barefoot in golden grass, watching meerkats, learning to track spoor and dreaming up heroes and heroines dynamic enough to stand out in all the beauty and drama of the African landscape.

Always in search of adventure, Leigh’s journey as a writer has taken her from journalist to communications specialist, and now novelist.

releaseblitzbutton_thealphamatchAUTHOR URLs:

http://leigharcher.yolasite.com/

https://twitter.com/LeighArcherBook

https://www.facebook.com/pages/Leigh-Archer/299910886869499

http://leigharcher.blog.com

http://amazon.com/author/leigharcher

Two Sisters Walking

2015-05-14 14.09.52‘Look how all that water’s soaked in since the rain,’ I point out to my sister as we descend into the Dry Canyon that runs through her town in Central Oregon’s High Desert. Yesterday the rock bed of the shallow spillway looked like a small lake. Now the puddle is reduced to a birdbath for the scrub jays.

‘The rocks are porous,’ she says. ‘Volcanic. Even with a day and a night of heavy rain, it all soaks right in.’ Along the side of the paved path, the soil looks as dry and dusty as it always does, but looking out at the vegetation that’s usually varying shades of kaki and tan and burnt umber everything now has a shining patina of green, and the tiny purple flowers of the low bronze plants, which neither of us can name, carpet the desert floor with color.

A rock chuck gives a sharp high-pitched chirp from somewhere nearby and a scrub jay calls from the juniper tree above us. I catch a flash of iridescent blue in the branches and a flutter of wings. I love this canyon. It’s truly one of the treasures of Redmond Oregon, and some of my fondest memories and best ideas are associated with walks in this
canyon on my annual visit with my sister. The canyon, which was formed by ancient volcanoes, used to be the city dump a long time ago. Now it has a paved walking path the entire 3 ½ mileas well a dog park, a playground and several sets of steep steps into it from street level. It’s wide enough in spots that you can completely forget you’re surrounded 2015-05-03 10.28.11
by a town on both sides at cliff-top level, and there’s now a bridge spanning the canyon in graceful concrete arches. I love that you see the occasional deer in the canyon and even occasionally there are mountain lion sightings. I love that the canyon feels like a wild place in the middle of a town of 27,000. But I also love that there are still a few places along the rocky edges where you can find the rusted-out corpses of cars and baling wire and other twisted metal heaps, now mangled beyond recognition, but certainly an inspiration to my imagination. I love that the canyon and the cliff tops that surround it are an incredible blend of wild high desert and human detritus from as long as people have lived on the cliffs above.

As we head into the canyon, a runner passes us, ears muffed in headphones. ‘That’s a tall drink of water,’ my sister says.

‘Where, I say,’ looking around for a large bottle of water, maybe strapped to the man’s hip.’

‘The guy. He’s tall.’ She nods in his direction. My sister has a way with words.

I laugh and watch him as he trots down the walking path, his miniscule running shorts flapping in the breeze. ‘You don’t even want to know where my thoughts go with that,’ I say.

She sniggers, ‘Probably not.’

I’ve already tried out my ideas for my recent mountain lion in the canyon story that I posted last week on my blog, so 2015-05-13 16.14.04she’s not at all sure how her ‘tall drink of water’ may inspire me.

We walk in silence until we get to the bridge. From there on the canyon widens out until there are places where the trees and rocks hide the housing developments that line the cliffs above on both sides. We’re looking for a crow’s nest I spotted a couple of days ago when I was walking the canyon by myself. The sun was at the wrong angle for me to see inside the hodgepodge of dried sticks stowed into a crevice in the rocks, but the two attentive adults squawking and flapping on the ledge suggested there was a family. Today with this side of the canyon wall in shadow and us armed with a pair of binoculars, we can see that, indeed, there are at least five crow chicks, who look only days away from fledging. We watch in delight the caws and chirrups and furious exercising of young wings until one of the adults notices we might just be paying too much attention to the kiddos and hovers threateningly above us making loud threatening calls. We both decide, observing the poop-spattered side of the cliff below the nest, that it’s best to move on before mummy or daddy drops the bomb.

‘I’ve never seen a nest of crow-babies,’ I say, looking back over my shoulder as we continue on toward the stairs. The part of the canyon walk we do is the wilder end. It takes about two hours round trip and involves the ascent and decent of two sets of stairs – one about sixty steps, the other 109. Good for the old thigh muscles. We walk to the end and turn
back along the canyon wall on an unpaved path that undulates and weaves in and out of the rocks and trees. This is my favorite part. I could be in the woods for all I know, especially with the twitter and chirp of birds around us. Three California Quail cross in front of us with their top knots bouncing jauntily. A golden mantle ground squirrel scurries into the rocks. There’s just enough water in the little brook that passes beneath the trail to trickle softly.

For a long time we don’t talk. We just walk and take it all in. When we’re together, we usually talk a lot. We make up for lost time, but the canyon is a place where we’re silent as often as not because it’s such a great place to hear our thoughts, to listen for inspiration, to feel glad that we chose to walk instead of stay put in the house. I’m thinking about a story that the walk has inspired. I don’t know when it’ll happen, but when we do talk, we’re approaching the end of the walk, up behind the trailer parks, back out on the rim of the canyon. The place is sort of a no-man’s-land. I suspect that if expansion in Central Oregon continues, it may easily be turned into a housing development, but for now, it’s just there. There’s a huge mound of earth, maybe eight feet high, with a shovel thrust down in the top of it. I know for a fact that it’s a place where the kids 2015-05-14 15.17.26from the trailer park play, but in my mind the shovel is there to bury a body. My sister looks at me askance as though she might be worried just a little bit about the twists and turns of my imagination as I take pictures of it and tell her my story idea.

‘There’s a dead skunk over here,’ she says, motioning me over. Her mind has it’s own strange twists and turns. ‘Stunk to high heaven last fall.’

‘It doesn’t smell so bad now,’ I say, looking at the desiccated heap of flattened skin and bones that I would have missed completely if she hadn’t pointed it out. ‘I want some pictures.’

She steps back and watch as I take pictures of the delicate skull and teeth, visible above the dusty remains of the pelt.

As we step back onto the dead-end lane that leads out of the canyon and back home, there’s an old pickup truck that’s been sitting there, my sister tells me, for months. The back of it’s loaded with a fascinating array of junk. ‘It looks like 2015-05-13 16.49.46
someone was moving and then just deserted everything,’ I say.

‘It’s been ticketed by the police for being left, and then the ticket blew away and it’s still sitting here,’ my sister tells me.

I start taking pictures again. ‘Maybe the owner is buried beneath that mound of dirt back there,’ I say. ‘Maybe there’s foul play involved.’

‘That looks like a rodeo dummy in there,’ she says peering into the bed. And look, there’s a bottle of some kind of prescription drugs in that stir-fry pan.’

I look around to make sure no one is looking and start taking pictures while I tell her my story idea. ‘I think the guy will be running from someone and this is as far as he gets before he gets caught.’

‘But why would he have a rocking chair in the back and all that cooking stuff?’ She asks.

2015-05-13 16.45.52‘I don’t know, I’ll think of something. Maybe he was a rodeo clown, maybe he had gambling debts?’ I keep snapping pictures feeling slightly guilty for doing it, but not that guilty.

‘There was actually a pair of lacy women’s underwear laying behind the truck at one time. Bright pink.’ She remembers.

‘Seriously?’

‘Yup. That sounds like something that might interest you.’

‘The plot thickens.’ I say. Someone with a couple of dogs comes up out of the canyon behind us, so I, quick like a bunny, stuff my iPhone back in my pocket and we head on.2015-05-13 16.20.55

‘You want coffee?’ she says, as we stomp the dust off our feet on her sidewalk. ‘I want coffee.’

‘Me too.’ I follow her into the house, taking off my boots and pounding them over the rail of the porch to rid them of
dust.

‘I’m dying of thirst,’ she says.

‘Better get you a tall drink of water,’ I reply.

She gives me a dirty look and starts the coffee pot.

Out Now – Native Tongue – M/M Erotic Romance by Lucy Felthouse (@cw1985) #erotica #romance #military #interracial

Native TongueBlurb:

They may be back on British soil, but the battle isn’t over.

When Captain Hugh Wilkes fell for his Afghan interpreter, Rustam Balkhi, he always knew things would never be easy. After months of complete secrecy, their return to England should have spelt an end to the sneaking around and the insane risks. But it seems there are many obstacles for them to overcome before they can truly be happy together. Can they get past those obstacles, or is this one battle too many for their fledgling relationship?

Author’s note: Although this story does work as a standalone tale, it’s recommended that you read the first instalment of the characters’ journey first—Desert Heat, which is available from all good retailers.

Buy links: http://lucyfelthouse.co.uk/published-works/native-tongue/

Goodreads: https://www.goodreads.com/book/show/25462496-native-tongue

**For those of you that haven’t yet read Desert Heat either, there’s a great value double pack containing both books available exclusively on Amazon (from 14th May), which is available for lending, and for Kindle Unlimited members: http://lucyfelthouse.co.uk/published-works/desert-heat-native-tongue/ **

*****

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Excerpt:

Captain Hugh Wilkes drummed enthusiastically on the steering wheel of his car as he drove it up the M3 towards London. He sung loudly and tunelessly along to the song on the radio, too, but it didn’t matter. No one could hear him.

He’d surprised himself by being so chilled out about the volume of Friday evening traffic. He wasn’t the most patient of people, so the slow progress should probably have been increasing his blood pressure, if not leading to full on road rage. But, although he’d have loved to be actually achieving the speed limit, not bumbling along at a mere fifty miles per hour, Wilkes was just glad the traffic was moving at all. Britain’s roads, the motorways in particular, soon came to a standstill if there was so much as a tiny bump between two vehicles. So any progress was better than none.

Besides, what could he do about it? His only other options to get to London from his base in Wiltshire were a train, or stealing a plane, helicopter or tank. The latter might just cause a little bit of bother, and mean the end of his army career, not to mention criminal charges. The former meant cramming in amongst sweaty, disgruntled commuters. If that wasn’t bad enough, he’d be charged an extortionate amount to do so, probably wouldn’t even get a seat, and would likely be subjected to delays.

At least driving took him from door to door, with plenty of personal space. And if there were delays, well, he could sit them out from the comfort of his own vehicle, with the climate control set to the perfect temperature, and the radio blasting some of his favourite tunes.

The next song was even better, and Wilkes’ tuneless wailing became more enthusiastic, as did the drumming on the steering wheel. He was in one hell of a good mood, and if he was truthful with himself, he knew it wasn’t just the fact the M3 was moving at a nice pace. It wasn’t the Friday feeling, either. Sure, both of those things were contributing to his happiness, but the main reason he was grinning like a buffoon was the thought of what awaited him in the capital. Or rather, who.

Rustam Balkhi. His gorgeous Afghan boyfriend, whom he’d met out in Afghanistan while they were working together for the British Army. Now, with their tour of duty over and the forces’ presence pulled out of the country, the two men had returned to England. Wilkes had gone back to his regular army life in Bulford Camp, near Salisbury. Balkhi was in London, where he’d recommenced the medical training he’d postponed to become an interpreter for the Brits.

The past few weeks had been somewhat of a whirlwind. Wilkes’ return to the UK had been straightforward, but Balkhi had had to jump through some hoops in order to get back onto his medical course. He’d been willing to start from scratch, but it’d seemed like an awful waste of time, so Wilkes had spoken to his superiors, who’d explained to the university what important work Balkhi had been doing. Fortunately, they’d been persuaded of Balkhi’s commitment and character, and allowed him to pick up where he’d left off. That settled, Balkhi had to pack up, travel back to the UK, find somewhere to live, move in… and all before the start of the next academic term.

Wilkes had felt terrible. His return had taken place a few weeks before Balkhi’s, so although he’d been granted some leave for R&R, he hadn’t been able to either spend it with Balkhi, or to use it help him with his relocation. By the time Balkhi had set foot on British soil, Wilkes was back to work. And, given nobody knew about the two of them, or even that Wilkes was gay, he couldn’t exactly ask for more leave in order to help his boyfriend move into his new flat.

Life had conspired against them ever since, so this was the first opportunity they’d had to see each other since saying goodbye in Afghanistan all those weeks ago. They’d communicated via email, text message and phone calls, but it just wasn’t the same. Especially since they’d gone from seeing each other every single day for the best part of six months to not setting eyes on each other for weeks on end.

Wilkes had struggled terribly in the interim. Life had been tough enough while they were still out in the desert. After weeks and weeks of trying desperately to ignore their growing attraction, they’d finally given in to it. It had been stupid and risky, but, having quickly realised there was more to their attraction than the physical, they’d decided to carry on their relationship in secret while they were in Afghanistan, see how it went, and figure things out once Wilkes’ tour of duty was over. Balkhi had always intended to return to the UK for his studies, so they would, at least, be living in the same country.

*****

Author Bio:

Lucy Felthouse is a very busy woman! She writes erotica and erotic romance in a variety of subgenres and pairings, and has over 100 publications to her name, with many more in the pipeline. These include several editions of Best Bondage Erotica, Best Women’s Erotica 2013 and Best Erotic Romance 2014. Another string to her bow is editing, and she has edited and co-edited a number of anthologies, and also edits for a small publishing house. She owns Erotica For All, is book editor for Cliterati, and is one eighth of The Brit Babes. Find out more at http://www.lucyfelthouse.co.uk. Join her on Facebook and Twitter, and subscribe to her newsletter at: http://eepurl.com/gMQb9

 

It’s a Very Naughty Spring with a new #boxedset, Naughty Flings (#99cents #kindle #romance @suzdemello @naughtyliterati #free)

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The Naughty Literati are back with a new boxed set—their third.

Who are the Naughty Literati, you ask?

They’re a group of authors who’ve come together to showcase their epic talents in stories filled with powerful eroticism and satisfying romance. Their tales range from heartwarming and sweet to scorching hot erotic; medieval to futuristic; humans to aliens and shape-shifters; vanilla committed couples to kinky ménage fun.

Check out the NL site for a rockin’ contest and enter to win a Kindle Paperwhite full of great reading from our bestselling contributors.

http://www.naughtyliterati.com

Here’s a snippet from Suz deMello’s hot hot hot new story, Spring Training, in which a baseball pitcher gets very special, very private training from his team’s gorgeous new trainer. Terri’s romance with player Chase McCall will get your heart racing and your toenails curling!

Though the hotel’s dining room was crowded with players and fans, Chase managed to score a relatively quiet table with a fake palm on one side and a curtain on the other. While he waited for Terri to show up, he battled the demons in his head.

Okay, so she’s beautiful. She’s smart. She loves baseball.

But she’s the new trainer. If we fool around and things go wrong… He shuddered.

A few words to management from Terri like, “Chase McCall? He used to be good…” and he’d be off the team, his career shattered.

A hush fell over the crowded, noisy room. He heard a player say, with reverence in his tone, “Holy shit, she sure cleans up nice.”

Chase stood and looked toward the door. Yeah, she sure did clean up nicely. Her slim, unadorned dress allowed her natural beauty to shine, as did her lack of makeup, which showcased glowing, perfect skin. Shiny brown hair swept her shoulders. She was so gorgeous that his eyes ached just looking at her.

She strode toward him, smiling. He had a brief vision of her doing the same thing. Naked. Tits bobbing, hips swinging… He bet she was a firecracker in the sack. All that confidence oozing outta her was sexy as hell.

“Shit,” he muttered.

“What?” she asked.

He helped her into a chair, then slumped into his. He hummed along with the jazz band playing in the adjacent bar. I’ve got it bad, and that ain’t good…

“Ohhh….”

He raised his head and saw her nodding in understanding. “If it’s any comfort… Me too.”

He rubbed his face. “At least we can both be adults about it, talk about it.”

“Yep, well, you’re totally distracting, and sex would be even more distracting.” Terri’s tone was firm, matter-of-fact. She tapped fingertips against the linen tablecloth. Was she edgy, too?

“And it would be a terrible career move for me.”

She frowned and even looked a little offended. She opened her mouth to speak, but was interrupted by a server bustling over to their table. “What can I get you folks to drink?”

“Prosecco, please.” Her tone was brisk and assured, as usual.

Despite another flare of desire, Chase focused on the matter at hand. “I’d like a glass of red. Do you have any California pinots?”

“We have an excellent Rombauer Zin that’s comparable, sir.”

“Umm, they’re a good vineyard. Okay.”

The server put dinner menus onto the table and left.

He eyed Terri. “What did I say that was so bad?”

“Why would an affair with me be a terrible career move? Being with the trainer—that would be smart, wouldn’t it?”

“Not if it didn’t work out. And it could be interpreted as sexual harassment.”

She smiled. “But who’s harassing whom?”

“Men are usually thought to have all the power in this situation,” he said slowly. “But here…you’re the one in control.”

She grinned at him. Jesus fuck, this woman is sex on a stick. She said, “Have you ever thought about giving up control?”

Chase stared at her. “You mean…you mean…some kind of kinky dominatrix thing?”

She didn’t say anything. She just licked her lower lip and smiled, a sinful glint in her eye.

“Screw dinner.” He tossed a twenty on the table for the drinks and stood.

 

NFLike what you read? Score a copy of Naughty Flings here: http://indi.uno/1EaiEqB

Want some free naughtiness? Naughty Hearts, a previous anthology, is free from May 12-16! So if you like your romance spiced with a little naughtiness, go for it!

GET IT HERE: http://indi.uno/1BH3Uxu

 

 

suz w name venice maskAbout Suz deMello:

Best-selling, award-winning author Suz deMello, a.k.a Sue Swift, has written nineteen books in several genres, including nonfiction, romance, erotica, comedy, historical, paranormal, mystery and suspense, plus a number of short stories and non-fiction articles on writing. Her books have been favorably reviewed in Publishers Weekly, Kirkus and Booklist, won a contest or two, attained the finals of the RITA and hit several bestseller lists.

A former trial attorney, her passion is world travel. She’s left the US over a dozen times, including lengthy stints working overseas. She’s now writing a vampire tale and planning her next trip.


–Find her books at http://www.suzdemello.com

–For editing services, email her at suzdemello@gmail.com

–Befriend her on Facebook: http://www.facebook.com/SuzDeMello

–She tweets @Suzdemello

–Pinterest: http://www.pinterest.com/suzdemello/

–Goodreads: http://bit.ly/SuzATGoodreads

–Her current blog is http://www.TheVelvetLair.com

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Showing vs Telling by Kemberlee Shortland (@kemberlee) #erotica #romance #giveaway

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I’m sure I’m not the only one whose editor has said, “This is telling. SHOW your reader . . . “. Have you ever wondered exactly what this means?

Here’s an example —

Telling: Mary showered before dressing.

Showing: Mary stepped from the steaming shower and wrapped herself in a thick white terrycloth towel. Her hair was bound to keep it dry, but now she let it down. She watched the coppery curls fall about her bare shoulders in the foggy mirror, her reflection an apparition in the haze.

In the showing example, the reader is in the bathroom with Mary. While her actual features are blurred in the foggy mirror, we know she has coppery hair and it’s long enough that if falls about her shoulders.

Here’s another one —

Telling: John played the guitar.

Showing: The sound was as gentle as a pleasured woman’s moan yet seemed almost too big for the tiny room. John closed his eyes, enjoying the erotic sensation of the hum of the cords reverberating through his belly. He let his fingers slide over the strings and listened to the slow gut-twisting refrain.

This example shows us John is an experienced guitarist. We see him playing the instrument in a small room, possibly a recording studio. The piece he’s playing awakens particular emotions in him, which the reader also gets a sense of.

How do we know any of this? Because we’ve been shown through the narrative.

We can also be shown a story through dialog. Look at these examples —

Telling: Mary paled, as if she’d seen a ghost.

Showing: “Mary, you’re white as a sheet. You look like you’ve seen a ghost.”

Telling: John loved dogs, but not jumping all over him.

Showing: “Mary, you know I love Spike, but would you mind controlling him?”

In the business of writing fiction, writers must tell a story in such a way that readers can see, and feel, what’s happening in the story. But does this make us storytellers or story showers?

Traditional storytelling goes back well before the written word — to a time of oral storytelling. This is the most intimate form of storytelling, as both the storyteller and the audience gather in a close environment to hear the tale. I won’t go into a history of oral storytelling here, but give you some examples of how this art is used.

Imagine you’re a medieval trader of exotic spices or fabrics, and you’re visiting a town to sell your wares. The local lord invites you into his home where he trades a hot meal and a bed for the night in exchange for you telling him tales of your travels. What tales would you tell? One of a dangerous ocean voyage? Perhaps, exotic people from other countries? Maybe you’ll relate some of the ancient stories you were told while in that foreign country.

What if you were a time traveler who’s gone back in time and you must explain about where you came from and how you found yourself in the past? How do you explain cars, planes and walking on the moon to someone who wants to know what the future is like?

As writers, we take these stories and write them in such a way that readers are pulled in, much the same as listening to traditional oral storytellers, and become part of the story. The biggest difference is that oral storytelling relies heavily on watching the storyteller, as he/she may become animated or perhaps sing to embellish the story. With fiction, the reader only has the page filled with words and their imagination. Their imagination is fueled by the words we put on those pages. And while a simple story, such as Cinderella, might be enough to entertain young children, an adult wants a story with a lot more meat in it. We want to tell a story to keep our readers up all night turning pages, not tell a bedtime story that puts them to sleep.

4One of my favorite stories is an ancient Danish ballad called Hellelil and Hildrebrand. It was translated into English in 1891. The ballad, or a story written as poetry, tells the story of forbidden love. Kind of the Romeo and Juliet of Denmark, if you will. In my next example, I’ve pulled a scene from the ballad in which Hellelil explains how her father, the king, has twelve knights watching over her safety, and how she’s fallen in love with one of them. Hildebrand happens to be the son of the King of England. Son of royalty or not, he’s still just a knight and she’s a princess. Read this scene from the original ballad and see what you get from it —

My father was good king and lord,

Knights fifteen served before his board.

 

He taught me sewing royally,

Twelve knights had watch and ward of me.

 

Well served eleven day by day,

To folly the twelfth did me bewray.

 

And this same was hight Hildebrand,

The King’s son of the English Land.

 

But in bower were we no sooner laid

Than the truth thereof to my father was said.

 

Then loud he cried o’er garth and hall:

‘Stand up, my men, and arm ye all!

 

‘Yea draw on mail and dally not,

Hard neck lord Hildebrand hath got!’

While this excerpt is telling an interesting story, it’s not what today’s mass market readers want. They want authors to show them the story through the protagonist’s eyes. Read my excerpt, showing what you’ve just read above —

“You must go.” She pushed her lover’s shoulders, yet he would not release her.

“I’ll not leave you, Hellelil. I love you. No one will keep us apart.”

Her heart pounded in her breast, but she couldn’t tell if it was from the danger they were both in or the thought of never seeing Hildebrand again. Most likely it was both. He was her one true love, but she knew if her father found them together like this, his anger would know no end.

“Please, Hildebrand. If my father catches you here, he’ll show no mercy. You know I’m promised to another.”

“I’m a Prince of England, and I will have you.”

He embraced her within the safety of his powerful arms. The scent of their recent lovemaking clung to his skin. One more kiss, one more embrace, certainly laying with him one more night would do no harm. She knew they were both already meant for Purgatory. He’d taken the virginity she so gladly gave him, for she loved him too, and would rather him have the gift of her innocence than a man she didn’t love.

Yes, one more night . . .

Just then, there was no mistaking the sound of her father’s voice bellowing below stairs.

“Hildebrand has gone too far. I will see his head on a pike at my gates before the day is out.”

The sound of clanging metal grew louder as her father’s knights ascended the narrow stairs.

Hellelil’s tear-filled gaze flashed across Hildebrand’s face. She sought to memorize everything about him. The color of his eyes, the wave in his hair . . . his kiss-swollen lips.

She stroked her fingers across those lips, remembering the feel of them on hers not moments before. Her chamber door was locked, but it would not remain closed for long. One more kiss was all there was time for.

She pulled him down to her. “Kiss me, Hildebrand. For if I’m to die this day, I will take the sweet memory of your kiss with me.”

Hey, I write romance so you knew that would be schmaltzy! But, as you can see, the modern day version is the same scene, but it’s written in such a way as to flesh out the scene. It puts you in the room with Hellelil and Hildrebrand, and lets you into Hellelil’s head, and heart, by showing the story through her point of view. You feel her anxiety of being torn between her love for Hildebrand and the fear of their being caught together. Her heart pounds, she touches his lips with her fingertips, her love races through her in a desperate attempt at showing one last act of that love. We feel a great sense of urgency in this piece that we don’t feel in the original ballad.

The reader also knows Hildebrand’s feelings toward Hellelil by his words and the narrative action. Hildebrand holds Hellelil within the protection of his strong arms, his declaration of love, and his promise to have her as his own. We sense because he’s a prince of another realm that he holds some stature in the household where he is. He’s not just a simple knight who’s taken the virginity of the lord’s daughter in a heartless dalliance — he loves her. Hildebrand is a man of honor and breeding, and he knows his own heart and mind. So what if she’s promised to another.

Did you get any of that from the original ballad? Didn’t think so. Why? Because the first version tells the story. My version shows it to you.

One Night in Dublin by Kemberlee Shortland - sm banner

ONE NIGHT IN DUBLIN

Kemberlee Shortland

City Nights Series, #9

Tirgearr Publishing

ISBN: 9781311609366

ASIN: B00RY20282

http://tirgearrpublishing.com/authors/Shortland_Kemberlee/one-night-in-dublin.htm

 

One Night in Dublin by Kemberlee ShortlandBlurb:

At her mother’s prompting (nagging) about grandchildren, Sive wonders if it really is time to settle down. She’s just finishing college so she should be thinking about her future. But is she ready to settle down? Is she ready for kids? And more importantly, which of the three men she’s been seeing does she want to spend the rest of her life with?

Sive has a choice to make, and only 24 hours in which to make it.

 

Extract:

Choices.

We all make them. From the moment we wake up, it’s: “do I get out of bed now or hit the snooze button . . . again?” “shall I wear this outfit to work or that one?” “tea and toast or grab something on the way?”

It’s all mundane bullshit. They’re all choices we make on the fly without even realizing we’re making them.

Think about it. What choices do you make when you’re not thinking about them? Like going home from work. You get on the train, find a seat and wait for your stop. But when you get there, you wonder how the hell you got there because you don’t remember making the journey.

What I’m trying to say is that we often go on auto-pilot and just do what needs doing without any real thought, because there are usually more pressing things to think about—the important things.  Or seemingly so. Like, what movie to see, what restaurant to eat in, where to go on holidays . . . and for some girls, this pair of sensible shoes on sale or another pair not on sale but immensely sexier?

For me, today, my choices aren’t so mundane, and they’ll require a lot of conscious thought. I have an important decision to make. One that could change my life forever, pardon the cliché.

They—whoever ‘they’ are—say there is someone for everyone, that we all have a ‘type’ of person we’re attracted to. I’m still figuring it all out . . . exploring to see what is my type . . . that someone just for me. And it doesn’t help that my mum’s voice is in the back of my head, asking . . . i.e. nagging (yes, I just said i.e.) . . . when I’m going to settle down and give her grandkids.

First, let me say this: I’m not a slut. I’m not loose, I don’t carelessly sleep around, and I don’t do one-night stands. I just love men and all of their vast differences.

What can I say about my boys that every other woman out there doesn’t already know about men? Charmers, every one of them. But they all give me something I need.

Tonight I need to decide what, or who, I need the most—Fitzy, Moss, or Sully.

 

Kemberlee Shortland authorBio:

Kemberlee Shortland is a native Northern Californian who grew up in a community founded by artists and writers, including John Steinbeck, George Sterling, and Jack London. It’s no wonder she’s loved telling stories since she was very young. Kemberlee completed her first novel at 21 and hasn’t looked back. In 1997, she left the employ of Clint Eastwood to live in Ireland for six months. It was there she met the man she would marry, and permanently relocated to live in Ireland. While always writing, Kemberlee earned her keep as a travel consultant and writing travel articles about Ireland. In 2005, she saw her first romance sell, and to date, she has nine published romances. When not writing, Kemberlee enjoys spending time with her two Border Collies, who feature on the cover of A Piece of My Heart, and also knitting, gardening, photography, music, travel, and tacos!

Website – http://www.kemberlee.com
Facebook – https://www.facebook.com/AuthorKemberleeShortland
Twitter – http://www.twitter.com/kemberlee
Hearticles – http://www.hearticles.blogspot.com
HeartShapedStones – http://www.heartshapedstones.blogspot.com

 

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